Ein Fall für Harper

This movie is so great. It is very funny and intriguing at the same time. It liked it so much that I made my boss at the video store sell it to me. Harper is a down on his luck P.I. who is going through a divorce and lives in his office. The story has a lot of plot twists and is an excellent who-done-it. Also, what can I say about Mr. Newman but simply...yum.

Paul Newman is "Harper," a detective called upon to find a missing husband in this 1966 film based on the book "The Moving Target" by Ross MacDonald. It also stars Lauren Bacall, Arthur Hill, Pamela Tiffin, Robert Wagner, Shelley Winters, Robert Webber, Janet Leigh and Julie Harris.

Bacall, on the suggestion of the family attorney (Hill) hires Harper to locate her husband. Along the way, Harper meets some bizarre characters, including Strother Martin as an alleged religious guru, Harris as a junkie singer and others. There are enough twists and turns to keep the audience interested throughout.

As Harper, Newman turns in another excellent portrayal as he beards Steve McQueen in his den - and wins. His characterization has wit and style throughout - he's the perfect '60s detective with a wife he needs but can't stay with, a home in his office, and a determination to get at the truth despite a great deal of danger.

Though one usually doesn't associate Newman with warmth, he is perhaps more likable in this role than the ubercool McQueen would have been. Newman is, in fact, just plain great as he whips off those one-liners. Though down and out, his Harper plays it as it lays.

The supporting cast is wonderful, top-notch all the way, and the film is accompanied by a terrific musical score. Paul Newman has given us some great portrayals. I put Harper near the top of the list.

This I don't understand-

For years I've believed in how Elliot Gould's Philip Marlowe in "The Long Goodbye" was the first effort at making a P.I. character a whacked out loser with a post-modern attitude. Yet, I'm watching "Harper" today and my jaw is bounding off the floor like a yo-yo. Because in the lead role Paul Newman gives one of the ten best performances I've ever seen, and maybe the best comedic one from a non-comedian actor ever done. Even at the two thirds mark, when 99% of the screenplays usually have nothing new to say about their characters, Lew Harper was still leaving me damn near breathless. How "Cool Hand Luke" is more famous than "Harper", which is never mentioned anywhere as the king-size sleeper it is, bewilders me entirely.

Harper was one of a select few in the sixties that still stand out as eminently watchable films if not for the plot then for a host of other notable features. Newman together with Steve Mcqueen were the cool end of town during the sixties and more or less had the field to themselves.In Harper Newman extends himself in the cool department & delivers a classic performance which ranks with the better films he has made to date. In fact in this role Newman probably tried to do Mcqueen better than the man himself & to a great extent succeeded. Who could resist seeing Pamela Tiffen on that springboard in that bikini if you watched it for no other reason that would not be bad start.The look on Newmans face when he sees the pool for the first time and the laconic looping wave of the arm as he departs the pool after the first encounter with Tiffen & Wagner.The supporting cast should not be forgotten with sterling efforts from the adorable Lauren Bacall & Strother Martin to name a couple.Like many 60s movies which were quickly seen & forgotten this one is worthy of a place in the top shelf as Newman says in the film theres something all bright & shiny. All in all !triffic!

This is very much like a late 1940s film noir, except it's filmed in the mid 1960s. It has that same edgy dialog and feel to it as private eye "Lew Harper" goes looking for a missing man. His character is based on Ross McDonald's best-selling P.I. "Lew Archer."

In "Harper," all the characters are suspicious and they vary from suave "Allan Taggart" (Robert Wagner) to the coquettish late teen "Miranda Sampson" (Pamela Tiffin) to a lawyer "Albert Graves" (Arthur Hill) who's infatuated with the hot teen and also carries a gun. Then there's the overweight has-been entertainer "Fay Esterbrook" (Shelly Winters), the druggie jazz singer "Betty Fraley" (Julie Harris), the New Age scam artist "Claude" (Strother Martin) and a bunch of gangsters and thugs who are the obvious targets. Of them all, I though Winters was the biggest hoot.

Along the way, Newman wins all the verbal bouts but loses the physical contests. He zings everyone with some great put-downs, but takes a physical beating a few times, too. He sports a nice shiner in the last half of the film.

This film will put you smack into the time period, when people danced "The Frug" and referred to cops as "the fuzz." People were starting to wear Beatle-type haircuts, although you'd never find Newman giving in to that counterculture fad. In here, at least, he's old school, tough, relentless and suspicious of everyone......which, at it turns out, is as it should be.

The DVD is now part of the Paul Newman Collection and it's shown with a very sharp 2.35:1 ratio transfer, very much showing off Conrad Hall's cinematography. Johnny Mandel's music score adds to the "coolness" of this film, too.