IMDb-BEWERTUNG
7,5/10
1034
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuClara, diagnosed with tuberculosis, is treated in a sanatorium in the Alps where she can finally take a break from her miserable life.Clara, diagnosed with tuberculosis, is treated in a sanatorium in the Alps where she can finally take a break from her miserable life.Clara, diagnosed with tuberculosis, is treated in a sanatorium in the Alps where she can finally take a break from her miserable life.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 1 Nominierung insgesamt
José María Prada
- Ciranni
- (as Josè Maria Prada)
Julia Peña
- Edvige
- (as Julia Pena)
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Florinda Balkan stars as a factory worker battered by her crippled husband who discovers she has lung disease and is send on medical leave to a TB resort in the mountains for treatment. Here she is romanced by a handsome patient from a nearby facility and develops close friendships with her roommates, sharing their triumphs and disappointments while they battle with fates of mortality. The great irony results in that she is cured, but ruined by the fact she must return to her factory work and poor, abusive family. Fans of Bette Davis (Jezebel) and Joan Crawford (Mildred Pierce) will enjoy her portrayal of a strong tragic heroine. I must admit scenes with her abusive husband and fellow TB patients are quite hard-hitting, but worth enduring to see the powerful finale.
Vittorio De Sica collaborated again on this excellent film with screenwriter Cesare Zavattini, as he had in the postwar "Shoe Shine," "The Bicycle Thief," Umberto D," and their 60s French film "A Young World." They have fashioned, from a story by Rodolfo Sonego, a realistic and at times romantic drama about an Italian housewife (Florinda Bolkan in an amazing performance), living in a Milan suburb and married to a crass husband (Renato Salvatori) who treats her like a pack animal.
She supports the husband, unemployed because of an accident as well as her three sons and several in-laws, by working in a grim factory worse than that in Petri's "The Working Class Goes to Heaven" or Rossellini's "Europa '51."
She collapses from exhaustion and TB and is sent at company expense for "una breve vacanza" at a sanatorium in the Dolomites. Here she experiences a major change and awakening, not merely physical and emotional (as in a tender relationship with a machinist) but a profound radical change in which she examines for the first time her fundamental nature as a human being and as a woman. She can never be the same after she returns home.
Italian class and sex attitudes are perceptively analyzed here, and there is un unforgettable characterization by Adriana Asti as a foul-mouthed yet compassionate woman in the last days of a terminal illness. (Remember her in Bertolucci's "Before the Revolution"?)
I find it ironic that though this great "feminist" movie was written and directed by men, it is more effective in that regard in ways that its contemporary "Swept Away," made by a woman, is not.
She supports the husband, unemployed because of an accident as well as her three sons and several in-laws, by working in a grim factory worse than that in Petri's "The Working Class Goes to Heaven" or Rossellini's "Europa '51."
She collapses from exhaustion and TB and is sent at company expense for "una breve vacanza" at a sanatorium in the Dolomites. Here she experiences a major change and awakening, not merely physical and emotional (as in a tender relationship with a machinist) but a profound radical change in which she examines for the first time her fundamental nature as a human being and as a woman. She can never be the same after she returns home.
Italian class and sex attitudes are perceptively analyzed here, and there is un unforgettable characterization by Adriana Asti as a foul-mouthed yet compassionate woman in the last days of a terminal illness. (Remember her in Bertolucci's "Before the Revolution"?)
I find it ironic that though this great "feminist" movie was written and directed by men, it is more effective in that regard in ways that its contemporary "Swept Away," made by a woman, is not.
10Sees All
This is not an adaptation of THE MAGIC MOUNTAIN. The only thing the two works have in common is that they both take place in a sanitarium. It's the story of a woman who has a horrible life of hard work and no appreciation. She takes ill and is sent by the government to a sanitarium where she thrives. Getting sick is the most wonderful thing that has ever happened to her. I found this film extremely moving. Florinda Bolkan gives a great performance of subtle realism. A BRIEF VACATION is a brilliant film, right up there with De Sica's best, and it came late in his career. He directed only one more film afterward. I saw this film a couple of times in the 70s. I still think about scenes from it.
A Brief Vacation is a quiet Italian drama from 1973, directed by Vittorio De Sica who was acclaimed for The Bicycle Thief a quarter century earlier.
Florinda Bolkan plays a female factory worker in Milan whose husband's employment has been sidelined for the time being by injury. Thus she is the breadwinner for a family that includes children, a mother-in-law, and a brother-in-law. She already is close to collapse from the wear and tear of her job, and the fatigue of the train commutes to and from it. Family members prove extremely selfish, increasing the stress and burden.
But she has a spot on her lung, a patch of tuberculosis, the equivalent of a golden war wound in combat. There is insurance for health care, and a guarantee of a continued flow of salary during leave for recuperation. The movie makes a welcome shift to a sanatorium in the Alps, where the only demands are to get plenty of sleep and rest and be pampered by the doctors, nurses, and other staffers. This is the brief vacation from which the movie title derives, and brings a chance to meet new friends and a pause to reflect on life. De Sica via the interruption produces another winner.
It might be added that it was a long wait to see the movie again. A Brief Vacation was never released on VHS, and consequently it took three full decades, and the advent of the DVD era, to bring the film to home viewers. Take advantage.
Florinda Bolkan plays a female factory worker in Milan whose husband's employment has been sidelined for the time being by injury. Thus she is the breadwinner for a family that includes children, a mother-in-law, and a brother-in-law. She already is close to collapse from the wear and tear of her job, and the fatigue of the train commutes to and from it. Family members prove extremely selfish, increasing the stress and burden.
But she has a spot on her lung, a patch of tuberculosis, the equivalent of a golden war wound in combat. There is insurance for health care, and a guarantee of a continued flow of salary during leave for recuperation. The movie makes a welcome shift to a sanatorium in the Alps, where the only demands are to get plenty of sleep and rest and be pampered by the doctors, nurses, and other staffers. This is the brief vacation from which the movie title derives, and brings a chance to meet new friends and a pause to reflect on life. De Sica via the interruption produces another winner.
It might be added that it was a long wait to see the movie again. A Brief Vacation was never released on VHS, and consequently it took three full decades, and the advent of the DVD era, to bring the film to home viewers. Take advantage.
Finally available on DVD. I had been wanting to share this movie with friends for more than 30 years. It has always been on my top 10 list of best movies ever seen.What I remember most are the subtle scenes which communicate so much, the woman wrapping her meat patty from her factory provided lunch in a napkin and slipping it into her purse in order to be able to give it to her son later on. Or after finally going to see a doctor, first making a last-minute detour into a department store to buy new underwear, too embarrassed that the doctor would see her in what she had on. Or at the very end, when the train passes by the billboard with the Mao graffiti on it (the most subtle of political comment). This is a splendid and brilliant movie, exposing the complexity of social circumstance without ever taking the easy way out, or suggesting there is ever an easy answer, in this case just a brief vacation.
Wusstest du schon
- WissenswertesAccording to producer Arthur Cohn, Elizabeth Taylor, Sophia Loren, and Jane Fonda all wanted to play the role of Clara Mataro, which ultimately went to Florinda Bolkan.
- VerbindungenReferenced in Carrie: Des Satans jüngste Tochter (1976)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 660.569 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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