IMDb-BEWERTUNG
5,7/10
990
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuOne of six travelers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a local operator to fix United Nations votes. But which one?One of six travelers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a local operator to fix United Nations votes. But which one?One of six travelers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a local operator to fix United Nations votes. But which one?
- Regie
- Drehbuch
- Hauptbesetzung
Wilfrid Hyde-White
- Arthur Fairbrother
- (as Wilfred Hyde White)
Grégoire Aslan
- Achmed
- (as Gregoire Aslan)
Emile Stemmler
- Hotel Clerk
- (as Emil Stemmler)
Helen Sanguinetti
- Madame Bouseny
- (as Helen Sanguineti)
Francisco Sánchez
- Martinez
- (as Sanchez Francisco)
William Sanguinetti
- Police Chief
- (as William Sanguineti)
David de Keyser
- Hotel Clerk
- (Synchronisation)
- (Nicht genannt)
- …
Maria Rohm
- Woman in Carriage
- (Nicht genannt)
Empfohlene Bewertungen
Tony Randall has been a favorite of mine since his recurring appearances on David Letterman's late-night talk shows. The guy was such a good sport about putting over any gag the writers came up with, deploying equal parts debonnair charm and lack of self-seriousness.
He shows the same sensibility here - his character knows he's in a spot of bother, works hard to work his way out of it in the same charming way Cary Grant does in North by Northwest, mixes in a fair amount of sly humour, yet somehow manages to avoid any campiness or ham. Director Don Sharpe helmed The Avengers TV show with a similar touch.
The whole ''money for votes at the UN" plot is basicaly a McGuffin. It just helps move things along, layers of the onion peeling away in a pleasant fashion.
The location shooting was a pleasant surprise, too, given the reportedly small budget.
This was a fun way to spend time in front of the tube re-visiting the work of an old ''friend."
So..... Andrew Jessel (T. Randall) checks into a hotel in Marrakesh, and we see a (dead) body fall out of his closet. Some chick barges into his room, and talks him out of calling the cops. Kyra Stanovy (Senta Berger) is involved in this somehow, and we have to figure out how. For Randall, this was still a couple years before Odd Couple. Also in here is Herb Lom, you will recognize as Commissioner Dreyfus from all the Pink Panther films. Look for Brit actors Wilfrid Hyde-White and Terry Thomas (from the hilarious Mad Mad World....). A lot of talking and posturing, but not a lot of action for the first half. SOMEONE here has two million dollars in a suitcase to buy a vote. Jessel seems to be caught up in some spy trap. When confronted by the bad guys, we see him in one of the more "tough" roles he played. The fancy hotel at which he stays also seems to be the same hotel that Patsy & Eddy stay at in Ab-Fab. More dead bodies. And for a while, we can't tell who are the good guys and who are the bad guys. Pretty entertaining film. Dr. No and Russia with Love had already been made into movies, so this was kind of a knock off of those. Randall had just made all those films with Doris Day & Rock Hudson. Written by Harry Towers, who had produced and written the screen plays for Agatha Christie's "Ten Little Indians".
In the 1940s, Bob Hope did some films where he was the innocent guy caught up in a spy mystery, along with a beautiful woman. Those films combined a spy theme with humor. This film offers a similar role for Tony Randall, who is perfect in the part. His great comic timing and abundant energy are a huge plus here. And the script is very good--lots of sharp lines and good byplay between Tony and Senta Berger. For people who gave this movie a low rating, I totally disagree.
In this kind of film, the trick is to combine some good action and suspense with humor. This feat is very, very hard to pull off well, but this film does it--hence I rate it a "10." The outstanding cast gives A-1 support. Also, the many interesting Morocco locations add interest. If you want to see a very well-done 1960s lighthearted spy film with good romance, humor and action, you can't go wrong with this film. I recommend it highly. And--Senta Berger never looked better, or Margaret Lee, too!
In this kind of film, the trick is to combine some good action and suspense with humor. This feat is very, very hard to pull off well, but this film does it--hence I rate it a "10." The outstanding cast gives A-1 support. Also, the many interesting Morocco locations add interest. If you want to see a very well-done 1960s lighthearted spy film with good romance, humor and action, you can't go wrong with this film. I recommend it highly. And--Senta Berger never looked better, or Margaret Lee, too!
One of the better Harry Alan Towers travelogues, probably because after this they just kept getting worse and worse (Towers should have retained Don Sharp to direct and commissioned half decent scripts).
Even here one's attention tends to wander during the endless scampering about exotic locations that passes for a plot. But at least it's largely played for laughs, Tony Randall & Senta Berger are attractive leads, Herbert Lom an excellent villain and even Margaret Lee (who gets an "introducing" credit despite having been busy in movies for several years, admittedly not ones anybody was likely to remember her from) is slightly more animated than in her later films.
And of course there's Terry-Thomas's amusing late guest appearance as El Caid, AKA "the oily cad".
Even here one's attention tends to wander during the endless scampering about exotic locations that passes for a plot. But at least it's largely played for laughs, Tony Randall & Senta Berger are attractive leads, Herbert Lom an excellent villain and even Margaret Lee (who gets an "introducing" credit despite having been busy in movies for several years, admittedly not ones anybody was likely to remember her from) is slightly more animated than in her later films.
And of course there's Terry-Thomas's amusing late guest appearance as El Caid, AKA "the oily cad".
Our Man in Marrakesh is a comedy spy adventure. It is less a spoof of Bond and more of a homage to Hitchcock.
It is the wrong man adventure. American Andrew Jessel (Tony Randall) arrives in Marrakech for business purposes and finds a dead body in his wardrobe. Luckily mysterious femme fatale spy Kyra Stanovy (Senta Berger) is on hand to help him hide the body. She also helps Andrew get away from henchman Jonquil (Klaus Kinski) sent by well connected criminal kingpin Casimir (Herbert Lom.)
Casimir thinks Andrew could be one of the travellers who has arrived to Marrakech on the bus carrying a suitcase full of money to fix a UN vote.
Despite the location shooting in Morocco. This is a low budget film with a mundane script and a lack of thrills.
It does have plenty of back projection. Kinski and Casimir are effective villains. There are a couple of beautiful ladies, several familiar British character actors. Randall gamely does his best but he is no Cary Grant.
It is the wrong man adventure. American Andrew Jessel (Tony Randall) arrives in Marrakech for business purposes and finds a dead body in his wardrobe. Luckily mysterious femme fatale spy Kyra Stanovy (Senta Berger) is on hand to help him hide the body. She also helps Andrew get away from henchman Jonquil (Klaus Kinski) sent by well connected criminal kingpin Casimir (Herbert Lom.)
Casimir thinks Andrew could be one of the travellers who has arrived to Marrakech on the bus carrying a suitcase full of money to fix a UN vote.
Despite the location shooting in Morocco. This is a low budget film with a mundane script and a lack of thrills.
It does have plenty of back projection. Kinski and Casimir are effective villains. There are a couple of beautiful ladies, several familiar British character actors. Randall gamely does his best but he is no Cary Grant.
Wusstest du schon
- WissenswertesThe picture has been called an amalgam of Alfred Hitchcock's Der unsichtbare Dritte (1959) and Der Mann, der zuviel wußte (1956).
- PatzerDuring the climactic scene in the camel market Tony Randall's shirt changes from being open-necked to done up with a tie, then back to open-necked again.
- Zitate
Andrew Jessel: ...and put him in my closet?
Kyra Stanovy: It's *my* closet.
Andrew Jessel: Your closet; my closet. What difference does it make?
- Crazy Creditsand introducing Margaret Lee
- VerbindungenFeatured in The Unforgettable John Le Mesurier (2001)
- SoundtracksThe Eton Boating Song
(uncredited)
Lyrics by William Johnson and music by Algernon Drummond
Hummed by El Caid on his way to the prison rendezvous
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Unser Mann in Marrakesch
- Drehorte
- Produktionsfirmen
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- Laufzeit1 Stunde 34 Minuten
- Seitenverhältnis
- 1.85 : 1
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