Slaughter

Yes, the film stars Jim Brown and yes he kicks a lot of butt. However, I don't think I'd classify this as a 'blaxsploitation film'. That's because the film is mostly set in Mexico and the good guys are the government. This is definitely NOT a battle between Black and White America, but our hero, Brown, is solidly on the side of 'the Man'; i.e., the government.

The film begins with the family of former Green Beret, Brown, being killed by mobsters. As a result, he goes on a one-man mission to kill mobsters. However, this ends up causing problems because he blunders into a covert government operation and the real bad guy gets away. So, Brown agrees to go to Mexico and work with the feds to settle the score. The plot ends up being rather mindless--with Brown shooting and punching as well as mobsters killing each other off like mad. However, it's enjoyable and time-passing mindless.

This film is blessed with a very good supporting cast. The seldom recognized Don Gordon (star of countless TV shows), Cameron Mitchell, Stella Stevens and Rip Torn are all on hand to give the film some good acting, so that all the weight of the film doesn't rest on Brown just killing people! Worth watching but not life changing.

After his parents are killed by the mob, a former Green Beret (Jim Brown) joins forces with "The Man" to get his revenge. An enjoyable Blaxploitation film that's not without its share of flaws. Obviously, NFL great Jim Brown's acting leaves a lot to be desired. He doesn't do well in the quieter, more emotional scenes. When he's ticked off and kicking butt, though, he's fun to watch. Cameron Mitchell is fine as a cop. Rip Torn is the villain and he spends most of the movie squinting and saying the N word. Don Gordon is amusing as a sort of comic relief sidekick. Highlight of the movie is sexy Stella Stevens, in particular her memorable nude scenes. This isn't one of my favorite Blaxploitation flicks but it's solid with some nice action and T&A. Give it a look if you're a fan of the genre or a fan of nice boobs.

There are only three reasons to see this and they are Stella Stevens three nude scenes, two in bed with Jim Brown, and one in the shower. Other than Stella, there is little to recommend. All you get is plenty of meaningless action, car chases, and other nonsense. Cameron Mitchell is totally wasted, and Rip Torn unfortunately is forgettable as a Mafia boss. The revenge plot seems forced, and the government's involvement has something to do with computers, but is murky at best. One plus is the Todd AO photography, which produces several intriguing wide angle shots. "Slaughter" is nothing more than a weak mafia film, with Stella Stevens being the only attraction. - MERK

...so goes Billy Preston's song. MGM had SHAFT (1971) with Richard Roundtree, AIP had SLAUGHTER with Jim Brown. After his parents are blown up by the Mafia, Vietnam Vet Brown's gonna kick some greasy Italian ass (Rip Torn), and along the way he gets a sidekick (Steve McQueen's mate Don Gordon), sleeps with Stella Stevens and generally causes havoc down in Mexico. It's not very good, but there are some decent action scenes and it's a hell of a lot better than some of the Blaxploitation garbage.

Jim Brown is one cool dude, even when he's making a typical 70s blaxploitation flick.

Here, he is an ex-Green Beret home from 'nam going after the mob thugs that killed his father.

First, he has to get by their secret weapon, Stella Stevens, girlfriend of #2, Rip Torn, a racist that is just seething at the thought of Stevens between the sheets with Brown. And, boy, do they steam up those sheets! That must have been a shock to 70s audiences.

Now, the thugs are not too bright as they try to run Brown down with a Mustang. Don't they know that this former fullback is one of the all time greats in NFL history? Their efforts to catch him in the casino meets with equal disaster as he runs right through them.

Of course, you know Slaughter wins in the end because there is a sequel.

One interesting aspect for the younger folks is the IBM punch card that figures prominently in the film. They probably have never seen one.