Finale in Berlin

There are a number of interesting spy novels involving British Agents, which were written by Len Deighton, but the most popular ones involves international spy Harry Palmer (Michael Caine) . That is because unlike 007, Harry is a 'thinking man's James Bond.' If you watch the movie, you'll see the reason for such a statement. Take for instance this offering " A Funeral in Berlin " is the tale of spy vs spy. During the era of the Cold War, each side (East and West) was endeavoring to gain an upper hand in the war of intrigue. The Berlin Wall or Iron Curtain separated Germany and each side sought to exploit the other side's weaknesses. Many East Germans were seeking to cross the 'wall' any way they could. To fail meant death. Harry Palmer is sent by his boss, Col. Ross (Guy Doleman) on what Harry believes is a fool's errand. A high ranking Russian Official, Colonel Stok KGB (Oskar Homolka) seeks to defect and needs Harry's help. His German friend, Johnny Vulkan (Paul Hubschmid) reassures harry of his mission as does Eva Renzi (Samantha Steel) an Isreali spy. All seems above board, but Harry is no fool and takes precautions to insure his own life. What transpires is nothing short of fine drama and the result is the foundation for Classic status. ****

This is my favourite of the three Harry Palmer films (I don't count the 90s remake.) This film is accurately done and goes at a sensible pace – however, those people looking for computerised special effects and exploding cars are watching the wrong film.

The plot is really good and makes absolute sense – if you follow it closely. There is also the wonderful dry wit between Palmer and his commanding officer.

Palmer: I didn't pick her up; she picked me up.

Ross: Well you'd have to say that to get it on expenses.

Also, you should watch this in widescreen – there are some subtle details, which are left out at the edge of the screen. Including the subtle way in which Sam first picks up Harry at the hotel. However, unlike most "Spy" films we are not subjected to the obligatory soft porn sequence.

Listen carefully for the references to Suvorov – a Russian general, part of the priceless banter between Palmer and the Russian who wants to defect.

They don't make films like this anymore – simply because they don't write books like this anymore. This was Len Deighton and it is first class.

As some other reviewers have opined, this is the best of the three Harry Palmer movies set in the '60s. Michael Caine's cavalier attitude coupled with his witty, sarcastic banter is most refreshing. All the stodgy bureaucratic types get bum-rushed by Harry Palmer's rapier tongue. His self deprecating humor, especially in some of the scenes with Samantha Steele (Eva Renzi), is refreshing, since she has the pertness and sense of humor to complement those scenes deftly. Similarly, the scenes with Col. Stock show great flashes of sarcastic wit, juxtaposed with attending to the serious Cold War business at hand.

But the more serious fun is the wonderfully executed plot development, interweaving the various characters such as Johnny Vulcan, Col. Stock, Hallam, Ross (the boss), Kreutsmann, Steele, etc. into a menagerie of complicated intrigue. I'll let others offer a plot synopsis: I'll just say the film keeps you guessing and wondering throughout its hour and forty-five minutes. The overall style of mixing mordant anti-establishment humor and complicated intrigue reminds me of a later film, "The Russia House", with Sean Connery, an equally satisfying Cold War drama.

The only knock I have on this film is the sometimes obtrusive sound track, where the trumpets blare much too loudly to proclaim a given dramatic occurrence. Could have been done a little more tastefully.

All in all, a "must see" for Cold War movie fans!

Though arguably not as cohesive as The Ipcress File, Funeral in Berlin still stands head and shoulders above the average 60s spy movie. The pacing could be tighter, the adaptation of Deighton's exemplary novel - one of his best - could be a little more fluid but generally the thing works well.

For fans of the novels this is perhaps the most interesting of the three movies. Ipcress is a fascinating spin on the its novel's central theme, Brain is an awful adaptation of a lack-lustre book but Funeral in Berlin sticks to the original story pretty firmly until it turns on you with a very groovy twist indeed.

I picked up this movie from one of the remote corners of the DVD shop. What attracted me was the picture of Caine stooping against a wall. Even after buying it, I kept the box unopened in my table for a couple of weeks. Suddenlt, yesterday it was raining, and I decided to see it. I was blown away! From the first escape sequence, I was taken back to the days of the cold war, to the rivalry, the brutal undercover violence, and all in the backdrop of post WWII Europe. The scenes are so good, the dialogs perfect. Caine is sublime as the British agent. The surprises in the movie have been delivered with an artists's touch. I wonder why we no longer make movies like this. A wonder too, how they were able to make movies like this without all the gadgets and technology that we have today. Maybe because they didn't, they could. It is a very enjoyable movie, almost making you wish the cold war wasn't over. . . .