Reisen mit meiner Tante

Dull stuffy bachelor meets flamboyant eccentric aunt, who seeks to show him the world's pleasures. Sound familiar? While based on a Graham Greene novel, "Travels with My Aunt" plays on screen like a subdued version of "Auntie Mame." Unlike the rowdy broadness of the Patrick Dennis play and the Rosalind Russell film, George Cukor's adaptation of the Greene work tries to be high-toned and literary, while simultaneously striving to seem madcap and funny. Unfortunately, the film succeeds more in its pretentiousness than it does in its comedy.

Alec McCowen is fine as Henry Pulling, the bank clerk who fusses with dahlias in his spare time and fumes prissily when cannabis is mixed with the ashes of his mother. Henry is a prime candidate for an Auntie Mame, although he's a bit beyond his formative years. Henry's out-of-character dalliance aboard the Orient Express with Cindy Williams, as a young drifter on her way to Katmandu, should have been cut. The tryst adds nothing to the plot and only confuses perceptions about Henry. Maggie Smith, at times stunningly garbed in luscious gowns by Anthony Powell, plays Aunt Augusta for all she's worth, and Maggie is certainly worth a great deal. Although the actress is clearly too old to play the younger Augusta and too young, even with the age makeup, to play the elder woman, Smith is always fascinating to watch. Despite her mannerisms, which at times overwhelm the characterization, Smith is generally convincing and should have taken a shot at playing Mame Dennis in either the comedy or the musical version of "Auntie Mame."

Although "Travels with My Aunt" was beautifully filmed by Douglas Slocombe against scenic splendor that stretches from Istanbul to Venice to Spain, the pace is often sluggish, and the plot preposterous. The proceedings are propelled by Augusta's need to raise the ransom money to rescue a former lover, whose minor appendages are being sent to her one by one as a warning. However, coincidences abound, plot holes deepen, and threads are left hanging all over. Without McCowen and Smith, the film would be little more than a stylish, if soporific, travelogue.

Graham Greene's novels can be so subtle as to tend toward the obscure. It's no wonder, then, that "Travels" translated to film tends to meander a bit. Greene himself admitted that he wasn't really sure where Henry and Aunt Augusta were going to land next.

The travels here are of two types -- physical, across Europe, and temporal, as Augusta reminisces. One breaks up the other, while still advancing the plot, such as it is, although at times it seems to disappear.

The chief enjoyments here are the travels of the physical kind -- the varied scenery, the sumptuous architectures, the brilliant photography, the geographically-appropriate costumes.

The acting isn't bad, either. One can but wish they'd had more to work with.

This is a pretty odd movie that mixes drama with adventurous elements and yet somehow works.

The movie is definitely entertaining to watch, with a good cast, some fine comedy moments and a good solid adventurous story. Nothing too big or fancy, just a decent enjoyable movie quality movie to kill some time with.

The movie has a perfectly adventurous way of storytelling, meaning that lots of places around the world are being visited in short amount of time and many different characters come and go.

The movie obviously had some great production values, since the movie is set all around the globe, from Paris to Istanbul and everything around it and between. The movie is also looking with some lively, deliberately over-the-top looking sets and costumes (both nominated for an Oscar with the costumes even eventually winning.). But what else was to expect from a George Cukor movie. The man who is known for director cheerful and good musical mostly in the '50's and '60's including "My Fair Lady" but also comedies, like "Born Yesterday" and well known serious drama classics as well, such as "Gaslight", "The Philadelphia Story" and for some part, before he was booted from the set, also "Gone with the Wind".

He mixed all those previous styles he had worked with before in this movie. The end result is a quite unique and one of a kind movie, that works fine on the adventurous level, as well as the comical and dramatic one.

The movie is well cast with Maggie Smith in an absolutely splendid role. A role that even got her an Oscar nomination. She also had some great chemistry with Alec McCowen, who is obviously the least known actor of the main cast. His role even got him a Golden Globe nomination. Abolutely great and humorously entertaining was Louis Gossett Jr. in his role. He not only shows that he is a great actor but also how well he can handle the comedy genre. His character provides the movie with the most and biggest laughs. Too bad that his career has derailed so badly the last couple of decades, ever since his Oscar winning role for "An Officer and a Gentleman", from 1982.

But no, when you look at this movie you'll realize that it also is far from a perfect one. The story gets a bit too odd at times and the storytelling is just off. The movie also too quickly ends some potentially interesting or amusing plot lines and the different adventurous/comedy and drama elements don't always go together well.

Nevertheless it was a movie I mostly enjoyed watching and I wouldn't mind viewing it again.

A good entertaining movie, that definitely deserves to be seen.

7/10

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Anthony Powell died recently, so I decided to watch a movie for which he won an Academy Award for designing the costumes. George Cukor's "Travels with My Aunt" is no masterpiece but enjoyable enough, with Maggie Smith as a fun-loving woman who takes her nephew across Europe. There's a number of high jinks along the way. It looks like a movie that they had fun making. It's not any sort of great movie, but I liked it.

In addition to Alec McCowen as the nephew, the supporting cast includes Louis Gossett Jr. (An Officer and a Gentleman) and Cindy Williams (American Graffiti).

Maggie Smith is questionably cast as a wacky British eccentric, enlisting the aid of her uptight "nephew" (the terrific Alec McGowen) to help her out of a complicated blackmail scheme. Lumbering comedy-drama adapted from a Graham Greene novel is heavily padded with pinched, salty wit and lots of gossipy chit-cat and theatrical flair. It can't compensate for a lack of substance in the story, nor that Smith is too smart of an actress to be completely convincing as this merry madcap. George Cukor directed, with a heavy hand. Lou Gossett and Cindy Williams are both fine in support, but the movie is a featherweight farce undercut by faded-memory pathos. More heart and humor would have sufficed. ** from ****