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IMDbPro

Frankenstein und die Ungeheuer aus dem Meer

Originaltitel: Gojira · Ebira · Mosura Nankai no daikettô
  • 1966
  • 12
  • 1 Std. 27 Min.
IMDb-BEWERTUNG
5,5/10
6988
IHRE BEWERTUNG
Frankenstein und die Ungeheuer aus dem Meer (1966)
A teen searching for his brother stows away on a criminal's boat that shipwrecks on Letchi island, where terrorists have enslaved the Infant Island natives. Discovering Godzilla asleep, they decide to awaken him to liberate the natives.
trailer wiedergeben2:13
1 Video
99+ Fotos
Dinosaurier-AbenteuerKaijuMeeresabenteuerÜbernatürliche FantasyAbenteuerFantasieScience-Fiction

Füge eine Handlung in deiner Sprache hinzuFour men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.Four men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.Four men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.

  • Regie
    • Jun Fukuda
  • Drehbuch
    • Shin'ichi Sekizawa
  • Hauptbesetzung
    • Akira Takarada
    • Kumi Mizuno
    • Chôtarô Tôgin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    6988
    IHRE BEWERTUNG
    • Regie
      • Jun Fukuda
    • Drehbuch
      • Shin'ichi Sekizawa
    • Hauptbesetzung
      • Akira Takarada
      • Kumi Mizuno
      • Chôtarô Tôgin
    • 94Benutzerrezensionen
    • 62Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 2:13
    Trailer

    Fotos165

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    Topbesetzung31

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    Akira Takarada
    Akira Takarada
    • Yoshimura
    Kumi Mizuno
    Kumi Mizuno
    • Daiyo
    Chôtarô Tôgin
    Chôtarô Tôgin
    • Ichino
    Hideo Sunazuka
    • Nita
    Tôru Ibuki
    • Yata Kane
    Akihiko Hirata
    Akihiko Hirata
    • Captain Yamoto
    Jun Tazaki
    Jun Tazaki
    • Red Bamboo Commander
    Tôru Watanabe
    Tôru Watanabe
    • Ryôta Kane
    Ikio Sawamura
    Ikio Sawamura
    • Elderly Slave
    Pair Bambi
    Pair Bambi
    • Mothra's Little Beauties
    Hideyo Amamoto
    Hideyo Amamoto
    • Red Bamboo Naval Officer
    Hisaya Itô
    Hisaya Itô
    • Red Bamboo Scientist #1
    Tadashi Okabe
    • Red Bamboo Scientist #2
    Kazuo Suzuki
    Kazuo Suzuki
    • Escaped Slave
    Shôichi Hirose
    Shôichi Hirose
    • Escaped Slave
    Noriko Honma
    Noriko Honma
    • Spiritualist
    Chieko Nakakita
    Chieko Nakakita
    • Mrs. Kane
    Seiji Ikeda
    • Farmer
    • Regie
      • Jun Fukuda
    • Drehbuch
      • Shin'ichi Sekizawa
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen94

    5,56.9K
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    6bkoganbing

    The Red Bamboo

    Of all the Japanese monster films that came out from the mid Fifties to the mid Seventies, Godzilla Versus The Sea Monster is the only one that seems to have taken a political stand on anything. The Japanese for obvious reasons are big on nuclear disarmament. This film involves Godzilla and two other giant monsters involved with the Red Bamboo who are a group conducting nuclear experiments on a deserted south sea island. Of course there was no such a group as the Red Bamboo, but the power across the Sea of Japan did have a Red Guard who were pretty active in those days. I think that was another political statement that Godzilla Versus The Sea Monster was making.

    Anyway some 20 somethings who were involved in a dance marathon which opened the film, commandeer a boat that was to be the getaway vehicle of a bank robber to search for the brother of one of them who set sail southeast and was not heard from.

    It's there that a storm washes them ashore on the island of the Red Bamboo. These dastardly folks are not only conducting nuclear experiments, they're making heavy water to use as nuclear fuel, but are using slave labor. The slaves are being taken from the island that Mothra resides, but he's sleeping and the natives are doing their best to arouse their friend and protector.

    To discourage escape in the meantime, the island is guarded by Ebirah a giant lobster monster. The Red Bamboo controls him by means of the nectar of some exotic tropical fruit that acts as a tranquilizer.

    When our heroes arrive, they discover that Godzilla is in some kind of coma asleep on the island. Needing an ally they look to get him awake to start doing his thing. Of course all three monsters battle it out in the end.

    This particular all star monster spectacular is a cut above the others for its political statement wrapped up in the dopey way these films play. But I have to admit a soft spot in my heart for them.
    6framptonhollis

    Guilty Pleasure

    Yes. I'll admit it . This is a bad movie. A bad movie that I've watched over and over and over and over again! It is weird how much I like this movie. You could say I like it ironically, but not really, because I believe it has a type of charm that I find intentional. The monster fights are fun, and I like the plot. I totally understand people that hate this entry in the series, but I find it to be one of the most fun Godzilla movies out there!

    On my Top 10 Godzilla Films list, it is actually included. Here's the list: 1.Gojira 2.Godzilla vs. Mechagodzilla 3.Godzilla vs. King Ghidorah 4.Godzilla: Final Wars 5.Mothra vs. Godzilla 6.Godzilla vs. Destroyah 7.Godzilla vs. Spacegodzilla 8.Godzilla, Mothra, and King Ghidorah: Giant Monsters All Out Attack 9.Ghidorah: The Three-Headed Monster 10.(this film.)
    6kergillian

    One of my favourite Godzilla films!

    This is actually on of my favourite Godzilla films. While on one hand it has one of the worst enemy monsters, Ebira (although it also has Mothra, but he only appears at the end and doesn't really do anything) it also has a neat story. It's not as cool as the original, but I think it sure as hell beats the cheezy alien stories which are so ridiculous and unbelievable that even their cheeze value is threatened. As well, most Godzilla movies spend *way* too much time and focus on the monsters fighting and rampaging (Godzilla vs. Gigan is a perfect example of this), but this one had more of a plot. The takeover didn't seem as implausible and it was more tongue in cheek. It's also one of the best dub-jobs I've *ever* seen in a Godzilla movie (or any of the other similar ones).

    Overall: this is one of the more fun Godzilla films. It's still silly, but in an enjoyable way. It's not ruined by being overly stupid and it's cheeze factor is definitely amusing. 6/10.
    7Bob_Tanaka

    A good entry in the series

    This is one of the first Godzilla movies I saw, and when I see it now after seeing almost all of the other movies, it still holds up pretty well. The main problem is, of course, Ebirah. Definetly Godzilla's worst foe. I mean, really, A GIANT LOBSTER!? But, other than that, the film is quite good, following the usual trend that the Godzilla movies tend to have much better plots than their american counterparts of the time. Here we have a young man trying to find his brother taking his friends with him to look at boats. When they board one to look around, they find a man with a gun to greet them. He claims to be the owner and allows them to spend the night on the boat. When they wake up the next morning, however, the young man has taken the boat to find his brother. It's wrecked in a storm and they are stranded on an island where they discover a secret organisation called the Red Bamboo is using slave labor to make nuclear weapons. Ebirah, a giant lobster, prevents boats from entering or leaving the island, and Okondoru, a giant condor, prevents planes from arriving. The man who claimed to own the boat, Yoshimura, turns out to be both a thief and the most resourceful member of their little group (which now also includes an escaped slave played by the wonderful Kumi Mizuno). They discover that Godzilla is sleeping on the island, so they wake him up in order to stop the Red Bamboo. He trashes the base, defeats the two other, ahem, monsters, and the slaves and group are all saved by Mothra (who really isn't looking to good by now). The thief, Yoshimura, is definetly my favorite character in this, and the special effects are pretty good at times (he may be a pathetic monster, but Ebirah looks great). As a bonus, it also makes for a great MST3K episode.
    6omega0s

    Godzila gets crabs

    This is actualy a fun film if you're a kid, and i loved godzilla when i was i think back to the days of watching those chessy B movies(i havnt realy progresed that far in 10 years) and this was one of my favriotes and now somthing that angers me is it having a 4 point rating i mean kids love this and its fun and next time you get a chance pop one of these in have a good laugh and look back at you're childhood you'll have more fun then you would think.Now that thats gone ill fill you with my memories of this film the specel effects are alright and about what you would expect. Plot? we dont need no stinking plot!!! so botom line if you're a kid you'll love it and if you're with friends and older and in serch of a laugh you'll love it for its chessyness.

    Five Godzilla Movies You Need to Watch

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    Production art
    Wunschzettel

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    Verwandte Interessen

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    Dan Aykroyd, Bill Murray, Harold Ramis, and Ernie Hudson in Ghostbusters - Die Geisterjäger (1984)
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    Abenteuer
    Elijah Wood in Der Herr der Ringe: Die Gefährten (2001)
    Fantasie
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    Science-Fiction

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      This film was originally written to star King Kong, as Rankin/Bass Productions had provided Toho with the license to the character in order to produce a tie-in film for Toei's animated TV series King Kong (1966), which they co-produced. However, Rankin/Bass rejected the original treatment, as they wanted director Ishirô Honda to helm the film. Toho insisted on Jun Fukuda and after Rankin/Bass backed out, Toho decided to replace King Kong with Godzilla. Toho and Rankin/Bass would then go on to co-produce King Kong - Frankensteins Sohn (1967), a film that was more in line with what Rankin/Bass wanted.
    • Patzer
      At the end of the film, as Mothra flies back to Infant Island, the large net she is carrying with her feet with the humans inside it is missing.
    • Zitate

      Daiyo: Mothra... Awaken, hear us.

    • Crazy Credits
      For the Columbia/Tri-Star U.S. DVD release of the film, which uses the original uncut Japanese version of it, its English-language credits list the noted composer Masaru Satô as "Mararu Sato."
    • Alternative Versionen
      The Mystery Science Theater 3000 version of the film featured a Film Ventures-lensed print of it that used a different title sequence made up of clips from the next film in the Godzilla series, Frankensteins Monster jagen Godzillas Sohn (1967).
    • Verbindungen
      Edited into Godzilla - Attack All Monsters (1969)
    • Soundtracks
      Samashite Mosura
      (Mothra Awake)

      Written and Arranged by Masaru Satô

      Performed by Pair Bambi

    Top-Auswahl

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    FAQ15

    • How long is Ebirah, Horror of the Deep?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 16. Mai 1969 (Westdeutschland)
    • Herkunftsland
      • Japan
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Ebirah, Horror of the Deep
    • Produktionsfirma
      • Toho
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    Box Office

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    • Budget
      • 1.200.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 27 Min.(87 min)
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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