Die Leichenfabrik des Dr. Frankenstein

This is a mishmash of old Universal horror cliches done up European style by the notorious Dick Randall, who is known for marrying Jayne Mansfield and producing a string of wildly eccentric exploitation films mostly in Europe. This movie has a horny dwarf, a Neanderthal man in feather boots played an actor calling himself Boris Lugosi(!) and a Frankenstein monster who looks like Bozo the Clown. And it's always fun for fans of Eurotrash cinema to spot regulars like Gordon Mitchell and Luciano Pigozzi giving it their all. This Gothic goofiness should satisfy all fans of 70s Eurohorror.

This is an incredibly goofy monster/horror movie with some softcore porn and a fairly nasty rape/murder scene so don't let kids watch it, but it's great fodder for the riffers at Cinematic Titanic. The movie is so bad it makes you laugh even without all the jokes, and the jokes make it hysterically funny.

FRANKENSTEIN'S CASTLE OF FREAKS is a genuine howler of a movie, an Italian "Sexy Horror" thriller made at the tail-end of the Euro Horror explosion and sleazy to a very enjoyable tee. Rossano Brazzi plays "Count Frankenstein", carrying on the family traditions of monster making using spare parts dug up from the local cemetery by his goon squad of misshapen, demented assistants. When the boneyard runs short of choice pickings he is not adversed to using the freshly murdered corpses of various supporting cast members.

The main thing to recommend this movie is it's audacity and utterly bizarre cacophony of weirdness that it hurls at the viewer. Almost nothing in the film is done in good taste, the assault on one's sense of propriety topped off by a scene where a mutated Neanderthal type & the lab midget kidnap a buxom young lass, tie her up, and enjoy the fruits of their labors. The film bombards viewers with a seemingly endless array of nude female bodies undressing, bathing, skinny dipping, and being ravished by the various goons in the gallery.

Little Person performer Michael Dunn -- best known for playing little Alexander on that weird STAR TREK episode with the telekinetic Platonians -- steals the show as the horny, vengeance minded dwarf. But the cast is actually filled with some top ranked Euro Genre talent: Luciano Pigozzi (best known for his work with Antonio Margheriti), frequent Euro Horror monster Xiro Papas, the always mousy Edmund Purdom, sexy Simone Blondell, and most fascinatingly Gladiator/Muscleman Matinée Idol Gordon Mitchell, who probably helped to finance the movie once the market for Spaghetti Westerns dried up.

I mean look, what can you say about a movie titled FRANKENSTEIN'S CASTLE OF FREAKS?? It's smutty, sleazy, non-pornographic monster movie mayhem, with a heavy emphasis on atmosphere & fleshy thrills over any sense of coherency. There's a Frankenstein monster (albeit without the Universal makeup look: Get over it, Frankenstein's monster can look any way someone wants), the sex-crazed dwarf, the Neanderthal (played by one Salvatore Baccaro, billed here as Boris Lugosi but best remembered by fans of Italo Sleaze as MONKEYBOY!! from Luigi Batzella's BEAST IN HEAT), women taking hot sauna baths together, some interesting gore effects, and drippings of Euro Horror atmosphere. The complete lack of morals sets it on a different plane than the Hammer horror films that it apes, but it's all in good fun, the low budget making it seem all the more patently absurd.

The reason why I call it a "howler" is that it's practically impossible to keep a straight face while watching a movie like this. One ends up howling with laughter not so much at how "bad" it is but how absurd the whole concoction seems. You also can't make 'em like this anymore, there is zero political correctness to be found, the attractive young women are all objectified into sex mavens and Count Frankenstein is mean to the little dwarf. If you can suspend your insistence on big-budget entertainment this is actually a sick, riotous little time killer that should make a fantastic party movie, provided of course all of your friends are a little sick.

6/10 for having the nerve to show it to us.

The Italians were the kings of the Horror genre from the 60s to the 80s, and, as far as yours truly is concerned, the combination of this genre, era and country is as great as cinema can possibly get. The rise of Italian Horror/suspense cinema started with atmospheric Gothic tales (such as the brilliant films by the ultimate master Mario Bava, Antonio Margheriti and Riccardo Freda) in the late 50s and early 60s. In the 70s, a time when the Giallo genre had replaced the Gothic tale as the dominant sub-genre Italian suspense cinema, some (but by no means all) of the Italian Gothic Horror films that were still being produced were very low-budget and sleazy, but nonetheless elegant Exploitation efforts.

TERROR! IL CASTELLO DELLE DONNE MALEDETTE aka. FRANKENSTEIN'S CASTLE OF FREAKS (1974) is a super-cheesy slice of 70s Italian B-movie Gothic Horror which will certainly not give anybody the creeps, but which is incredibly entertaining nonetheless. Directed by the American Dick Randall, the movie puts a lesser emphasis on the typically Italian elegance and atmosphere, and, sometimes looks more like one of the many contemporary Spanish Gothic Horror films (which is probably due to the low budget). Sleaze-fans should not be scared off by the PG rating (as according to IMDb), since this little trash gem contains plenty of female nudity, perverted characters and some very cheesy gore effects. The film doesn't take itself too seriously, and the demented characters alone make it worth a look for my fellow Euro-Exploitation fans.

Count Frankenstein (Rosanno Brazzi) lives in a castle with a bunch of freaky helpers including a necrophiliac midget, a hunch-back who has rough sex with the housekeeper when her sadistic husband (Luciano Pigozzi) is not around. His hot daughter (Simonetta Vitelli) comes to visit with her fiancé and an equally hot friend (Christiane Rücker). Both of the women have exhibitionist tendencies. What follows is a sleazy and incredibly entertaining succession of very absurd horrors.

While FRANKENSTEIN'S CASTLE OF FREAKS is below-par in terms of style and elegance by the high Italian Gothic Horror standards it is still very stylish for a rather nonsensical B-Movie of the kind in international comparison. The most well-known faces in the cast are former strongman and B-movie regular Gordon Mitchell (in the role of the undertaker) and the Peter-Lorre-lookalike Luciano Pigozzi, a great supporting actor who was in all sub-genres of Italian cult-cinema, including several films by Mario Bava and Umberto Lenzi.

Overall FRANKENSTEIN'S CASTLE OF FREAKS is a sleazy, very cheesy, and often unintentionally funny trash-gem that is incredibly entertaining and should not be missed by true lovers of European Trash flicks. However, one should definitely be acquainted with the many great Italian Gothic Horror films before watching fun trash like this one. For Italo-Cult buffs like myself this film is often hilarious and vastly entertaining.

Two vaguely related storylines provide a flimsy excuse to link a series of exploitation scenes involving violent murder, kinky sex, and sexual violence.

The flimsy plot threads involve a standard mad-scientist type, here cunningly named Count Frankenstein, performing experiments on a bizarre "missing link" he has captured in the local countryside. Meanwhile his former henchman, a misbehaving dwarf, befriends yet another hulking missing link creature and, partly to bring suspicion upon his hated former employer as well as to appease his own lust, commits rape and murder with assistance from his new friend.

Apart from the ugly cook who enjoys rough sex with one of her freakish co-workers, Count Frankenstein's visiting daughter, her fiance and a university friend are on-hand to provide the bulk of the nude glimpses and sex scenes. At one point the daughter and the female friend share a mineral mud-bath in a cave. Since this scene fails to move the plot along, has no affect on the on-going story, and does not even lead to sex (despite some initial hints that suggest it might be proceeding down that path) we must assume it was included solely so it could be shown out-of-context in the trailer to suggest that more could be seen in the actual film.

Mildly amusing and somewhat intriguing, but by no means any good.