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Die Rivalin

Originaltitel: Ash Wednesday
  • 1973
  • 16
  • 1 Std. 39 Min.
IMDb-BEWERTUNG
5,1/10
817
IHRE BEWERTUNG
Elizabeth Taylor in Die Rivalin (1973)
DramaMystery

Füge eine Handlung in deiner Sprache hinzuAfter getting plastic surgery in Switzerland to help rejuvenate her shaky marriage, Barbara Sawyer has an affair with a younger man while waiting for her husband's arrival from the U.S.After getting plastic surgery in Switzerland to help rejuvenate her shaky marriage, Barbara Sawyer has an affair with a younger man while waiting for her husband's arrival from the U.S.After getting plastic surgery in Switzerland to help rejuvenate her shaky marriage, Barbara Sawyer has an affair with a younger man while waiting for her husband's arrival from the U.S.

  • Regie
    • Larry Peerce
  • Drehbuch
    • Jean-Claude Tramont
  • Hauptbesetzung
    • Elizabeth Taylor
    • Henry Fonda
    • Helmut Berger
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,1/10
    817
    IHRE BEWERTUNG
    • Regie
      • Larry Peerce
    • Drehbuch
      • Jean-Claude Tramont
    • Hauptbesetzung
      • Elizabeth Taylor
      • Henry Fonda
      • Helmut Berger
    • 17Benutzerrezensionen
    • 17Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Fotos72

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    Topbesetzung24

    Ändern
    Elizabeth Taylor
    Elizabeth Taylor
    • Barbara Sawyer
    Henry Fonda
    Henry Fonda
    • Mark Sawyer
    Helmut Berger
    Helmut Berger
    • Erich
    Keith Baxter
    Keith Baxter
    • David
    Maurice Teynac
    Maurice Teynac
    • Doctor Lambert
    Margaret Blye
    Margaret Blye
    • Kate Sawyer
    Monique van Vooren
    Monique van Vooren
    • German Woman
    Henning Schlüter
    Henning Schlüter
    • Bridge Player
    Dino Mele
    Dino Mele
    • Mario
    Kathy Van Lypps
    • Mandy
    Dina Sassoli
    Dina Sassoli
    • Nurse Ilse
    Carlo Puri
    • Paolo
    Andrea Esterhazy
    Andrea Esterhazy
    • Comte d'Arnoud
    Jill Pratt
    • Simone
    Irina Wassilchikoff
    • Silvano del Campo
    Maximillian Windisch-Graetz
    • Viet Hartung
    Nadia Stancioff
    • Helga
    Rodolfo Lodi
    • Prince Von Essen
    • Regie
      • Larry Peerce
    • Drehbuch
      • Jean-Claude Tramont
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen17

    5,1817
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    Empfohlene Bewertungen

    5moonspinner55

    Gossamer plastic surgery fantasy...

    "Ash Wednesday" opens with a series of sepia-toned, fabricated photographs putting a young, glamorous Elizabeth Taylor together with a lean, dark-haired Henry Fonda; it's a great credits-sequence, well pulled off, until we find out that all this fancy living has taken its toll on poor Liz, portraying a lawyer's wife from Detroit (couldn't they aim higher than that?). Figuring plastic surgery is the only way to win back her estranged husband's love, Taylor checks into a Swiss medical resort and receives a full-body lift, later trading in her gauze and bandages for Valentino wraps and elaborate fur ensembles for a vacation at the local chalet. There's nothing remotely engaging about this scenario, except to see La Liz in a series of delectable wardrobe changes. We know that when Fonda arrives and sees her, nothing will be different (this is telegraphed far in advance). The picture was probably ahead of its time in depicting the vanity in men as well as in women, but Taylor and Fonda have a tough time creating actual characters (the writing being hardly more than a sketch). Liz has a nice moment asking Fonda to sing with her as they walk home, also a strong scene arguing with her daughter (Margaret Blye, who is well-cast; her eyes are almost as beautiful as Taylor's). But this fairy-tale-that-isn't hasn't much to offer aside from its surface attributes, which are photographed in a maddening series of subdued colors. ** from ****
    7zorotrinidad

    Not vintage Liz, but "Ash Wednesday" has aged well

    I want to say, in 1973, it was fashionable to knock anything Elizabeth Taylor did. Not the greatest movie in the world, but a bitter story of how the aging process can affect us. Yes! It was a return to the gorgeous Liz! But, isn't that what a movie star is all about. So, Liz got fat, so did I! Liz drank and had her addictions. So do we all! Why judge a performance by an actor's trouble life? And, mirror, mirror on the wall, who has lived to survive it all? Elizabeth the Great! What more can I say? Sadly, bias and bigotry continue to blight the work of many great performers. Time will tell, or maybe it has told already, that Elizabeth Taylor and her body of work can stand up with the rest. P.S. Felt the same incredible sadness at"Ash Wednesday" in 1973 as I did at that other bitter pill "Brokeback Mountain."
    10mrcaw12

    Guilty Pleasure

    Ash Wednesday (1973) Costarring Henry Fonda, Taylor plays your typical depressed, run-of-the-mill, middle-aged housewife who in an attempt to win back her divorce-seeking husband, goes to a Swiss spa to undergo plastic surgery and regain her youthful beauty. Well, not only is the operation a success, she comes out of it looking like, well Elizabeth Taylor. Dominick Dunne produced this movie before he went on to novel writing fame and fortune. It's considered a really bad movie. I consider it high seventies camp at its best. Most definitely a thumbs up. Watch it in college with your friends over vodka tonics.
    7xavrush89

    Like "Shirley Valentine" but dramatic...and pretty good.

    Obviously, this sight recommends "Breast Men" as a suitable companion piece to this because of the cosmetic surgery angle. (I don't watch similar films together anyway.) To me, it is much more akin in spirit to "Shirley Valentine." Woman estranged from her husband in foreign country amidst beautiful scenery, a change of life, etc. For once, a woman having a co-star old enough to be her father actually works with the script! Taylor's acting here is more subtle than it had been in the previous decade, and it works. I could not relate to a woman who goes to such lengths for her husbands affection, but she is playing a woman of a bygone era, and almost twenty years older than she was at the time (the woman playing her daughter could easily have played her sister in another film). This is a very slowly paced film, but by golly you can't help but root for Taylor to find some solace, just like Shirley V. All of this leads up to an inevitable confrontation with her husband, and the movie keeps you guessing to the end what will happen between them. Was it worth it? I won't tell. Knowing what we now know about the kind of father and husband Henry Fonda was in real life can't help but taint the viewing of him in this role. But hey, they could've gotten Bing Crosby. All in all, I saw this movie on video about nine years ago, and as you can see it has stayed with me. So check it out, it beats the heck out of anything on Lifetime.
    3planktonrules

    I gained some respect for Liz Taylor when I saw her in this film, even though it's not a great film by any standard.

    The story begins in an exclusive clinic in Switzerland. Barbara (Elizabeth Taylor) is there to get 'the works', as she's older and hopes this will invigorate her stale marriage. The film then shows some pretty realistic surgery scenes as well as scenes of the post-surgery Barbara...complete with horrific bruises which come from the surgeries. She looks pretty awful in these scenes and I was impressed that the glamorous Taylor agreed to be made up to look this bad.

    Following her discharge, Barbara gets coiffed and buys a new wardrobe and awaits her husband in a nearby hotel...but it will be some time until Mark (Henry Fonda) arrives. And, given her new look and lease on life, Barbara finds herself drifting towards an affair with some younger stud. Clearly the surgery has had an effect on her psyche...but how will it affect Mark and the marriage? After all, he has no idea she was getting plastic surgery and expects an older looking woman to greet him.

    The notion of a woman getting plastic surgery and its effect (or lack of effect) on her life and marriage is an interesting one. However, the film managed to make it all very dull with too many scenes of Barbara walking about, eating dinner alone, etcetera...and many could have been eliminated or shortened. To put it bluntly, this portion of the movie is dull and glacially slow and it really shouldn't have been. Sadly, it seems to take forever for anything to happen...and I cannot understand this. Did it get better once the husband eventually arrived? Not especially.

    The bottom line is that the set up for the story should have resulted in something interesting but it didn't. I think the script and direction were major problems with "Ash Wednesday"....and I can understand why Taylor's husband at the time, Richard Burton, thought this was a poor film.

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    Handlung

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    • Wissenswertes
      Dame Elizabeth Taylor's husband at time, Richard Burton, thought this movie was horrible and damaging to his wife's career, according to letters released for auction in 2004. "I sit here vulgarized by the idea that my wife is doing; violently against my 'taste'; a f - - - lousy nothing bloody film", he wrote in a 1973 letter to two employees. He continued "(Taylor's) singular acceptance of this film is because she wants to remain a famous film star. What the stupid (occasionally) maniac doesn't realize is that she is already immortalized (as a film person) forever."
    • Zitate

      Mark Sawyer: We can't live on memories.

    • Verbindungen
      Featured in Salut für ...: Salut für Henry Fonda (1978)
    • Soundtracks
      Ruby
      Written by Heinz Roemheld and Mitchell Parish

      Performed by Ray Charles

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    FAQ16

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    Details

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    • Erscheinungsdatum
      • 22. November 1974 (Westdeutschland)
    • Herkunftsländer
      • Italien
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Der Preis der Schönheit
    • Drehorte
      • Cortina d'Ampezzo, Belluno, Veneto, Italien
    • Produktionsfirmen
      • New Gold Entertainment
      • Sagittarius Productions
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 1.027.170 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 39 Min.(99 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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