Minirock und Kronjuwelen

Two clever, but rebellious and anarchic upper-class brothers (Oliver Reed and Michael Crawford) plot the ultimate robbery - the theft of the crown jewels from the Tower of London and concoct what they believe is the perfect alibi; the trouble is, can they trust one another?

Both are a couple of drifters from a highly privileged background and have been given the best in life, but they are bored and suffer from a superiority complex which means they think they are above the law and that winning is all that matters. The theft is a chance to cock a snook at the British establishment, of which they are a part, and to brag about it to their party-going 'hooray' friends, thus enabling them to become part of folklore for their generation. They believe they can get away with it so long as the jewels are returned to the Tower - and there lies the crunch.

The opening scene shows the Crawford character being slung out of the army for breaking every rule in the book and circumnavigating the army's chain of command so that he can capture his objective on Salisbury Plain. The fact that he used his initiative is neither here nor there - he's a rebel with no ethics and that doesn't fit well with the British Army. In time of war, you need buccaneers like the brothers in order to win the day. They are straight out of sixteenth century tradition of Francis Drake and Walter Raleigh and this coincides exactly with the spirit of the hedonistic 'swinging sixties' where anything goes.

The picture is tremendous fun and is well scripted by Dick Clement and Ian La Frenais, two of the best screenwriters around. Michael Crawford didn't want to participate in the making of the film originally as he thought no-one would believe he could be Oliver Reed's brother. However, prior to filming, he met Reed's real-life brother who displayed an uncanny resemblance to Crawford and this made him change his mind. THIS MOVIE MUST BE BROUGHT OUT ON DVD NOW!!!

Like another of the commenters, I saw this film on the late night telly. I loved it all the way, and as an American, managed to appreciate some of the British humor. One joke, in particular, that made me laugh up a storm was when some guy tries to explain the bomb plantings by blaming it on "the Mafia." Michael Crawford sniggers, "Surbiton branch?" I recommend this film to anyone who wants to be entertained by one of the first films in what would become the best years of British comedy.

I remember when I was about 5 years old I saw a film about two soldiers who steal the Crown Jewels from the Tower of London. Latterly, I didn't remember much about it (obviously) or even what it was called, only that I loved it. So I was pleasantly surprised recently, when I stayed to watch the late movie on telly one night and it all came flooding back...

Quite why I would have loved "The Jokers" so much when I was five is beyond me, as most of the humour would have probably gone straight over my head. I must have loved the ingenuity of the brothers' scheme and the twists at the closing stages. But then, this movie is so incredibly easy to like - it rattles along at a cracking pace with a deftness of touch not usually associated with Michael Winner, it looks like a tourist film of London, it's a pleasing thriller, and it's pretty funny to boot. There are some priceless lines, including a couple which only an Englishman could find funny. And of course you have two great central performances, from the sterling Michael Crawford, and Oliver Reed.

There are many advances in technology which would render crucial details of the plan unworkable today, making the movie very much a product of its times; but baby, what times! The Swinging London of the late 60s, as so affectionately sent up in the "Austin Powers" flicks, is presented here as decadently appealing, if shallow, an endless round of booze and birds. If there's any sour note it is that the "system" which the brothers want to ridicule seems to have been very kind to them along the way. But it's hardly a film to be making profound political statements, so one can't complain. Instead just sit back and enjoy this superbly entertaining little gem, as much fun now as it was when I was five years old!

(9/10)

This is one of the best crime caper movies of all time, but does anybody outside of the U.K. remember it? Another great but overlooked movie. I saw this when I was a kid and then again about 10 years ago on one of the T.V. movie channels. I taped it and if I could I'd copy it to DVD and distribute it freely. It's also one of the best comedies, not to mention a whodunit and a fab portrayal of swinging London circa 1967. Plot twists, betrayal, witty dialog and great characters. Michael Crawford is a genuine talent who appeared in two of my favorite movies: A Funny Thing Happened on the Way to the Forum and Hello Dolly! He resurfaces back in the 80s as the Phantom of the Opera. Oliver Reed, is also one of the best. Together, they create the perfect sibling rivalry. Oh, the music is good too.

They don't make movies like this anymore, do they?

A good and enjoyable Michael Winner film? I know it's hard to believe but it is. It has all the merry pranks and tomfoolery of some other swinging 60's films, such as the Italian Job, but you probably haven't seen it. Reed and Crawford are supperb, great fun, seek it out.