Begrabt die Wölfe in der Schlucht

I haven't seen this movie since I saw it in its initial release where it was playing to a nearly empty theater. It was shot in widescreen, the format appropriate to the genre and the movie would undoubtedly suffer if seen on TV. Granted that the foreign location gave it an odd quality but the desert vistas are no less magnificent. I'm not a particular fan of the western film genre but this one seems to have clung to my memory. Peck's Scottish burr seems forced at times but it does not detract from what is essentially a visually compelling entertainment. If it becomes available in DVD(widescreen) format, I'll certainly buy a copy.

At the end of this movie, I wasn't sure that I'd enjoyed it. But as the day wore on, I found myself continually thinking about it. Often, I leave a movie thinking I've enjoyed it and never give it a second thought. I wasn't sure for a lot of the film exactly what the point is other than the relationship between Peck (An outlaw with Scottish descendancy) and Billy (A half-breed Native Indian). But actually, this is the point and the characters are what make this movie work. Gregory Peck could never be accused of being type cast and he gave a valiant attempt at pulling off a Scottish accent. A lot of the words he nailed but then the accent completely disappeared for run of the mill dialect. A little more direction and time and his language would have matched an otherwise strong performance. Billy seemed a straightforward character to start with but layer upon layer are revealed as the movie progresses including an explanation for an otherwise daft movie title and you really find a sense of his history and upbringing. The sheriff gave a worthy performance but I was particularly impressed with the Apache gang and the stuttering wife. The Apache were made all the more terrifying by their random nature and personality so far removed from stereotypical Apache. The guy with the white parasol was the best of the bunch. The parasol is mentioned but no reference is made to how he obtained this. Some things are best unsaid, had he massacred a previous wagon and removed this as a trophy from some poor unsuspecting traveller? The stuttering wife was beautifully played. Her husband's answer to this disability was to slap her round the face. To her and her guests, this was nothing more than abuse but the husband clearly thought he was 'Rattling her brain box' and helping her out. Her vulnerability, loneliness and desire for love were superbly portrayed and I wish her love for Billy had been explored more fully. The movie reached a stand-off climax and there is a moral about how we treat our dead at the end which again leaves you thinking. Give this movie a chance, you may well draw a different conclusion but it is a little gem worth giving a chance.

I saw this film on Turner Classic Movies (TCM).

It seems others have made a virtue out of this film's odd credentials and quite possibly used these against the film itself. On the face of it and if you didn't know (most folks won't, or care) then this is a decent western, with a Sam Peckinpah sense of gritty realism and dynamism.

The story follows a familiar one; an aged Scottish Gregory Peck and a young half-caste youth become fugitives - then friends - after a bungled bank robbery. They are pursued by racist and violent sheriff Jack Warden who hounds the pair, right to the bloody finale. There's good action and the unusual Israeli scenery actually adds a bit of variety to the surroundings.

The interestingly titled Billy 'Two Hats' is given an unusually sympathetic and approachable role, especially considering the western genre's tendency to the opposite toward native American characters. This again, adds to the flavour of the film, giving it a nuance that marks it apart from dozens of others.

I'd not heard of 'Billy Two Hats'; its title got me interested in the TV listings and found it well worth the time and effort but not quite enough to buy it on DVD.

Old Scottish bank robber and young 'half breed' accomplice on the run after the former mistakenly killed (only meant to wound) person during the bank robbery.

Determined and ornery lawman goes after them with the help of a friend.

Older bank robber is injured when the friend takes a very long range shot at him with his Sharps 'buffalo' rifle (also see 'Valdez is Coming' for more Sharps action).

Anyway the other reviews do a good job summarising the rest of the film.

Highlights for me: - Peck's Scottish accent is quite good, no surprise as he was brought up by his grandmother who was Scottish. - long range Sharps action - lawman treating his friend poorly, his friend can't believe it... - lawman tussling with some unsaid contradictions he has to consider - Indian is a good guy (pity he was not played by a first nation actor still it was 1974).

Do watch it and reflect on some of the odd moments and interactions.

It's a bit bitty this western, and you do have to get past Gregory Peck's "haud yer whisht" Scots accent, but apart from those it's actually quite a solidly presented story with a good effort from all concerned. Jack Warden steals the show as the sheriff ("Gifford") pursuing "Archie" (Peck) and his half-breed sidekick "Billy" (Desi Arnaz Jr.) after they committed a robbery in which a man was - accidentally - killed. The story follows the chase - but not in a conventional sense. The balance of power frequently shifts between the pursuing and the pursued; there are some rather fancily dressed and menacing Apache on the warpath (for whisky) and when they alight on the rather venal homesteader "Spence" (John Pearce) and his nervous wreck of a pretty young wife "Esther" (Sian Barbara Allen) there is even room for a tiny bit of romance for the young man. There is quite a strong undercurrent of racism here. The young man's heritage earns him the enmity of many, especially the rather odious "Cope" (David Huddlestone) who runs a remote outpost with his squaw (Dawn Little Sky) whom he treats little better than a chattel. Indeed, even the title of the film suggests a double standard that is writ quite large into the narrative here. There's a bit of long-distance sharp shooting, quite a bit of gentle witty repartee and though not at his best, the star has a curmudgeonly charisma that helps hold the other characters firmly in place. I hadn't heard of this film before I saw it in a cinema yesterday, and I really did quite enjoy it.