Insel des Schreckens

A very long way after 'Quatermass', this was the second of three sci-fi quickies Terence Fisher made away from Hammer for a modest little outfit called Planet; set in Ireland, but obviously shot in bitingly cold weather in the countryside around Pinewood.

A competent cast give earnest performances in the face of stupid-looking monsters - described by Peter Cushing as "nasty little creatures" - that leave their victims looking like Dorian Gray's portrait in the 1945 movie, accidentally created in a lab trying to find a cure for cancer.

Edward Judd makes a truly shocking intervention at one point on behalf of Peter Cushing; and the film has a memorable sting in the tale.

I remember watching this movie numerous times as a child(I'm 37 years old and I believe I was around 8 or so when I first saw this movie). I've read all the IMDb reviews of the cheesy special effects but I didn't really notice these faults when I was a youngster. I haven't seen this movie for many years but can remember really enjoying this Peter Cushing movie and seriously being scared of those weird creatures. I'm sure as an adult the faults would be glaring but kids(at least back in the early 70's) didn't seem to care or notice if the effects were flawed. Hopefully I can find this movie on rental or on TV so I can get a refreshed look at this movie.

Starring horror legend Peter Cushing Island of Terror tells the story of the discovery of a messy boneless corpse on a secluded British island.

When an investigation is done they discover that the island is becoming infested with horrible creatures that put the towns population at threat!

Created by many of the same people who brought us the original Hammer Horror classics this looks great for its age and even the rubber monsters are better than you'd imagine.

Sure it's goofy, cheesy and even Cushing isn't exactly on form here but it's entertaining enough stuff for fans of the genre.

If you can get past the silliness of it all and stomach the sight of Peter Cushing trying to get into a threesome then there is entertainment value to be had.

The Good:

Interesting beasties

Ahead of its time

The Bad:

Leading lady poorly used

Seven different types of cheese

Things I Learnt From This Movie:

Solitaire was Peter Cushings second choice

Working lighters weren't in the budget

Science-fiction thriller with monster movie elements, set in Petrie's island off the east coast of Ireland, there happens strange deaths of villagers and scientists. As the island is overrun by weird shell-like creatures that suck the bones out their living preys. These fantastic monsters assault and attack citizens, and subsequently threatening to consume the world. Then, three doctors : Peter Cushing, Eddye Byrne, Edward Judd, go into action to investigate and discover the rare origin of the tentacled silicates which liquefy and digest tissue and bones . From an experiment in life..came a devastating death!.

Moving picture contains good interpretations, chills, thrills, and astonishing attacks by amazing creatures. As well as a strong denounce about risks of science and the hazardous experiments. Here Peter Cushing and Edward Judd carry the flick, giving first-rate performances. Along with enjoyable secondaries as the beautiful Carolyn Gray, Eddye Byrne and the prestigious support actor Nial MacGinnis. The premise is the following : How can three scientific stop the devouring death that live by sucking in living human bones. "This Island of terror" bears certain resemblance to "Island of the burning doomed" 1967 also directed by Terence Fisher and stars Peter Cushing, Christopher Lee, though here deals with a brute heat wave accompanied by invading aliens.

It contains a stirring musical score by Malcolm Lockyer, adding electronic soundtrack as the fantastic beings appear. As well as colorful and glimmering cinematography by Reg Wyer. Shot on location in Wexham, St. Huberts, Buckinghamshire and Pinewood studios, as usual. This British-made outing was competently directed by Hammer maestro Terence Fisher. This fine director made a lot of films for Hammer productions, usually terror genre. Outstanding his Dracula saga : The horror of Dracula, The Brides of Dracula, Dracula prince of darkness . About Frankenstein : The curse of Frankenstein, The revenge of Frankenstein, Frankenstein created woman , Frankenstein must be destroyed, Frankenstein monster from hell. Furthermore, other terror films as The Gorgon, The mummy, The devil rides out, The two faces of Dr Jekyll, The curse of the werewolf. And other movies as Sherlock Holmes and the deadly necklace, Hound of The Baskervilles, Black glove, Robin Hood, Sword of Sherwood forest, Island of the burning doomed and Island of terror . Rating : 6/10, acceptable and passable. Interesting, thrilling scenes and suspenseful twists make for prickes up the spine.

Tom Blakely's Planet Productions made just four features, three of which were this film, 1964's "Devils of Darkness," and 1967's "Night of the Big Heat" (their last). For ISLAND and NIGHT, they secured the services of Hammer director Terence Fisher and Hammer star Peter Cushing, adding Christopher Lee to the cast of NIGHT for extra measure. DEVILS was an odd footnote, the first British vampire film set not in the Gothic world represented so well by Hammer, but in the modern day, otherwise undistinguished. Terence Fisher expressed no fondness for science fiction, and his early black and white Hammer entries, "Four Sided Triangle," "Stolen Face," and "Spaceways" (all 1952), are all overly talkative and extremely dull. 1964's "The Earth Dies Screaming" was a modest step up, a very low budget alien invasion represented by a tiny cast and one single robot. Fisher's two Planet features make quite a matched set, perhaps not as revered as his better known Hammer efforts, but allowing him to focus on his cast of characters, presenting them in dangerous situations that create tension. Fisher always emphasized the human side of his monsters, and even in these two sci fi entries, he remains true to form. Both scripts benefit from finely etched characterizations, and wonderful actors bringing them to vibrant life. In ISLAND OF TERROR, an isolated island off the East coast of Ireland is the setting of an invasion created by scientists searching for a cure for cancer, creating a form of life that survives by devouring the bones of people and animals. Sam Kydd plays the constable, John Harris, who discovers a missing farmer dead in a cave, the body a mass of jelly. Eddie Byrne (THE MUMMY, THE VENGEANCE OF FU MANCHU, STAR WARS) is the island doctor, scoffing at the apt description of the corpse: "there was no face, just a horrible mush, with the eyes sittin' in it." Both actors, well known faces in British cinema, are so natural in these roles that the horror of the situation is instantly established with great credibility, and this is BEFORE the introduction of the heroic Peter Cushing, who never fails to convey sincerity in even the smallest of parts. Here, Cushing occasionally takes a back seat to second billed Edward Judd, but both work well in tandem, putting together the scientist's notes as to what went on in the laboratory, and learning how to stop the onslaught of terror. Cushing was usually the voice of reason, the authority figure, a character the audience trusts completely to present all the facts to them, yet here, his character is not so sure of himself, a quick quip to try to hide his fear, a more believably written hero, and this marvelous performer delivers one of his very best. The low budget special effects, especially the eating sounds, deliver on a modest scale, and the harrowing sequence where Cushing is attacked and implores Judd to chop off his hand at the wrist is the stuff of childhood nightmares. A first time viewer may be surprised at the unusual depth of characterization, and Niall MacGinnis (NIGHT OF THE DEMON, DR. TERROR'S HOUSE OF HORRORS, TORTURE GARDEN), as the island's leader, Liam Gaffney as the first victim, even the smallest of roles are played faultlessly. Of course, when one puzzled islander remarks "some peculiar goings-on going on on this island," there's always a risk that unintended humor might overcome the intended, but it's not fatal. Superior to NIGHT OF THE BIG HEAT, and proof that Terence Fisher could make excellent science fiction, provided he had a script that presented human characters little different from the ones in his Gothic chillers. Make no mistake, this is definitely a CHILLER, and one of Richard Gordon's infrequent productions, ranging from "Mother Riley Meets the Vampire" (Bela Lugosi), "Grip of the Strangler" (Boris Karloff), "Corridors of Blood" (Karloff and Christopher Lee), "Devil Doll," "Curse of Simba," "The Projected Man," "Tower of Evil" (all four with Bryant Haliday), "Horror Hospital" (Michael Gough), "The Cat and the Canary" (Carol Lynley), and finally "Inseminoid" (Judy Geeson and Stephanie Beacham). Thirty years of genre cinema with the greatest stars of their day.