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7,2/10
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Füge eine Handlung in deiner Sprache hinzuSitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.Sitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.Sitcom exploring the trials and tribulations created by one man and two women flat-sharing in the 70s.
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I absolutely LOVED this show when it aired here, even though I was a little kid by then. It had the kind of charm and mood that keeps you laughing until it hurts, the cast was excellent and so was the timing. If compared to what the sitcom genre has degenerated to (And I don't think it's necessary to name any specific title, most of the sitcoms are awful except Seinfeld) it's a crying shame that shows like Mad About The House are no longer made. Whatever happened to witty writing and great cast?
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
This programme started to be hard to see in this particular TV market once the American imitation "Three's Company" (1977) started up. "Three's Company" was everything "Man About the House" was not. The British original was funny, sexy, maybe a bit salacious. And it had two cute girls, nice English ones. The grossly inferior "Three's Company" was unfunny, prurient rather than sexy, and basically brain-dead. And no cute English birds, obviously.
"Man About the House" had a proper star, Richard O'Sullivan, who'd just finished his stint as Bingham in "Doctor in the House", a *completely* different role, mind you. Rather than someone like O'Sullivan, "Three's Company" had John Ritter. Years later, it turned out that Ritter could act but that wasn't really apparent in the '70's when he gave the leading one-note performance.
Hack US magazine writers still trot out that tired old cliché about the British being prudish about sex when compared to sophisticated Americans. I've seen a couple of references of that kind in the past month. Well, that might very well have been true in the 1940's, but that was certainly not the case by the '60's, and it's not true today either. If one compares these two series from the 1970's, it's the British one that's mature, while the American copycat seems childish and leering.
I suspect anyone who had ever seen "Man About the House" was left grinding his teeth by "Three's Company" and its long and entirely undeserved run. Surely there's an all-Britcom channel somewhere where this coy ménage à trois can find a happy home again.
"Man About the House" had a proper star, Richard O'Sullivan, who'd just finished his stint as Bingham in "Doctor in the House", a *completely* different role, mind you. Rather than someone like O'Sullivan, "Three's Company" had John Ritter. Years later, it turned out that Ritter could act but that wasn't really apparent in the '70's when he gave the leading one-note performance.
Hack US magazine writers still trot out that tired old cliché about the British being prudish about sex when compared to sophisticated Americans. I've seen a couple of references of that kind in the past month. Well, that might very well have been true in the 1940's, but that was certainly not the case by the '60's, and it's not true today either. If one compares these two series from the 1970's, it's the British one that's mature, while the American copycat seems childish and leering.
I suspect anyone who had ever seen "Man About the House" was left grinding his teeth by "Three's Company" and its long and entirely undeserved run. Surely there's an all-Britcom channel somewhere where this coy ménage à trois can find a happy home again.
I have such fond memories of watching this show. I would love to see it again. Yes, it was copied by Three's Company but the two shows diverged quite a bit after awhile. What I liked best about it was the sexual chemistry between Robin Tripp and Chrissy (the smart one). They were always bantering and teasing and arguing but you knew underneath there was something there. I was always waiting for the dumb blonde (Jo) to get out of the way so they could get more romantic. I wish I could remember how the series ended. I think they got together but maybe it was just wishful thinking on my part. I do remember the series Robin's Nest and it was kinda cute but there was no chemistry without Chrissy. In the American series, Chrissy was the dumb blonde, Janet the smart one but neither one had any real romantic relationship with John Ritter's character. I think people here have been too harsh about Ritter. He was all slapstick its true, but that was an art in itself! Different kind of humour. I prefer the British series as it was more subtle and clever, but I also enjoyed the American version. Although it really lasted at least two years too long!!
Having lived in both the UK and the US, and watched both the ORIGINAL, "Man About The House", and the US COPY, "Three's Company", I've enjoyed both of them, even now, in 2006.
I've just been watching M.A.T.H. on Paramount Comedy, and much as I liked Three's Company, I'm finding I laugh out loud more often, at the UK show. I loved the American re-make too, but I guess my British upbringing means I identify with the British humour more.
It's just one of many UK sitcoms from the 1970's, that US television bought the rights and scripts of, and remade with an American flavour. Most of them became very popular in the US, with few people realising they were copies of original British ideas/scripts. Others I can think of:
"The Ropers" = "George & Mildred" "Sandford & Son" = "Steptoe & Son" "All In The Family" = "Till Death Do Us Part" "Reggie" = "The Rise & Fall Of Reginal Perrin"
All were good re-makes.
Conversely, on the few occasions the British have re-made American comedies, it hasn't worked as well. I'm thinking of UK remakes of "Golden Girls" and "Married With Children" - both British re-makes sucked, big time. In the case of the Married With Children re-make, I think it failed because the whole premise of the show was that it mocked clichéd "US cute family" comedies (it was known as the Anti-Cosby Show by the writers), and such humour didn't translate to a British show about a British family.
And now it's the 21st Century, and what do we see on NBC? An American re-make of the Golden Globe-winning British comedy, The Office.
Nothing changes.
I've just been watching M.A.T.H. on Paramount Comedy, and much as I liked Three's Company, I'm finding I laugh out loud more often, at the UK show. I loved the American re-make too, but I guess my British upbringing means I identify with the British humour more.
It's just one of many UK sitcoms from the 1970's, that US television bought the rights and scripts of, and remade with an American flavour. Most of them became very popular in the US, with few people realising they were copies of original British ideas/scripts. Others I can think of:
"The Ropers" = "George & Mildred" "Sandford & Son" = "Steptoe & Son" "All In The Family" = "Till Death Do Us Part" "Reggie" = "The Rise & Fall Of Reginal Perrin"
All were good re-makes.
Conversely, on the few occasions the British have re-made American comedies, it hasn't worked as well. I'm thinking of UK remakes of "Golden Girls" and "Married With Children" - both British re-makes sucked, big time. In the case of the Married With Children re-make, I think it failed because the whole premise of the show was that it mocked clichéd "US cute family" comedies (it was known as the Anti-Cosby Show by the writers), and such humour didn't translate to a British show about a British family.
And now it's the 21st Century, and what do we see on NBC? An American re-make of the Golden Globe-winning British comedy, The Office.
Nothing changes.
I found the first four episodes of MAN ABOUT THE HOUSE, and I'm scouring eBay and Amazon for more! This show is pretty damn funny. I never liked the American version, and now I know why. The acting in this is far superior! Richard O'Sullivan is funny without resorting to inane slapstick -- ok, there's a bit of it, but the British do it so much better (as evidenced by Benny Hill). Sally Thomsett is cute without being dumb, and shows her wit time and time again. And Paula Wilcox combines sexy, smart, and sassy like no one I've ever seen. You won't find a more talented trio.
Yootha Joyce and Brian Murphy are the -- dare I say -- threesome's perfect foils. Not the lecherous landlords of the American version, but naughty and enjoyable.
Would love to see this on TV on this side of the pond. As it is, I'll have to buy PAL and have it converted to NTSC. A small price to pay for superior, saucy, sexy fun!
Yootha Joyce and Brian Murphy are the -- dare I say -- threesome's perfect foils. Not the lecherous landlords of the American version, but naughty and enjoyable.
Would love to see this on TV on this side of the pond. As it is, I'll have to buy PAL and have it converted to NTSC. A small price to pay for superior, saucy, sexy fun!
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- WissenswertesWriters Brian Cooke and Johnnie Mortimer were inspired to create Man About The House after noticing increasing numbers of advertisements in the London press for flatmates of either gender - until the early 1970s it was usual for flatsharing households to be all male or all female.
- Crazy CreditsThe closing credits in later series show each credit caption against a still image featuring two 'female' objects and one corresponding 'male' object (eg drinks or item of clothing). One still image used features two cooking utensils as the 'female' items and a spanner as the 'male' item. This is ironic given that in the show Robin is a cookery student while Chrissy and Jo are self-confessed terrible cooks.
- VerbindungenFeatured in All Star Comedy Carnival (1973)
- SoundtracksUp to Date
(uncredited)
Composed by Johnny Hawksworth
Performed by The Hawksworth Big Band
[series theme tune]
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Man About the House
- Drehorte
- Alma Square, St John's Wood, London, England, Vereinigtes Königreich(exterior: George and Mildred's house where in the flat is rented.)
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By what name was Ein Mann im Haus (1973) officially released in India in English?
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