Die Rebellion der lebenden Leichen

Uninteresting and unattractive main character, in fact, lack of any interesting characters and uninteresting plot and murders of random people for which you don't care, "La rebelión de las muertas" has a very hard time to make you care for what is happening during it's runtime. Bizarre plot talking about Indian using voodoo also doesn't help. All in all, "La rebelión de las muertas" will only interest you if you are hardcore horror movie fan who is in it for morbid curiosity or for the gore. While the movie resembles a movie, there is no tension, no scares, no really good nudity and nothing interesting to speak of. It's just your usual under average movie. 5/10!

The Best print of this film is the video release from Long Gone All Seasons Entertainment which clocks in around 90 minutes, making it the longest version available w/ fantastic print quality. Check ebay, you might find one, although, now that EVERYONE know's this is the version to have, plan on paying the price. But, again, well worth it!Seems that there are so many DVD companies jumping on the band wagon and releasing horrible TV prints or cut prints of older films. Do you homework people before you spend your hard earned money of junk.P/s, All Season Entertainment released a number of rare films on VHS (video) in large cardcoard boxes which collectors pay good money for so refine your searches in google search or ebay search and I'm sure you will come up with something.

And the winner for best "Death by small can" scene in a horror movie goes to "Vengeance of the Zombies." Not that there was a whole lot of competition outside of "Undead."

Anyways, there have been many a times in which horror movies seem to forgo anything resembling logic in their quest to scare or entertain. Sometimes this works (The films of Dario Argento and Lucio Fulci for example), sometimes it doesn't (the films of Dante Tomaselli), and then there are goes films that aren't good and make little sense, but you find yourself enjoying them anyway. Leon Klimovsky achieved this in 1973 with the Paul Naschy vehicle "Vengeance of the Zombies."

Indian Mystic Krisna (Naschy) has things going his way. He's pretty popular, the ladies love him (Yep, this is a Paul Naschy film alright!) and nothing bad seems to be happening. That is, until his girlfriend Elvire (Romy) starts having nightmares involving Satanic rites (with Naschy playing Satan), a masked killer being on the loose, and a group of vengeful female zombies roaming around. Oh, and Krisna's deformed brother (Naschy again.)

There are numerous flaws to be found here (plot holes, a completely inappropriate lounge score, mediocre direction and acting), but "Vengeance of the Zombies" manages to be pretty fun for what it is: dumb exploitation made for undemanding viewers. In a way, the ultimately silly nature of the whole thing works more than it doesn't. There's just something nice about a movie that has such a "let's put on a show" attitude, and the added nudity and gore (including a nifty decapitation) adds to the experience.

Another reason the thing works better than it should is because it basically throws in everything but the kitchen sink to entertain viewers. Satanic rituals? Check. Sexploitation? Check. Voodoo spells? Check. Zombies? Check. Black gloved killer? You get the point. It's like watching a smörgåsbord/greatest hits collection of Euro exploitation from the period, and it's hard not to smile at most of it. Plus, how many times to you see someone get killed with a small can in horror movies?

"Vengeance of the Zombies" is anything but a good movie, and more serious minded genre aficionados will probably cringe through most of it. Those who love dumb exploitation and "so-bad-it's-good" movies will be more forgiving, and probably enjoy the stupid enterprise on display.

A madman seeks vengeance by setting an army of walking corpses to stalk the cemetery , streets and houses of London and surrounding . Jacinto Molina or Paul Naschy who habitually sprouts hair and fangs , actually doesn't turn into Wolfman . The film mingles esoteric philosophy , voodoo, intrigue , satanism , gore and romantic elements . The picture deals about a guru named Krisna (Paul Naschy) who reunites a group of friends in his mansion. He has knowledge in secret Antillan voodoo and Indian magic . Krisna is helped by another Indian woman named Kala (Mirta Miller). There appears Elvire Irwing (Rommy), an aristocrat young who is impressed for the peculiar personality of the Faquir . Meantime at a cemetery of a little village a gravedigger (Fernando Sanchez Polack) and his wife carry out the exhumation the tomb of Gloria Irwing , but them she is brought to life by means of voodoo and subsequently kills the couple . After that , an Inspector (Antonio Pica) from New Scotland Yard is investigating the grisly murders assisted by a psychiatry professor (Vic Winner) expert on voodoo , occultism and black magic . Later on , it happens amazing murders in the Kadoga,'s Cold Meat Industry and the Morgue. While at a countryside mansion Elvire falls in love with Krisna and she learns a curse that happened in 1947 during India Independence in which a young girl was raped and the subsequent revenge carried out against the rapist .

This is a Spanish Horror though partially filmed in England. It contains suspense , necromancy , witchery , tension , beheading and lots of blood and guts with abundant sensationalistic scenes and a Naif style. The movie has a bit of ridiculous gore with loads of blood similar to tomato . B-entertainment with a fairly suspenseful and horrifying story in which a killer and walking Zombies undergo a criminal spree by means of slitting , decapitation and other brutal executions . This is the third time that appears Zombies in Spanish cinema, exception to Amando De Ossorio's Templar living dead and ¨Horror rises from the tomb¨ .Surrealist images when Rommy dreams about a diabolic possession with characters painted in purple and a horned Naschy as devil . There appears Aurora Del Alba from ¨The Mark of Wolfman¨ as Zombie in slow-moving . As usual , Paul Naschy explains his knowledges with cheap erudition , as the voodoo and Zombie origin result to be the Antillas ; a magician called Minister by means of some malicious spirits prepares a Black Mass and appears a kind of devil named Baron Samedi , then the wizard dropping blood on a wax-toy and sacrificing a hen , the sorcerer helped by a medium turns into immortal slitting a woman and drinking his blood .

The late Naschy was a good professional , writing, filmmaking and acting about hundred titles , mainly in terror genre. ¨ Vengeance of Zombies¨ is written by Molina along with 21 screenplays as ¨A dragonfly for each corpse¨ , ¨Mark of Wolfman¨, ¨Night of Walpurgis¨, ¨Fury of Wolfman¨ ,¨Vengeance of the mummy¨, ¨Licantropo¨, among others . He directed 13 films as ¨The Cantabros¨, ¨Return of Wolfman¨, ¨The Beast and the magic sword¨ and many others. Filmed in London and at Ballesteros Studios and the mansion of the Naschy's parents . Packs an anti-climatic and unappropriated musical score by Juan Carlos Calderon . This is a production realized by Profilmes - the Spanish Hammer- whose chairmen , Ricardo Muñoz , Modesto Perez Redondo and Jose Antonio Perez Giner assigned to Jacinto Molina the writing a rapid screenplay . This strange motion picture is middlingly directed by Leon Klimovsky and plenty of flaws and gaps . Klimovsky was a slick craftsman who directed all kind of genres, as Terror for Paul Naschy (Marshall of hell,Rebellion of dead one,Orgy of vampires, Werewolf shadow,Dr Jekill vs. the werewolf), Warlike(June 44 attack force Normandy, A bullet for Rommel, Bridge over Elba) and Western (Badland drifter,Some dollars for Django,Death knows no time, Two thousand dollars for Coyote) . Rating : 4,5 , mediocre. The picture will appeal to Paul Naschy fans ; a must for Jacinto Molina/bad film buffs .

An Indian mystic (Paul Naschy) uses magical chants to raise women from the dead, then sends them out to perform revenge killings for him.

As with many (most?) of Naschy's films, he wrote his own script. In other reviews, you might see people complain about the mix of voodoo and Hindu mysticism, which are two very different, unrelated things. And while that may be a fair critique, it distracts from a bigger point: it does not matter, so long as the movie is enjoyable. (When Naschy mixed his werewolf with Elizabeth Bathory, was there outrage that Bathory -- historically -- never met a werewolf?)

But Naschy himself was aware that the blend -- and its finished product -- were strange and unconventional. He later wrote, "I must have been under the effects of hashish or, like Bram Stoker, I had one hell of a nightmare." The true origin of the tale is up to viewers to decide. And directing is Naschy's long-time collaborator, Leon Klimovsky, who had recently directed Nashy in "Werewolf Shadow" (1970).

The film, as far horror goes, is quite good with its shady characters, dark plots and plenty of blood. The makeup is excellent, both on the zombie women but even more so on Naschy's satyr character. The makeup effects person, Miguel Sese, should be better known; he was thrice nominated for a Goya and won with "Juana la Loca" (2001), but does not seem to have gained much traction outside of Spain.

One of the strange things about Euro-horror films is the path they take on the festival circuit and beyond. The cuts, the multiple name changes. In America, one of the men responsible for bringing the film to theaters was John J. Burzichelli, the son of a New Jersey politician and a politician in his own right. Who knew the world of Democratic politics overlapped with screening sleazy Spanish films?

Now (2017) Scream Factory brings us the film on Blu-ray, looking and sounding better than ever. We also have the option to watch it with clothed sequences or not. Unfortunately, this is one of the two films in the Paul Naschy set not to have an audio commentary, but the movie really does speak for itself and should be enjoyed no less just because we cannot hear scholars ramble over the top of it.