IMDb-BEWERTUNG
6,2/10
1240
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTillie dreads another blind date with Pete Seltzer, who hides his insecurities behind jokes and flirting. Though initially resistant, she gradually warms to him as their relationship develop... Alles lesenTillie dreads another blind date with Pete Seltzer, who hides his insecurities behind jokes and flirting. Though initially resistant, she gradually warms to him as their relationship develops into marriage.Tillie dreads another blind date with Pete Seltzer, who hides his insecurities behind jokes and flirting. Though initially resistant, she gradually warms to him as their relationship develops into marriage.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 1 Gewinn & 7 Nominierungen insgesamt
Rene Auberjonois
- Jimmy Twitchell
- (as René Auberjonois)
Lee Montgomery
- Robbie
- (as Lee H. Montgomery)
Ray Ballard
- Party Guest
- (Nicht genannt)
Sandy Balson
- Party Guest
- (Nicht genannt)
Linda Burton
- Waitress
- (Nicht genannt)
Ed Call
- Party Guest
- (Nicht genannt)
Adele Claire
- Party Guest
- (Nicht genannt)
Jo de Winter
- Party Guest
- (Nicht genannt)
Don Diamond
- Policeman
- (Nicht genannt)
Empfohlene Bewertungen
There is humor. It's dry and not meant for belly laughs. It's about people who meet late in life and bring a child into the world. It demonstrates that life is difficult in a superficial world as this movie shows the pain that people feel in a modern America. We see how people can live together and never honestly come together as human beings.
Carol Burnett and Walter Matthau provide moving performances as a couple struggling through maintaining a marriage in the wake of a heart-wrenching tragedy. An ode to a more eloquent age, this film engrosses the viewers in a world of two people who did everything right, but end up with life turning horribly wrong. Carol Burnett and Walter Matthau are brilliant and a surprise for DS9 fans: there is a comical and touching performance by Rene Auberjonois (Odo).
Pete 'n' Tillie may provide the most unromantic view of marriage ever put on the
big screen. Two players best known for comedy roles, Walter Matthau and Carol
Burnett play the title roles who are a pair of thirty somethings who kind of just
fall into marriage because they don't want to end up alone.
They have a son played by Lee Harcourt Montgomery who is taken from them. The question is, can their marriage survive this unspeakable tragedy?
Matthau who does have a bit of wit an extension of his real persona in life gets by with it. He's a philanderer by nature, but he always comes home.
There is some moment of high drama in Pete 'n' Tillie especially coming from Burnett. When her son dies and her breakdown comes, you really do forget you are watching one of the great comic talents of the female gender ever.
Comedy however did get Geraldine Page an Oscar nomination for Best Supporting Actress, a very vain woman who was the original matchmaker for Matthau and Burnett. Burnett and Page square off after Page has a bad moment in a police station, the best female bout since Marlene Dietrich and Una Merkel went at each other in Destry Rides Again. Pete 'n' Tillie also got a nomination for best adapted screenplay.
There's also a very nice turn by Rene Auberjonois as a gay friend of Burnett's who offers her a different kind of marital arrangement with two people who do like each other.
After over 45 years Pete 'n' Tillie holds up very well. It should because the story is timeless.
They have a son played by Lee Harcourt Montgomery who is taken from them. The question is, can their marriage survive this unspeakable tragedy?
Matthau who does have a bit of wit an extension of his real persona in life gets by with it. He's a philanderer by nature, but he always comes home.
There is some moment of high drama in Pete 'n' Tillie especially coming from Burnett. When her son dies and her breakdown comes, you really do forget you are watching one of the great comic talents of the female gender ever.
Comedy however did get Geraldine Page an Oscar nomination for Best Supporting Actress, a very vain woman who was the original matchmaker for Matthau and Burnett. Burnett and Page square off after Page has a bad moment in a police station, the best female bout since Marlene Dietrich and Una Merkel went at each other in Destry Rides Again. Pete 'n' Tillie also got a nomination for best adapted screenplay.
There's also a very nice turn by Rene Auberjonois as a gay friend of Burnett's who offers her a different kind of marital arrangement with two people who do like each other.
After over 45 years Pete 'n' Tillie holds up very well. It should because the story is timeless.
I'll treasure this movie for having given me of the my favourite lines, which I have used continually since first seeing this film... when on their first date... given a choice of beverages from Burnett, Matthau says 'whatever's the most trouble'.... that's pure Groucho... and of course the fight between Page and Burnett. A good woman on woman fight is rare in this type of film and the scene on the lawn with the hose is a gem,
I like to revisit this film every few years and still enjoy it immensely. Yeah, it degenerates to soap...too bad...if it hadn't this one might have been WAY up there in the ratings.
I like to revisit this film every few years and still enjoy it immensely. Yeah, it degenerates to soap...too bad...if it hadn't this one might have been WAY up there in the ratings.
Carol Burnett and Walter Matthau are middle aged singles at one of socialite Geraldine Paige's famous "parties". Seemingly inexperienced Burnett is unsure whether the wise-cracking and somewhat "obviously interested" Matthau is the real deal. Eventually they hit it off, get married, and have a son, whom they both adore. Time passes, Burnett learns that Matthau freely shares his sexual talents with other women, which he does not attempt to hide. When their school age son is diagnosed with a terminal illness, Burnett breaks down. The couple separates, all friends and acquaintances suggest Burnett get a divorce.
The ending may be somewhat predictable, but it's a much needed "up" from the depressing 20 minutes preceding it. The brief interlude with Burnett and Paige in a "cat fight" is another welcomed distraction from compounding dramatic scenes. Matthau's constant witty remarks become an expected staple, although he does show emotion about the loss of his son.
This is definitely an "adult film", although rated PG. Many issues about urban life and society in general are tackled. Pre-teens would certainly be confused and unable to make sense of some of the plot. Fans of the leads will enjoy this film
The ending may be somewhat predictable, but it's a much needed "up" from the depressing 20 minutes preceding it. The brief interlude with Burnett and Paige in a "cat fight" is another welcomed distraction from compounding dramatic scenes. Matthau's constant witty remarks become an expected staple, although he does show emotion about the loss of his son.
This is definitely an "adult film", although rated PG. Many issues about urban life and society in general are tackled. Pre-teens would certainly be confused and unable to make sense of some of the plot. Fans of the leads will enjoy this film
Wusstest du schon
- WissenswertesFirst starring role in a feature for Carol Burnett.
- PatzerThe song Strangers In The Night, first recorded in 1966, is heard on a jukebox in a scene set several years earlier.
- Zitate
Tillie Shlain: Honeymoon's over. Time to get married.
- VerbindungenFeatured in American Masters: Carol Burnett: A Woman of Character (2007)
- SoundtracksLove's the Only Game in Town
Music by John Williams (as John T. Williams)
Lyrics by Alan Bergman and Marilyn Bergman
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Pete 'n' Tillie
- Drehorte
- Mill Valley, Kalifornien, USA(fight scene in front of police station)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 18.966.000 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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