Ein Fall für Cleopatra Jones

Tamara Dobson plays the title character, the best dressed United States Agent in the history of cinema. She's on a quest for justice and for burning down poppy fields.

Her rival is Mommy, played by Shelley Winters, who gives a subtle, restrained perf...naw, I'm fooling ya, she's re-defining over-the-top as she GNAWS on every single piece of scenery, all in a variety of Eva Gabor wigs. Seeing her rub the bottom of her young girlfriend, and then get her feet rubbed by the same girl...I wasn't sure if I was going to vomit or thank the movie gods that created this.

Plot is virtually unimportant as Cleo battles the fuzz, Antonio Fargas and anyone who gets in her way. Movie is vintage fun and it was nice to see Esther Rolle in a small part. 6/10.

Back in the Seventies, mainstream audiences still reeling from the one-two punch of Shaft and Superfly were subjected to a barrage of ghetto avengers - Black Caesar, Willie Dynamite, The Candy Tangerine Man and the rest - all covering depressingly familiar terrain. Black writer Max Julien (also an actor, playing the lead role in the pimpsploitation classic The Mack) offered AiP his script for a female alternative but passed. Warner was quick to snatch up the rights, and in 1973 foisted the first black superchick onto the American public: Cleopatra Jones.

The film opens with a blazing opium field somewhere in Turkey. Cleo Jones, hap-ki-do expert and international do-gooder, returns to America to report on her success as a 'special agent' in her one-woman war on dope. Lesbian drug baroness Mommy (Shelley Winters, fresh from Corman's Bloody Mama) is furious her poppy fields were torched, and threatens an all-out war between the Brothers and the Mothers. One of Mommy's uppity underlings, Doodlebug (Antonio Fargas, best remembered as Huggy Bear in Starsky And Hutch) is getting rich off stealing Mommy's coke, and provides a cautionary moral aside warning against living as a White Man's flunky (Cleo points to Doodlebug's white chauffeur, and asks "What next - two white jockeys on the lawn?"). With a "whacka-whacka" superfunk guitar in the background, Cleo does her chop-sockey routine on the coke dealers and crooked cops, and kicks Shelley Winters' portly ass for her wild overacting in the final showdown. Tamara Dobson as Cleo Jones reportedly stood 6"2, and that doesn't include what must've been the BIGGEST afro in the business! Despite her physical prowess, the script doesn't give Cleo any real motive for her cartoon crusade (unlike the later Coffy and Foxy Brown) and reduces her to a smug self-satisfied cardboard cutout. Add the sloppy direction by Jack Starrett and you get a surprisingly poor release by a major studio.

Cleapatra Jones is one of those movies that you might have caught on t.v. as a little kid and thought, "Wow, that was amazing! I want to be just like her!" Then, when you are older and see it scheduled to come on t.v. again, or see it in the video store, you arrange to watch it with all sorts of anticipation and end up laughing through the entire movie-the choreographed fight scenes, the extreme villains, the jive "put downs". Either way, it is a cool movie to watch, whether you want to go "WOW" or joke it.

I think Tamara Dobson is absolutely stunning in the movie. Very glamorous and very "tough" (if you disregard the fake fight scenes)and within the context of the movie, she is very smart. Blaxploitation films had their place back in the day (and they still do).

Shelly Winters played a "surprising" role as the villain. If you need to get a handle on this, view the movie, "I'm Gonna to git You Sucka"- Towards the end of the movie, a whole list of actors/actresses, who are thought to be above playing in exploitation movies, are named in various exploitation films. Of course Cleopatra Jones is mentioned.

While the movie can be classified as "cheesy" by many, it does have action, adventure, and romance. The action is non-stop-Cleo is always kung fuing someone or driving the hell out of her Corvette to get away from the bad guys. Also, there a pretty neat scene where she rides a motorcycle up a steep hill to everyone's dismay (if you happen to catch CJ on DVD or VHS, use pause on this scene-it is clearly a Caucasian male, with brown makeup, who is actually riding the motorcycle). The adventure is during the beginning-she is in Turkey blowing up poppy fields. Also, her investigations takes her to various parts of town and she interfaces with various "interesting" supporting characters. And then there is the romantic scene with her and Bernie Casey.

If anything, CJ is a wonderful film to have going if you happen to have a 70's theme party or something.

"Cleopatra Jones" was one of the first "blaxploitation" movies that I ever saw back in the '70s. Tamara Dobson plays Cleopatra Jones, a government agent that must crack a drug ring run by Mommy, Shelley Winters. This movie has a nice pace, and looks like it had a fairly big budget for this genre. Tamara plays the role flawlessly and with style. Some of those fashions! I am surprised she could do some kung-fu fighting with those killer platform shoes on. The other thing that stands out in my mind about this movie is Cleo's sexy corvette, complete with a cassette deck! This was state of the art back in '73 for most cars came with the standard AM radio, or if you wanted to, you could upgrade to 8-track! Shelley Winters is funny and over-the-top with her role as Mommy, the Queen of drug trade. Her performance just adds to the campy appeal of this movie. The supporting cast do well too, and round out this made-for-drive-in classic! The DVD is very basic with no extras, however, it is presented in it's original "cinemascope" aspect ratio. The print looks good, and clear. I am glad that this movie is available on DVD, for it's an enjoyable taste of the '70s!

One thing's for sure - Tamara Dobson is very very cool in the title role of Cleopatra Jones, the sexy heroine of this satirical blaxploitation flick. That being said, Cleopatra, a Special Agent who fights drug lords and other bad guys in a fire-spitting black corvette, is the only true reason to watch "Cleopatra Jones" of 1973. Apart from the cool heroine the film has not very much to offer, as it is simply not as explicit and exploitation-style as most blaxploitation-highlights of the time, such as "Coffy" and "Foxy Brown" starring the incomparable Pam Grier, for example. Sure, the film has a cool heroine, funky music, action and lots of funny moments, but when I am about to watch a film often labeled as a blaxploitation classic I expect a little more. Namely - a little more violence and sleaze.

Take "Coffy", for example - one of the greatest blaxploitation movies ever made, one of the coolest heroines ever, played by the great Pam Grier, loads of sleaze, brutal violence, and one out of two words is the F-Word. The main weakness of "Cleopatra Jones" is that it is an blaxploitation movie without most of the elements that make exploitation interesting, probably because it was intended for wider audiences. OK, there is some mild violence and some mildly crude language occasionally, but explicit violence, as well as nudity, sex and F-Words were avoided. Not that I need these elements in any movie I see, but for blaxploitation flicks from the 70s they're mandatory, in my opinion.

The film is very satirical, however, the villains are simply ridiculous (and most of them quite annoying). Funnily the main villain, a very annoying, but also somehow funny white drug-queen called "Mommy" is played by the great Shelley Winters. Blaxploitation regular Antonio Fargas and Bernie Casey, as well as some others also fit in their roles quite well. The main reason, to watch "Cleoatra Jones" is Tamara Dobson however. Dobson is certainly not nearly as unforgettable as the great Pam Grier in her many blaxploitation roles, but she still makes a great, sexy and super-cool blaxploitation heroine, and that alone makes the movie worth the time! The film is overall pretty funny, and a highly entertaining time-waster. If you're looking for truly great blaxploitation cinema, however, go for films like "Coffy" or "Foxy Brown".