IMDb-BEWERTUNG
5,1/10
1297
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA modern-day Don Juan-styled woman, who prides herself in the destruction of men who have fallen for her charms, reveals to a priest the murder she has committed and honestly details her pas... Alles lesenA modern-day Don Juan-styled woman, who prides herself in the destruction of men who have fallen for her charms, reveals to a priest the murder she has committed and honestly details her past sexual encounters.A modern-day Don Juan-styled woman, who prides herself in the destruction of men who have fallen for her charms, reveals to a priest the murder she has committed and honestly details her past sexual encounters.
Empfohlene Bewertungen
One of the best film of Vadim and Bardot. Brigitte Bardot is amazing as always, and the plot is very interesting and touching . If you love French melodramas you should watch this one
To get it out of the way, I never believed that Roger Vadim created BB or vice versa. They were both products of a film era that needed urgently some sexual awakening with the difference that he was a not-so-hot writer-director while she was a force of nature waiting to unleash her power. And boy did she do it!
Almost two decades after "Et Dieu... créa la femme" (1956) and after trying for years to replicate its success with BB stand-ins (Jane Fonda, Annette Stroyberg, Rebecca De Mornay, etc.) Vadim reunited with Bardot for what must have seemed (to them) a terrific idea: BB, the eternal seducer as Don Juan, the seducer par excellence. BB playing a stud? Not on your life! Her part is of a female seducer who thinks she was Don Juan on a previous incarnation. Really.
I think all this Don Juan business is just an excuse to show some hanky panky between Bardot and Birkin since lesbian love scenes were very popular in the early 70s and Vadim gracefully obliged. After all, if he wanted to presume of remaining a cinema transgresseur, showing BB in a lesbian situation is not such a bad idea. However by 1973 Bardot was no longer BB, that half a child, half a woman that conquered the world. Mind you, her charm and personality was still there but her face showed the puffiness and lines of middle age in spite of being shot through filters and special lightning.
Maybe the Don Juan concept could have worked better ten or fifteen years before but, if you are a Bardot follower, you know she did something very similar in Julien Duvivier´s "La femme et le pantin" (1959) filmed in Spain. I say "similar" because the story, although based on a novel by Pierre Louÿs, owes a lot to Prosper Mérimée' s "Carmen", that gypsy dame who plays with men' s emotions, a part that seem designed for BB who was then at the top of her powers as the ultimate seductress. Who is Carmen but a female version of Don Juan?
In short this is a not-so-good-film that must be seen for several reasons. First of all because it marked the end of Bardot' s film career (she did another film in 1973 and that was it), also for the presence of two actors that are also true cinema legends, Maurice Ronet and Robert Hossein (both deserve better). Last but not least, some praise must go to the Eastmancolor cinematography by veteran cameraman Henri Decaë. The rest you can throw away, Vadim et all.
Almost two decades after "Et Dieu... créa la femme" (1956) and after trying for years to replicate its success with BB stand-ins (Jane Fonda, Annette Stroyberg, Rebecca De Mornay, etc.) Vadim reunited with Bardot for what must have seemed (to them) a terrific idea: BB, the eternal seducer as Don Juan, the seducer par excellence. BB playing a stud? Not on your life! Her part is of a female seducer who thinks she was Don Juan on a previous incarnation. Really.
I think all this Don Juan business is just an excuse to show some hanky panky between Bardot and Birkin since lesbian love scenes were very popular in the early 70s and Vadim gracefully obliged. After all, if he wanted to presume of remaining a cinema transgresseur, showing BB in a lesbian situation is not such a bad idea. However by 1973 Bardot was no longer BB, that half a child, half a woman that conquered the world. Mind you, her charm and personality was still there but her face showed the puffiness and lines of middle age in spite of being shot through filters and special lightning.
Maybe the Don Juan concept could have worked better ten or fifteen years before but, if you are a Bardot follower, you know she did something very similar in Julien Duvivier´s "La femme et le pantin" (1959) filmed in Spain. I say "similar" because the story, although based on a novel by Pierre Louÿs, owes a lot to Prosper Mérimée' s "Carmen", that gypsy dame who plays with men' s emotions, a part that seem designed for BB who was then at the top of her powers as the ultimate seductress. Who is Carmen but a female version of Don Juan?
In short this is a not-so-good-film that must be seen for several reasons. First of all because it marked the end of Bardot' s film career (she did another film in 1973 and that was it), also for the presence of two actors that are also true cinema legends, Maurice Ronet and Robert Hossein (both deserve better). Last but not least, some praise must go to the Eastmancolor cinematography by veteran cameraman Henri Decaë. The rest you can throw away, Vadim et all.
Brigitte Bardot stars here in her last film along with Jane Birkin, the other singer who recorded the Serge Gainesbourg hit, "Je t'aime". This film is worth seeing, as we see BB's and Vadim's evolution from "And God Created Woman" to this post-sixties over-the-top comedy-drama.
We get some great nude scenes with Brigitte and Jane, and BB's character Jeanne is someone fed up with men, so she resorts to seduce and destroy tactics. As in "And God Created Woman" she's pretty much playing herself, but with an exaggerated storyline of driving men to ruin, murder, and suicide. The campy ironic humor is there in such scenarios as seducing a priest as well as setting up a fake menage-a-trois to madden a bete homme. Also a scene with Robert Walker Jr. (Charlie X in Star Trek TOS) where the price she asks for making love is no less than his life, which he takes seriously. The ending is a multiple meaning one as BB saves a man who makes her "pay for her sins" (though he's unappreciative). I think the end hits home for Brigitte in real life saying in effect, "look you male-dominated world, you've made my life hell". And it's the last scene she ever did on film. Worth seeing for it's erotic quality (but what BB film isn't), the submarine home, the early '70s fashions, and the camp.
We get some great nude scenes with Brigitte and Jane, and BB's character Jeanne is someone fed up with men, so she resorts to seduce and destroy tactics. As in "And God Created Woman" she's pretty much playing herself, but with an exaggerated storyline of driving men to ruin, murder, and suicide. The campy ironic humor is there in such scenarios as seducing a priest as well as setting up a fake menage-a-trois to madden a bete homme. Also a scene with Robert Walker Jr. (Charlie X in Star Trek TOS) where the price she asks for making love is no less than his life, which he takes seriously. The ending is a multiple meaning one as BB saves a man who makes her "pay for her sins" (though he's unappreciative). I think the end hits home for Brigitte in real life saying in effect, "look you male-dominated world, you've made my life hell". And it's the last scene she ever did on film. Worth seeing for it's erotic quality (but what BB film isn't), the submarine home, the early '70s fashions, and the camp.
I am a big fan of Gainsbourg and his two muses Bardot and Birkin, so I thought no matter how bad the film is, it cannot be that terrible and I will for sure enjoy it.
What can go wrong with Bardot playing a femme fatale?
Well, this is a unpleasant movie with a silly plot, all characters unlikable (each in their own way), and a disappointing ending.
I recommend watching it once only because of the actresses, but had not it been for then, most likely I would not had been able to endure these 95 minutes and my rating would not go beyond one star.
What can go wrong with Bardot playing a femme fatale?
Well, this is a unpleasant movie with a silly plot, all characters unlikable (each in their own way), and a disappointing ending.
I recommend watching it once only because of the actresses, but had not it been for then, most likely I would not had been able to endure these 95 minutes and my rating would not go beyond one star.
Ms don juan (in the us ) aka don juan ou si don juan était une femme. Brigitte bardot had been married to roger vadim, the director of this film, back in the 1950s. Jeanne seems to really get off on bragging about her exploits over men, with the priest (mathieu carrière). We see her deeds in flashback, as she recounts her evil ways. Lots of sad, mournful, wailing music. The film itself is long, and just okay. But it's fun to see some of these big names way back when! Some fun scenery from paris in the 1970s. Some blood and guts. Co-stars jane birkin, who had the birkin bags named for her! And robert walker junior. Vadim also co-wrote the screenplay for barbarella and plucking the daisy. These are all shown on turner classics and other channels now and then.
Wusstest du schon
- WissenswertesBrigette Bardot agreed to perform nude for the first time in years as a favor for her ex-husband Roger Vadim, the man who helped launch her career.
- VerbindungenFeatured in Electric Blue 006 (1981)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Don Juan, or If Don Juan Were a Woman?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Don Juan, or If Don Juan Were a Woman
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 30 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen