Ein Fall für Harper

Paul Newman is "Harper," a detective called upon to find a missing husband in this 1966 film based on the book "The Moving Target" by Ross MacDonald. It also stars Lauren Bacall, Arthur Hill, Pamela Tiffin, Robert Wagner, Shelley Winters, Robert Webber, Janet Leigh and Julie Harris.

Bacall, on the suggestion of the family attorney (Hill) hires Harper to locate her husband. Along the way, Harper meets some bizarre characters, including Strother Martin as an alleged religious guru, Harris as a junkie singer and others. There are enough twists and turns to keep the audience interested throughout.

As Harper, Newman turns in another excellent portrayal as he beards Steve McQueen in his den - and wins. His characterization has wit and style throughout - he's the perfect '60s detective with a wife he needs but can't stay with, a home in his office, and a determination to get at the truth despite a great deal of danger.

Though one usually doesn't associate Newman with warmth, he is perhaps more likable in this role than the ubercool McQueen would have been. Newman is, in fact, just plain great as he whips off those one-liners. Though down and out, his Harper plays it as it lays.

The supporting cast is wonderful, top-notch all the way, and the film is accompanied by a terrific musical score. Paul Newman has given us some great portrayals. I put Harper near the top of the list.

The film opens with Harper (Newman), unshaven and gradually awakening from a hangover… He puts his head under a faucet, attempts to make coffee but finds none left, and dispiritedly takes yesterday's grounds from the garbage and makes a perfect1y terrible cup of coffee… At once we get Harper's image as an antihero detective without any illusions…

As he is commissioned by Lauren Bacall to trace her wealthy husband who has been kidnapped, the details are filled in: he's tough, ironic, cool, unpleasant and repugnant… Although occasionally given to a moment of sensitivity or remorse, he's most1y sadistic and exploitative…

Harper is a loner, with an air of detachment and an ability to dispatch opponents with a fist and a flippant remark… He swings into action only mechanically… He chews gum constantly, looks around in an uninteresting manner, makes little disapproving gestures, laughs in total disregards, and smiles mischievously…

Harper's dealings with women are based exclusively on coldness, deception and sexual exploitation… He is estranged from his wife and would like to renew his marriage

Until CHINATOWN, HARPER was probably the most mature private eye movie Hollywood ever produced. Paul Newman is dynamite as the scrappy, somewhat goofy title character, hired by wealthy Lauren Bacall to find her missing husband. Newman gets more than he bargained for as he runs into one flaky character after another: Shelley Winters as a bloated former child star, Julie Harris as a junkie, Pamela Tiffen as Bacall's extremely bitchy stepdaughter, Robert Wagner as a private-eye wannabe, and, best of all, Strother Martin as nasty, new-age guru. Not much of what happens really ties together, but it's all very fun to watch. The performers are all terrific and the pseudo jazz score is another plus. Featuring Arthur Hill, Robert Webber and Janet Leigh, underutilized as Newman's frustrated ex-wife.

This movie is so great. It is very funny and intriguing at the same time. It liked it so much that I made my boss at the video store sell it to me. Harper is a down on his luck P.I. who is going through a divorce and lives in his office. The story has a lot of plot twists and is an excellent who-done-it. Also, what can I say about Mr. Newman but simply...yum.

I just read "The Moving Target" by Ross Macdonald, the book upon which "Harper" is based. Given that the book was written in 1949 and "Harper" was contemporary (1966) when made, the movie follows the novel pretty darn close. Many of the scenes are done almost verbatim from the book. Harper is more acerbic than Macdonald's Lew Archer, and the novel, of course, fleshes out the characters and their motives a little better. But I think the movie stands up pretty well by itself. It has an outstanding supporting cast and, except for Pamela Tiffin, the acting is good, with high marks especially for Paul Newman and, in my opinion, Arthur Hill. The photography is gorgeous, and I can listen all night to any music by Johnny Mandel. All that and those great one-liners by Newman! I'd give it a 7 or 8 out of ten.