Wenn Katelbach kommt...

CUL-DE-SAC is a psychological comic thriller as an unusual set of surreal circumstances in a realistic landscape. The characters are trapped in a confusing context, which is made up of a mafia, art, promiscuity and perversions. The story is peppered with all sorts of antics, but it is not unpleasant. The plots are inconclusive, but its are enriched with a huge dose of black humor.

A neurotic and effeminate middle-aged Englishman named George lives with his promiscuous young French wife Teresa in a dark castle on a hilltop. Two gangsters, after the unexpected upward tide, invade their messy home and hold them as hostage. Teresa is mad at her timid husband, who does not take any action on the bandits. Gangsters are starting to behave a bit eccentric, while waiting for help from his boss. Uninvited guests come to a visit. Simply, someone has to "boil over"...

Mr. Polanski, in this film, covers topics such as the alienation and a latent madness, which are closely related to a sexual activity. He has managed to replace an emotional void in this film with a combination of black humor, crime and perversion. The characterization is not bad.

Donald Pleasence as George is a kinky and fun husband who has his grotesque moments in this film. He is a man who feels comfortable in a transparent nightgown but he, with a huge dose of disgust, takes a gun in his hand. That is a phenomenal paradox of the situation in the world. His cowardice is ambiguous, because, despite everything, he wants to return a harmonious relation in his home. Lionel Stander as Dickey, through his gangster attitude, distinctive voice and eccentric behavior enjoys the general madness. Françoise Dorléac as Teresa is a beautiful, attractive and nude factor of confusion between George and Dickey.

Mr. Polanski has skillfully managed to balance all segments in this film, but this story still reminds me to a sexy morbid joke.

Captivatingly bizarre movie. Dickie and Albie, both injured and on-the-run following a failed heist, stumble upon effeminate George and promiscuous Teresa's secluded castle on the shore. Lionel Stander as the menacingly uncouth thug Dickie is the standout in the cast as he takes over the household while waiting for the gang boss to come and get him and his partner. Donald Pleasence and Franciose Dorleac as the invaded couple were also excellent as they deal with not only the crooks but an unwelcome family visit. Not for everybody but if you're in the mood for something unusual from the 60s or just wanting to view an example of early Polaski .

As 'Cul-de-sac' was Polanski's first movie after his brilliant psychological thriller 'Repulsion' it can't help but be a slight disappointment. Even so, I thought it was an interesting movie and I found it to be much more enjoyable than his next one the totally unfunny spoof 'The Fearless Vampire Killers'. 'Cul-de-sac' is quite difficult to catergorise. In some ways it reminded me of Pinter's 'The Birthday Party' (filmed much later than this but originally staged in the late 1950s), in others of Jack Hill's cult favourite 'Spider Baby' (made earlier but not really released until afterwards), and you could almost see it as prefiguring 'Performance' (old school gangsters meet the new world of the swinging 1960s). But really it quite an odd and unique black comedy. It may not be 100% successful, and it does have a few dull spots, but overall it's worth tracking down if you want to see something different. The main reason it succeeds for me is the unusual location of Lindisfarne, England (which I have visited), and the performances of Donald Pleasence, Francoise Dorleac and Lionel Stander. Pleasence was one of Britain's most underrated character actors, the beautiful and doomed Dorleac had appeared alongside Jean-Paul Belmondo in the entertaining thriller 'That Man From Rio', and Standish, who later appeared in movies by Leone and Spielberg, is best remembered as Max, the craggy manservant on the popular 1980s TV show 'Hart To Hart'. All three are excellent in this movie, and their interaction make it fascinating viewing. The supporting cast also includes Jack MacGowran ('The Exorcist') and an early appearance by 1970s sex symbol Jacqueline Bisset. 'Cul-de-sac' is without a doubt Polanski's most underrated movie, and fans of the unusual and the off beat will enjoy it very much. A DVD with a commentary from Polanski would would be wonderful. Any chance?

This film is incredible. Polanski's best film behind Knife in the Water and Rosemary's Baby.

The plot revolves around a gangster (Lionel Stander) and his partner that seek refuge in a castle on a small island in England. The couple that inhabit the castle are played by the sublime Donald Pleasance and the beautiful Françoise Dorléac. The movie plays out like a three way triangle of hatred; we have the contempt between the couple and the gangster, who is invading their home; the gangster's mean streak is inflicted on the couple and the lady obviously holds her husband in low regard when he takes on the role of a wimp in front of the gun toting criminal. However, it is not as simple as that as in several points in the movie, the characters let their guard down and start to communicate with each other in an almost friendly way. This is the real beauty of this film; it is a character study, studying the relationship between a couple and a third party in their home. Three is a crowd, and the effects of that true to life phrase are felt by each of the three characters.

The three main players in Cul-De-Sac are fantastic, Lional Stander in particular who was surely born to play his role in this movie. He has the voice and the persona of a not very bright gangster spot on; his comic timing for some of his more obviously funny lines is also noteworthy. Donald Pleasance has never been better than he was here either; his portrayal as the 'lord of the manor' is both believable and intriguing. Last but not least, Françoise Dorléac, in undoubtedly the most overlooked role in the piece, although no less important than the other two, is also on time and believable in her role; making up a perfect cast.

From a relatively simple plot line and few characters, through excellent dialogue, restrained plotting and interesting scenarios, Roman Polanksi has managed to weave a story that is interesting and entertaining. Roman Polanski has a great flair for human relationships in his movies, the best example of this was in his best movie, Knife in the Water, and that element is abundant here too. The scenes in which all three characters are on screen interacting with each other are this movie's finest moments.

Cul-De-Sac is an excellent black comedy thriller that fans of the genre and fans of the excellent Roman Polanski will not want to miss. Recommended viewing

Cul-de-sac is a very beautiful black and white movie. It belongs to the lightweight category. The story is weird in an entertaining way, often amusing and sad at once. If the director tried to be willingly shallow, he was very successful. And I do not mean that ironically but say it with awe.

The place is Holy Island, on the east coast of Northern England. It actually gets cut off with the tide. Polanski makes very good use of the location and was very lucky with the casting. All characters are rather detestable in a detached sort of way. Donald Pleasance gives the performance of his life as the emasculated, utterly humiliated owner of the castle on the island. The other two main characters are the brisk yet elf like Françoise Dorléac and Lionel Stander as a gruff, brutal gangster. There is a very strange, truly unique chemistry between Dorléac and Stander. Dorléac does something to Stander. «We call dees a bicycle», she says gleefully with her funny accent, and it nearly knocks me off my chair every time I see that well filmed, suspenseful scene. I won‘t tell you what «de bicycle» is – it may need parental guidance to watch it but does not belong to the restrictable area. Cul-de-sac has a very memorable musical score.