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Napoleons stürmische Beziehungen zu Russland, einschließlich seiner katastrophalen Invasion 1812, bilden den Hintergrund für das verworrene Privatleben von fünf aristokratischen russischen F... Alles lesenNapoleons stürmische Beziehungen zu Russland, einschließlich seiner katastrophalen Invasion 1812, bilden den Hintergrund für das verworrene Privatleben von fünf aristokratischen russischen Familien.Napoleons stürmische Beziehungen zu Russland, einschließlich seiner katastrophalen Invasion 1812, bilden den Hintergrund für das verworrene Privatleben von fünf aristokratischen russischen Familien.
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- 2 Gewinne & 1 Nominierung insgesamt
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Anthony Hopkins stars in the role that brought him to my attention, that of Pierre Bezukhov. He gives a rendition of Pierre that is very convincing, and takes the character through an education that is far from sentimental, though it is very moving.
The depth of the novel is brought out by the length of the mini-series, which I saw on PBS' Masterpiece Theatre in the early 1970's. It is well shot, with wide open vistas that do some justice to the Russian countryside. The portrayal of Russian country life and its glittering high society of the cities is most convincing.
The performances beyond that of Hopkins are also quite strong. Very affecting was Alan Dobie as Prince Bolkonsky. The whole effort deserves 10 out of 10.
The depth of the novel is brought out by the length of the mini-series, which I saw on PBS' Masterpiece Theatre in the early 1970's. It is well shot, with wide open vistas that do some justice to the Russian countryside. The portrayal of Russian country life and its glittering high society of the cities is most convincing.
The performances beyond that of Hopkins are also quite strong. Very affecting was Alan Dobie as Prince Bolkonsky. The whole effort deserves 10 out of 10.
Someone posted a while back that this mini-series aired on PBS' "Masterpiece Theatre" in the 1970's. This is an error. The series did indeed air on PBS via NYC's station WNET. "Masterpiece Theatre" is presented by Boston's WGBH and "War and Peace" was NOT aired under the MT banner.
10jeffws
I don't have much to say in addition to the adulations given by, especially, those who watched this amazing series at a young age. I was 23 when it first broadcast on public television, a co production of the BBC and Time-Life. I disagree with the verbose UK reviewer above, who felt the episodes boring until about halfway. I was intrigued with episodes 1 and 2, and utterly engrossed by 3, waiting impatiently for the following week to bring the next episode. My only problematic observation from the 1st episode was that it seemed a little stagy, as if I were watching a stage play. Small criticism. Watching it again 37-odd years later ( have finished the 2nd DVD as I write this) I was again engrossed, with the advantage of not having to wait a week for the next episode! The only proper and accurate adaptation to the great novel.
Considering this a television production, I was again impressed (and surprised) by the ambition and quality of the battle scenes. It was refreshing not see an exaggerated CGI army battling another CGI army. My favorite actors were Alan Dobie and a young Anthony Hopkins. Every time I see Hopkins in a movie, I immediately remember his outstanding performance as Pierre. The one scene I always remember is Alan Dobie ad Prince Andre, lying in the battlefield after being wounded while leading a futile charge at Austerlitz, lying on the ground, staring up at the sky and remarking about it, that all is vanity, illusion.
Finally, how can one forget Fiona Gaunt as Helene? Wow, those low-cut empire-style gowns. I kept fearing (if that is the word) that she wouldn't be able to "contain" herself. (Sorry for the moment of male levity).
My all-time favorite British TV production, even slightly ahead of the wonderful Upstairs, Downstairs.
P.S. Thanks to the viewer who pointed out that it was not shown on Masterpiece Theater. I always remembered that it was, and was regretting that Alistair Cooke's introductions and final comments were missing from the DVD. Now I know that they were not! But how I wish they were!
Considering this a television production, I was again impressed (and surprised) by the ambition and quality of the battle scenes. It was refreshing not see an exaggerated CGI army battling another CGI army. My favorite actors were Alan Dobie and a young Anthony Hopkins. Every time I see Hopkins in a movie, I immediately remember his outstanding performance as Pierre. The one scene I always remember is Alan Dobie ad Prince Andre, lying in the battlefield after being wounded while leading a futile charge at Austerlitz, lying on the ground, staring up at the sky and remarking about it, that all is vanity, illusion.
Finally, how can one forget Fiona Gaunt as Helene? Wow, those low-cut empire-style gowns. I kept fearing (if that is the word) that she wouldn't be able to "contain" herself. (Sorry for the moment of male levity).
My all-time favorite British TV production, even slightly ahead of the wonderful Upstairs, Downstairs.
P.S. Thanks to the viewer who pointed out that it was not shown on Masterpiece Theater. I always remembered that it was, and was regretting that Alistair Cooke's introductions and final comments were missing from the DVD. Now I know that they were not! But how I wish they were!
There are at least three major filmed versions of the epic, sprawling Tolstoy masterpiece, and each offers particular pleasures. The King Vidor version made for Hollywood is short; otherwise, it offers a miscast Henry Fonda and a wistful Audrey Hepburn, who while lovely indeed, is out of her depth in a deeply tragic story. The Russian version which clocks in at somewhere about eight hours has lavish spectacle going for it, huge amounts of staged battle sequences which boggle the mind--and done without the use of CGI;its drawback is an often confusing script and, for contemporary English and American audiences, an over-the-top, occasionally hysterical acting style. This version is fifteen hours long and I found it followed the book carefully, and is loaded with fine performances, particularly Anthony Hopkins as the confused Pierre, bumbling through life in search of some spiritual catharsis; there are numerous other roles that become memorable from actors not familiar to most of us, and only Napoleon comes up short in a lackluster, thudding performance. Because this version was for BBC and not the movies, it looks a little spare now and then, but once the rhythm was set, I found it compelling and hugely satisfactory.
I was more into the romance of the show rather than the battle scenes but I watched the entire production when in my early 20's. I thought Morag Hood was a good choice for Natasha, resembling in appearance and actions, a young Audrey Hepburn who had originally played Natasha in the 1950's production. This was the first time I ever saw the young Anthony Hopkins and was very impressed by his kind and sincere portrayal of Pierre and was also impressed by Alan Dobie as Andre! Well, lets face it, I thought they were both extremely handsome!!! As I said I wasn't into the historical aspect of it but enjoyed the storylines of the important families, the Bezuhov's, Rostova's and Bolkonsky's.
Wusstest du schon
- WissenswertesThis mini-series was filmed in the former Socialist Federative Republic of Yugoslavia, in the production of Avala Films.
- VerbindungenReferenced in The Stone Tape (1972)
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