Ein total verrückter Urlaub

One of my favourites and the last great Carry on film. All the gang is here for the last time Sid, Kenny, Charlie, Babs, Joan, Hattie and they all seem to be having a great time and go out with a bang. Its meant to be set in Spain but its pretty obvious the team haven't ventured further than Slough. Great lines, and set pieces through but for me its Peter Butterworth as hotel manager Pepe who steals the show never since Up the Khyber has Butterworth been given a more showy role and he plays it to the hilt, shame he wasn't more cherished as a regular and was and is still overlooked in favour of less funnier member's of the team such as Bresslaw, Douglas. Love the scenes between him and Williams' Farquar. A great pick me up if your feeling a bit fed up it never fails to make me laugh. Classic!

RANKING: one of the best of the modern-dress ones. The humour is a bit more smutty than in some but it's not dirty - it's still funny.

TYPICAL: Like all their non-historical films since CAMPING, they're all the exact same story but with different names. By 1972 when they made this, they'd got the recipe just right, it just clicks. Whilst hardly the height of sophisticated wit, every single line of the script seems to be a silly smutty double entendre. It's almost clever! One of the running gags is a local drink which makes you see the young ladies in their underwear - it's that sort of humour so if If you like this type of thing, this will be perfect for you. Unlike the last few films they did, this one's genuinely funny because it's silly and smutty rather than rude and offensive.

SEXY LADIES: The other essential of a Carry On film is saucy, sexy ladies and in this one we have them in abundance. The man (definitely a man) who did the casting must have particularly enjoyed that job. What's really surprising is how weirdly charming and innocent the gratuitous nudity is! Somewhere on set someone must have been told to ring a bell every five minutes signifying that whichever young lady was in frame at that moment they had to get their boobs out. The worthy winner of this 'adult' musical chairs game is usually Barbara Windsor. Her frequent toplessness is however never seedy and never vulgar, it's always done for laughs which makes her so endearing.

The 24th film in the Carry On series finds the cast partaking in a package holiday to Els Bels. Once arriving they find their hotel still under construction and nobody much likes the company they are in!

This is actually one film that boasted the most regular Carry On cast members, something which carries the pic up above and through some choppy waters. Leaning heavily towards the more bawdy side of the franchise, it obviously couldn't appeal to everyone. This is the 1970s in Britain and it was becoming a place of decadent sexuality, which sees the makers earnest in their attempts to capture the zeitgeist of the time. Also one tends to think they had to be aware of the more openly sexual nature of some other comedy films of the era, thus they had to compete.

This is great fun for series fans, an absolute ramshackle holiday experience, the very definition of a cheap deal that "WAS" too good to be true. The makers bombard us purposely with stereotypes - the Brits abroad crassness, the bad food and excessive drinking, the undersexed and the oversexed clientèle, bad weather, nudity, a raucous set to at a red light establishment, sexual stimulants and on it goes - no sand pebble is left unturned.

Cast are great, reliable sorts with such cheeky material to work from. Peter Buterworth takes the leading honours as the hotel manager trying to convince everyone this hotel from hell is a paradise! and he is well supported by June Whitfield who makes one of her more expansive ventures into the series. The double entendre's flow, the chaotic scenes stack up and the corn is well and truly laid on a plate. Suffice to say this is not about pathos or intelligent meanings!

The finale is two-fold and great for fans, the drunken party on the last night at the hotel literally is crash bang and wallop, while the collective character closure at Sid and Joan's English bar has a warmness to it that fans can relate to. Charles Hawtrey, the legendary skeleton on legs, left the series here, playing an alcoholic rogue, the makers accepting his real life issues and incorporating it into his farewell performance for some poignant reflection. 7/10

Carry on Abroad is another fantastic classic 1970's movie. I love this movie and it is one of the best i have ever seen as well as the other carry on movie. Sid James is my favourite in all the other actors and actresses, the reason why i like him the best is because of the sense of hunour he comes out with and the laugh he does in the movies he starred in. That makes me laugh whenever he laughs. He is a fantastic actor and i think he has a great sense of humour which i am sure some people like to have with them all the time. I certainlly like to have someone giving me a great sense of humour. The other actors and actresses in the carry on movies were fantastic, but i still think Sid James is the best. Kenneth Williams is my second favourite in the carry on movies. He also is funny and a great actor. I give carry on abroad 10 out of 10.

A hilarious low budget romp for the carry on team. This film sends up both foriegners and Brits. The new idea of package holidays was a rich vein for comedy in the early seventies (see also the brilliant 'Are You Being Served' film), a time when most British people had never been abroad before (except perhaps during the war), so there was much scope for humour.

Amazingly the British weather held up long enough for the island of Elsbels (Camber Sands) to look convincingly like a mediterranean resort (well...in winter anyway!) but a large number of scenes are indoors anyway, so it doesn't matter. All the usual smut, innuendo, and gags about falling down hotels are there, and I defy anyone not to chuckle a few times. The only slight downside is the rather poor acting by Kenneth Williams' assistant, but she is extremely 'easy on the eye' so gets away with it.

My favourite scene is when the prison guard gives the gang the 'fine old British gesture' of two fingers up, to which Kenneth Connor replies 'Damned FILTH!'.