Bruder Sonne, Schwester Mond

its lively poetry. like a refuge. like a veil. this is the gift to me each time when I saw it. and the motif to discover it as the best film about Francisc of Assisi. sure, it is a religious film. and more. sure, it has the mark of its director art. but not only. it is a declaration of faith and the inspired translation of a profound and delicate story about a symbol of Western Church. and this does it real different by the other versions. because it is the film who not gives a story but reveals its aura and air and flavor and force and specificity. its poetry is the basic motif to see it. for a sort of special beauty. for the art of a refined manner to see the pure faith.

Oh yes, we can look at this as a parable of the "hippies" and an anti-war, anti-establishment film (as if those are somehow "bad" things.) It is all that. Any director who cannot interpret through the lenses of his time is not a very good director. Zefferelli is a master at it. It may make the movies seem dated but that also is a sign of mastership as we see the life of Francis and also see life in the Vietnam era 1970s. The movie itself is hauntingly filmed in a dreamlike manner. It tells the story of Francis who we will later know as Saint Francis Of Assissi. It is not an attempt to tell the complete story of the saint, but to use episodes from his life to speak to the culture of the time. It is not a biography so much as it is an interpretation.

This comment discusses the English version

BROTHER SUN SISTER MOON was the first film I had seen in my life. I was 10 at the time when it was on Polish TV (before 1989 such films were censored by communists). The feelings I had are hard to express with words. I loved everything about it, music, story, cast, scenery, everything.

Now, in 2004, when I see it again, I must admit that most of its splendor is gone. Where is this admiration? ... However, in spite of some faded emotions, it is still a film which I consider pleasure seeing again. Is there something magical about it?

I think that what makes me, personally, fond of it are four most basic factors: the director himself, Franco Zeffirelli, whom I have always admired for his "artistic soul", the story, far from the true, but still moving and retaining the gist of Francesco's life - love to God and His creatures, the music by Ken Thorne and sung by Donovan (especially the title song), and scenery in which the movie was shot.

Franco Zeffirelli chose excellent cast. Graham Faulkner was very much like Saint Francis: these profound eyes, smile full of love. WONDERFUL. Alec Guiness was also excellent. His role of pope Innocent is really unforgettable. Others, including Lee Montague (Pietro Bernardone), Leigh Lawson (Bernardo) and Valentina Cortese (Pica) also give memorable performances. Whenever I watch other films about Francesco, I can't get used to other faces than theirs from this film.

The story is very different. I don't know why Zeffirelli changed it so much. In fact, Francesco did not leave his family like that. What is more, he was a great "Lover" of the Holy Cross, which I can't find in this film. However, one forgets about all these mistakes when the scene with the pope comes on screen. A Polish movie critic said that it is the most moving scene in the history of cinema. This viewpoint is, definitely, overdone, but there is some truth in it. The mosaic of Monreale Pantocrator looking deeply into everyone's eyes, pope's dream and second calling of Francesco and finally his blessing to the amazement of others - the film is worth watching for thanks to this scene alone. You will not regret.

The last factor, scenery, is also worth considering. Film's Assisi is a lovely Italian town of San Gimignano, the hills of Umbria are replaced by Piano Grande, a parish church of Assisi by an old medieval abbey of Sant' Antimo, and finally a Roman basilica - the cathedral of Monreale - a real masterpiece of Norman - Byzantine art in Sicily (10 kilometers from Palermo). The locations in which this film was shot are, indeed, one of the best ever.

Finally, if the above advantages did not fully talk for this movie, there is one more - its message. The message of love, forgiveness and respect for nature is extremely important nowadays. Films which promote it, and one of them is, undoubtedly, BROTHER SUN SISTER MOON, are a real treasure of cinema. And this movie does it mostly by the power of flower and song.

I will end this review with a prayer of Saint Francis. Think about it. If we all copy these words to our lives, the world will be much better to live in:

"Lord make me an instrument of your peace,

Where there is hatred, let me sow LOVE

Where there is injury, let me sow PARDON,

Where there is doubt, let me sow FAITH,

This is in GIVING that WE RECEIVE

This is in PARDONING that we are PARDONED

This is in DYING that we are BORN

THAT WE ARE BORN TO ETERNAL LIFE!!!

I just wanted to comment on the film, mainly because the one other commentator stated that the film was terrible. I happen to like the film. Sure, there are moments when it is a bit too saccharine, but it is still worth viewing. The cinematography is superb, and I think the music score is AMAZING. It is simple with a folk-song quality that I think fits with Saint Francis's teachings. I only wish there were a soundtrack available; I'd buy it in a heartbeat. I agree with the other commentator that there is nothing really "new" added to the story of Saint Francis; however, the story is a good story without something "new" added to it. I do wish that the film could have been a bit "grittier"; what I mean is, sometimes in the film, Saint Francis comes across as if he were so kind and gentle that he is floating or mindless. I wish the film could have shown the harsh realities that Saint Francis would have faced. Overall, the film is beautiful. Don't miss it.

The filmography by Zefirelli is stunningly beautiful -- one of his best -- a masterpiece worthy of a Florentine artist (Zefirelli's home city).

Being an admirer of Francis of Assisi, I've seen several films which attempt to portray his life. This is the only one, in my opinion, which successfully captures the incredible SPIRIT of the man. It's a movie to experience with the heart rather than the head. It has made a lasting impact on my own faith and spirituality since I first saw it in Italy in the early eighties.

The Italian version of 'Fratello Sole, Sorella Luna' is edited differently and has the beginning scenes in an order slightly different from the English version.

Note: It's helpful to know something about the life of Saint Francis before viewing the film. Since it centers on his spiritual rebirth in Christ, it's rather sparse in other historical details of his life. Zefirelli assumes that the viewer already knows these -- as most Italians would. For example, when Francis first stands in silence and awe before the crucifix in the ruined church of San Damiano, Zefirelli assumes you know that this is the moment of Francis' conversion, that this is when Francis first heard Christ say, "Rebuild my church."