Der Colt ist das Gesetz

There's a murderous outlaw named Drago played by Morgan Woodward who keeps committing all kinds of crime in the state of Colorado and then running back to the New Mexico territory where the local sheriffs can't catch him.

That's not going to stop Audie Murphy, sheriff of Lodgepole, Colorado. Woodward's robbed a train that was carrying funds for the bank and because he's got the town nest egg, a lot of businesses will fold.

Murphy puts together a posse to go after Woodward and it's some posse, with just about everybody in it working off their own agenda. There is no way Murphy should have accomplished his mission in this film.

Which is of course why Gunpoint, though entertaining, is highly unrealistic. Still a nice cast of western veterans give Murphy some good support. Particular to note are Warren Stevens as the saloon owner and Edgar Buchanan as a leader of a family of equally bad rawhiders whose camp the posse stumbles across.

Gunpoint has a lot of action and a great cast that make up for a highly unrealistic story.

As I said before I'm a great appreciator of Audie Murphy's B-Movie, even this one was one of the latest of his long career, is self-evident that Murphy already older and the film's quality is no longer were in the same level with the previous one, however this an interesting movie as well, He Plays a Sheriff Chad Lucas in charge to deliver a large amount of money carry by train to the Bank, he and his Deputy Cap (Denver Pyle) has been escorted by horses, meanwhile the Drago's gang already obstructed the railroad falling down the water reservoir, he gets up on a train's roof but he was hit by a bullet and felt down almost dying, then he settles a posse to chase Drago's gang who escape taking a his former fiancée Uvalde (Joan Staley) bringing together the newest Uvalde's lover Nate Harlan (Warren Stevens), in the way they fight with Indians until meeting a three horse's hunter leading by the fabulous Edgar Buchanan, what a character, this is the best part of the movie nearby a beauty waterfall's spot, also a little reference to Greek Nicos (Nick Demos) actually a colorful character who improve the movie widely , fine entertainment!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD / Rating: 7

This movie might have been serviceable entertainment had it been released in the early 1950's. However, by the time that this came out in the mid-1960's, the Spaghetti Western was taking hold and the Revisionist Western making is debut.

The overly dramatic acting and score...the anachronistic clothing (Murphy's shirt has buttons along it's entire front as does his female costar's) and general "cleanliness" of the outdoors have been largely removed from Westerns by this point Basically, this movie came out 10-12 years too late.

If you are an Audie Murphy fan, then you'll get what you are expecting.If you are not,I'd suggest that you pass on this one.

Director Earl Bellamy built a TV career, and it shows: GUNPOINT looks and sounds like a low budget TV flick - which by 1966 was still lower than a film budget - with very poor lighting that reveals electricity- rather than sun-made shadows, among other technical shortcomings. Bellamy is not shy to use archive footage to show a spectacular horse stampede down a mountain.

Although he does not extract memorable performances from the cast, Audie Murphy shows his usual steadiness, hiding the skeletons in his cupboard - he had robbed a bank but the judge gave him a chance - until lovely Joan Staley turns up as the local saloon singer and love interest to saloon owner Warren Stevens, who plays hot and cold throughout, seemingly loyal to Audie one moment and not so the next.

It is always a privilege to watch character actor Edgar Buchanan, pity that he has less than 90 seconds on screen as head of a camp of mean rawhiders who doubt Audie's status as sheriff and posse leader. Denver Pyle is also quite good as the two-faced deputy sheriff who feels so disrespected by Audie that he drops a boulder on him... thankfully, Audie's sharp reflexes have him jump to safety and his trail scout get squashed.

Bellamy and screenwriter Willingham throw everything into the script, even marauding Indians, so it is a relief to see Audie and Staley (nothing stale about her shape!) walk off into the sunset.

Watchable time killer. 6/10.

One of Audie Murphy's last westerns. It's the usual assembly-line job most of whose more spectacular moments are stock footage but it's all perfectly competent, well-acted and in Joan Staley has a robust leading lady who can convincingly ride a horse. (The women in westerns tend to be either schoolteachers or saloon girls; Miss Staley is the latter, and she's plainly ridden more than just horses in the past.)