Ein außerirdisches Raumschiff stürzt in der Nähe eines ländlichen Krankenhauses ab. Als der Außerirdische in das Krankenhaus gebracht wird, erscheint plötzlich ein mysteriöses Kraftfeld um i... Alles lesenEin außerirdisches Raumschiff stürzt in der Nähe eines ländlichen Krankenhauses ab. Als der Außerirdische in das Krankenhaus gebracht wird, erscheint plötzlich ein mysteriöses Kraftfeld um ihn herum.Ein außerirdisches Raumschiff stürzt in der Nähe eines ländlichen Krankenhauses ab. Als der Außerirdische in das Krankenhaus gebracht wird, erscheint plötzlich ein mysteriöses Kraftfeld um ihn herum.
Yôko Tani
- Leader of the Lystrians
- (as Yoko Tani)
Ric Young
- The Lystrian
- (as Eric Young)
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There was obviously very little money available for this movie, but despite this, everyone involved appears to have give it their best shot.In all departments, lighting, camera, acting etc its all very well done.
This British film is a good example of how intelligence and care can be very adequate substitutes for big budgets and endless CGI. It was made in the sixties but I can watch it again and again while bloated modern sci-fi films are seen and soon forgotten.
It is a low key film and the people in, in the face of something alien, get on with their jobs as best they can. This makes them more like real people than a lot of films do. Each one is fallible and anxious, trying to cope with the unknown. Edward Judd is his usual morose self but is a plausible doctor. Valerie Gearon as another doctor is great. The scene where she is discovered sprawling on the carpet, reading a text book and listening to music makes you warm to her instantly. She was an under used actor in British films.
The plot is simple; a strange man in a rubbery suit is knocked down in the road, taken to hospital and discovered to be an alien. Meanwhile two other aliens are searching for him. And that's it. The atmosphere of suspense is quietly conveyed by the lighting and the black and white photography.
At one point a force field is established around the hospital. There is no CGI to show this but car stops dead and kills the driver, the temperature goes up, the hospital workers react. One believes in that force field without a penny being spent on a special effect. That is good film making. There are many such interesting British films of the fifties and sixties that need re-appraisal and will be worth looking at again when we have tired of over blown under nourishing block busters
It is a low key film and the people in, in the face of something alien, get on with their jobs as best they can. This makes them more like real people than a lot of films do. Each one is fallible and anxious, trying to cope with the unknown. Edward Judd is his usual morose self but is a plausible doctor. Valerie Gearon as another doctor is great. The scene where she is discovered sprawling on the carpet, reading a text book and listening to music makes you warm to her instantly. She was an under used actor in British films.
The plot is simple; a strange man in a rubbery suit is knocked down in the road, taken to hospital and discovered to be an alien. Meanwhile two other aliens are searching for him. And that's it. The atmosphere of suspense is quietly conveyed by the lighting and the black and white photography.
At one point a force field is established around the hospital. There is no CGI to show this but car stops dead and kills the driver, the temperature goes up, the hospital workers react. One believes in that force field without a penny being spent on a special effect. That is good film making. There are many such interesting British films of the fifties and sixties that need re-appraisal and will be worth looking at again when we have tired of over blown under nourishing block busters
I have seen Invasion a couple of times and found it rather eerie. I taped it when it came on Channel 4 during the early hours.
A spaceship crashes near a rural, English hospital and its occupant, who looks human, is taken there to be treated after being run over by a car. Just after, a force field appears around the hospital, obviously something to do with the aliens. The army are called in to help to investigate. Strange things then start happening in the surrounding countryside as two mysterious Chinese looking women kill a man and head for the hospital. These are more aliens. They are searching for their colleague. They find him and they head back to their home planet in a flying saucer.
This is a well shot, British sci fi and must one of the last to be shot in black and white.
The only actors I am familiar with in this movie are sci fi regular Edward Judd (Island Of Terror, First Men In the Moon) and Barrie Ingham (Dr Who And the Daleks).
This movie is worth a look if you get the chance, but it does not seem to be available on VHS or DVD anywhere.
Rating: 3 stars out of 5.
A spaceship crashes near a rural, English hospital and its occupant, who looks human, is taken there to be treated after being run over by a car. Just after, a force field appears around the hospital, obviously something to do with the aliens. The army are called in to help to investigate. Strange things then start happening in the surrounding countryside as two mysterious Chinese looking women kill a man and head for the hospital. These are more aliens. They are searching for their colleague. They find him and they head back to their home planet in a flying saucer.
This is a well shot, British sci fi and must one of the last to be shot in black and white.
The only actors I am familiar with in this movie are sci fi regular Edward Judd (Island Of Terror, First Men In the Moon) and Barrie Ingham (Dr Who And the Daleks).
This movie is worth a look if you get the chance, but it does not seem to be available on VHS or DVD anywhere.
Rating: 3 stars out of 5.
Invasion is not a bad movie, but neither is it particularly good. I think the enthusiastic reviews are reaching. I will say, it is an awfully strange movie. The protagonists can't figure out whether the aliens are "Chinese" or "Japanese." All they know, or think they know, is that they are - "Asian" - and that apparently there is an alien Asian invasion. It seems like this component of the movie is supposed to lend some kind of air of mystery or exoticism, or perhaps mere novelty, to the story. It's muddled so you really can't ever tell what the filmmaker's intentions were. I would love to read an interview to hear what they were thinking.
In any case, as other reviewers have noted, the movie is atmospheric, has some nice B&W cinematography, and an effective, understated score. Unfortunately the heroic act of Edward Judd toward the end relies on a very weird stroke of luck, which is reflects the unevenness of the script, which is fine in parts but nonsensical in other parts. (Funnily, Judd is just as grim and sweaty in Invasion as he was in The Day the Earth Caught Fire, a far superior movie from a few years earlier.)
Being a fan of 1950s and '60s British sci-fi, it was very much worth the money. While I can't see myself watching it repeatedly the way I do classics like Village of the Damned, Day the Earth Caught Fire, and the Quatermass productions, it is worth tracking down if you like the particular temperament of the classical era of Brit sci-fi.
Fyi: I couldn't find this movie streaming anywhere so I bought a region 2 DVD for 12 bucks, including shipping, from Amazon. It's the Studiocanal edition. (I've included a few photos so you can make sure you're ordering the addition you want to order or so if you get the wrong version you can justifiably return it.) The picture is properly letterboxed at 1:66, which was the standard UK aspect ratio of the time. The picture is surprisingly good, with no blurring of grays and blacks, sharp lines between tones, with the blacks being surprisingly deep. The DVD includes a trailer, which, oddly, is narrated by the guy with an American accent, as well as the smallest photo gallery I've ever seen on a DVD, maybe six or seven pictures. Frankly, it's amazing this movie got a DVD release, so beggars can't be choosers.
In any case, as other reviewers have noted, the movie is atmospheric, has some nice B&W cinematography, and an effective, understated score. Unfortunately the heroic act of Edward Judd toward the end relies on a very weird stroke of luck, which is reflects the unevenness of the script, which is fine in parts but nonsensical in other parts. (Funnily, Judd is just as grim and sweaty in Invasion as he was in The Day the Earth Caught Fire, a far superior movie from a few years earlier.)
Being a fan of 1950s and '60s British sci-fi, it was very much worth the money. While I can't see myself watching it repeatedly the way I do classics like Village of the Damned, Day the Earth Caught Fire, and the Quatermass productions, it is worth tracking down if you like the particular temperament of the classical era of Brit sci-fi.
Fyi: I couldn't find this movie streaming anywhere so I bought a region 2 DVD for 12 bucks, including shipping, from Amazon. It's the Studiocanal edition. (I've included a few photos so you can make sure you're ordering the addition you want to order or so if you get the wrong version you can justifiably return it.) The picture is properly letterboxed at 1:66, which was the standard UK aspect ratio of the time. The picture is surprisingly good, with no blurring of grays and blacks, sharp lines between tones, with the blacks being surprisingly deep. The DVD includes a trailer, which, oddly, is narrated by the guy with an American accent, as well as the smallest photo gallery I've ever seen on a DVD, maybe six or seven pictures. Frankly, it's amazing this movie got a DVD release, so beggars can't be choosers.
The 60s was probably Britain's finest hour for well-made, believable science fiction and "Invasion" is no exception.
This tense, moody little masterpiece is a joy to watch. No wobbly sets, laughable aliens or flying saucers on strings. Just lots of moody set pieces enhanced by little incidental music and some stark lighting effects.
Co-scripted by Robert Holmes of "Doctor Who" fame, this film bears more than a little resemblance to Jon Pertwee's debut DW story "Spearhead from Space" - also scripted by Holmes. However, what do not have here is any of DW's trademark bad points: wobbly sets, bad acting and cardboard monsters!
Catch this if you can. A real must see for early, British sci-fi fans.
This tense, moody little masterpiece is a joy to watch. No wobbly sets, laughable aliens or flying saucers on strings. Just lots of moody set pieces enhanced by little incidental music and some stark lighting effects.
Co-scripted by Robert Holmes of "Doctor Who" fame, this film bears more than a little resemblance to Jon Pertwee's debut DW story "Spearhead from Space" - also scripted by Holmes. However, what do not have here is any of DW's trademark bad points: wobbly sets, bad acting and cardboard monsters!
Catch this if you can. A real must see for early, British sci-fi fans.
Wusstest du schon
- WissenswertesWriter Robert Holmes later reused elements of this story in the first Jon Pertwee Doctor Who (1963) story, Spearhead from Space: Episode 1 (1970). Like this film, it was initially set in a remote English cottage hospital complete with a mysterious and unconscious alien stranger, puzzled doctors, an army patrol, and lurking alien forces in the nearby woods.
- PatzerWhen Mr. Carter is thrown through the windshield of his car, nobody bothers to check if he might still be alive.
- Alternative VersionenThe print broadcast by Talking Pictures TV in 2018 sees the cover of "The G-String Murders" (the 1941 novel ostensibly written by Gypsy Rose Lee) blurred out when Lloyd shows it to Major Muncaster in the radar truck.
- VerbindungenFeatured in Aweful Movies with Deadly Earnest: Invasion (1971)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Eisvoli apo to diastima
- Drehorte
- Merton Park Studios, Merton, London, England, Vereinigtes Königreich(studio: made at Merton Park Studios London England)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Seitenverhältnis
- 1.66 : 1
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