IMDb-BEWERTUNG
7,0/10
11.866
IHRE BEWERTUNG
Ein Reporter und eine promiskuitive junge Frau versuchen, eine Serie von Kindermorden in einer abgelegenen süditalienischen Stadt aufzuklären.Ein Reporter und eine promiskuitive junge Frau versuchen, eine Serie von Kindermorden in einer abgelegenen süditalienischen Stadt aufzuklären.Ein Reporter und eine promiskuitive junge Frau versuchen, eine Serie von Kindermorden in einer abgelegenen süditalienischen Stadt aufzuklären.
Georges Wilson
- Francesco
- (as George Wilson)
Virgilio Gazzolo
- Police Commissioner
- (as Virginio Gazzolo)
Fausta Avelli
- Malvina
- (Nicht genannt)
Gianfranco Barra
- Impallomeni
- (Nicht genannt)
John Bartha
- Policeman
- (Nicht genannt)
Empedocle Buzzanca
- Interrogation Officer
- (Nicht genannt)
Empfohlene Bewertungen
I didn't know what to expect when I rented this widescreen DVD. I knew it had a cult following but I had also seen a lot of the director's later works which although delightfully gory were also pretty much incoherent. DON'T TORTURE A DUCKLING actually had a linear storyline and a mystery that kept me guessing almost until the end. And after all was said and done, it was a genuinely unsettling and creepy experience. One major caveat: I would much rather have heard the original soundtrack and read English subtitles than the uneven dubbing found here.
I really enjoyed this film although I have only had a chance to watch it once. It's a great Giallo IMO and just as enjoyable as Fulci's later films. The direction was perhaps a bit rough around the edges but on the whole I thought the film worked really well and the ending was great (a real cliff hanger!). I thought one scene was particularly disturbing when the locals beat the hell out of a poor women while the radio played in the background. The inappropriate music made the images even harder to swallow but also gave the scene an emotional punch uncommon in a Fulci movie. I also felt that the story worked coherently and that the twist at the end was great. Fulci obviously has a rather low opinion of rural Italy's inhabitants because in this film all the villagers are presented as simpletons prone to mass-hysteria who live by their own backward laws (illustrated by the remorseless killing of the women) and religious beliefs.
In a small, idyllic village, far more is going on than meets the eye. When a local boy is found murdered, a suspect is quickly arrested. The police commissioner has serious doubts about the man they've put in jail. It's the second such killing, and it won't be the last.
Director Lucio Fulci's DON'T TORTURE A DUCKLING is a disturbing giallo, due to its subject matter. It is a tale of perversity, superstition / the occult, madness, and revenge. Packed with interesting characters, red herrings, mystery and suspense, this is one of Fulci's most satisfying thrillers.
Florinda Bolkan (A LIZARD IN A WOMAN'S SKIN) is perfect as the insane, shattered Maciara. Her beating is brutal today, and had to be extreme in 1972! Barbara Bouchet (THE FRENCH SEX MURDERS, THE RED QUEEN KILLS SEVEN TIMES) is also good as the VERY free-spirited, Patrizia. Though the bloody, final revelation is a tad overdone, it remains effective...
Director Lucio Fulci's DON'T TORTURE A DUCKLING is a disturbing giallo, due to its subject matter. It is a tale of perversity, superstition / the occult, madness, and revenge. Packed with interesting characters, red herrings, mystery and suspense, this is one of Fulci's most satisfying thrillers.
Florinda Bolkan (A LIZARD IN A WOMAN'S SKIN) is perfect as the insane, shattered Maciara. Her beating is brutal today, and had to be extreme in 1972! Barbara Bouchet (THE FRENCH SEX MURDERS, THE RED QUEEN KILLS SEVEN TIMES) is also good as the VERY free-spirited, Patrizia. Though the bloody, final revelation is a tad overdone, it remains effective...
Set in and near a poor working class town in the mountains of rural Italy, it's a story of madness. The landscape may be quite picturesque, but there's madness herein, concealed behind the mask of a person who seems outwardly normal. This person kills little children.
In style and tone this film resembles Dario Argento's famous Italian giallos, those fascinating whodunit horror films, except that Argento's films are much better looking. Still, the visuals in Fulci's "Don't Torture A Duckling" are competent, with some interesting compositions and lighting. Lightning and thunder on a rainy night enhances suspense in one sequence wherein one of the "ducklings" is vulnerably alone.
In one sequence the gore is a bit overdone. But this is no slasher film. A legitimate theme undergirds the story. And that theme is that madness can take many unexpected forms, not just the obvious delusions of people who practice voodoo or black magic.
Plenty of red herrings render the puzzle solution difficult if the viewer doesn't assume an agenda on the part of the director. Don't dismiss someone who might not seem to be a suspect. The twist near the end provides good misdirection. However, in one scene midway through, a line of dialogue could have been added to clarify the relationship between two characters, one of whom is the murderer. The film's finale takes place on a beautiful mountaintop with the wind whistling in the background. We see flashbacks to clues and get insights into the killer's mindset.
I don't care for the film's widescreen projection. But background music is effective, and ranges from jarringly creepy at the beginning to low-key jazz, to indigenous Italian songs. Acting is generally average, though in a couple of cases, it's a bit overdone.
Though not as visually brilliant as Argento's giallos, "Don't Torture A Duckling" nevertheless is a fine film, one that contains a thematic storyline and enough of a whodunit puzzle to interest most viewers who like thrillers and murder mysteries.
In style and tone this film resembles Dario Argento's famous Italian giallos, those fascinating whodunit horror films, except that Argento's films are much better looking. Still, the visuals in Fulci's "Don't Torture A Duckling" are competent, with some interesting compositions and lighting. Lightning and thunder on a rainy night enhances suspense in one sequence wherein one of the "ducklings" is vulnerably alone.
In one sequence the gore is a bit overdone. But this is no slasher film. A legitimate theme undergirds the story. And that theme is that madness can take many unexpected forms, not just the obvious delusions of people who practice voodoo or black magic.
Plenty of red herrings render the puzzle solution difficult if the viewer doesn't assume an agenda on the part of the director. Don't dismiss someone who might not seem to be a suspect. The twist near the end provides good misdirection. However, in one scene midway through, a line of dialogue could have been added to clarify the relationship between two characters, one of whom is the murderer. The film's finale takes place on a beautiful mountaintop with the wind whistling in the background. We see flashbacks to clues and get insights into the killer's mindset.
I don't care for the film's widescreen projection. But background music is effective, and ranges from jarringly creepy at the beginning to low-key jazz, to indigenous Italian songs. Acting is generally average, though in a couple of cases, it's a bit overdone.
Though not as visually brilliant as Argento's giallos, "Don't Torture A Duckling" nevertheless is a fine film, one that contains a thematic storyline and enough of a whodunit puzzle to interest most viewers who like thrillers and murder mysteries.
DON'T TORTURE A DUCKLING is one of Fulci's earlier (and honestly, in terms of story-line, better...) films - and although not the typical "bloodbath" that Fulci is known for - this is still a very unique and enjoyable film.
The story surrounds a small town where a series of child murders are occurring. Some of the colorful characters involved in the investigations - either as suspects, or those "helping" the investigation (or in some cases both) - include the towns police force, a small-time reporter, a beautiful and rich ex-drug addict, a young priest and his mother, An old man who practices witchcraft and his female protégé, a mentally handicapped townsman, and a deaf/mute little girl. All of these people are interwoven into the plot to create several twists and turns, until the actual killer is revealed...
DON'T TORTURE A DUCKLING is neither a "classical" giallo or a typical Fulci gore film. Although it does contain elements of both - it is more of an old-fashioned murder mystery, with darker subject matter and a few scenes of graphic violence (although nothing nearly as strong as some of Fulci's later works). This is a well written film with lots of twists that kept me guessing up until the end. Recommended for giallo/murder-mystery fans, or anyone looking to check out some of Fulci's non-splatter films - but don't despair, DON'T TORTURE still has more than it's fair share of violence and sleaze. Some may be put off by the subject of the child killings, and one main female character has a strange habit of hitting on very young boys, which is also kind of disconcerting - but if that type of material doesn't bother you, then definitely give this one a look. 8.5/10
The story surrounds a small town where a series of child murders are occurring. Some of the colorful characters involved in the investigations - either as suspects, or those "helping" the investigation (or in some cases both) - include the towns police force, a small-time reporter, a beautiful and rich ex-drug addict, a young priest and his mother, An old man who practices witchcraft and his female protégé, a mentally handicapped townsman, and a deaf/mute little girl. All of these people are interwoven into the plot to create several twists and turns, until the actual killer is revealed...
DON'T TORTURE A DUCKLING is neither a "classical" giallo or a typical Fulci gore film. Although it does contain elements of both - it is more of an old-fashioned murder mystery, with darker subject matter and a few scenes of graphic violence (although nothing nearly as strong as some of Fulci's later works). This is a well written film with lots of twists that kept me guessing up until the end. Recommended for giallo/murder-mystery fans, or anyone looking to check out some of Fulci's non-splatter films - but don't despair, DON'T TORTURE still has more than it's fair share of violence and sleaze. Some may be put off by the subject of the child killings, and one main female character has a strange habit of hitting on very young boys, which is also kind of disconcerting - but if that type of material doesn't bother you, then definitely give this one a look. 8.5/10
Wusstest du schon
- WissenswertesLucio Fulci was arrested on child endangerment grounds due to the infamous scene where a fully nude Patrizia (Barbara Bouchet) flirts with the underage Michele (Marcello Tamborra). The charges were dropped when Fulci explained that the actors' close-ups were filmed separately, and that the shot of Michele walking towards Patrizia with a pitcher and glass of orange juice was achieved by having an adult dwarf actor, Domenico Semeraro, stand in for Tamborra (if you look carefully, you will notice how different Semeraro's facial structure is from Tamborra's). Tamborra joked many years later that he wished he could have filmed that scene. But his parents wouldn't even let him see the film until he turned 15.
- PatzerIn the early scene in which the boy brings a beverage to the nude Ms. Bouchet, the liquid in the glass and pitcher are a deep orange. But when she holds the glass and in the final shot of the pitcher, the contents have changed to a pale, almost clear color.
- Alternative VersionenThe Anchor Bay release is the complete, uncut version of the film.
- VerbindungenFeatured in Innocence Lost (2015)
- SoundtracksQuei giorni insieme a te
Lyrics by Jaja Fiastri (uncredited)
Music by Riz Ortolani (uncredited)
Performed by Ornella Vanoni
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Don't Torture a Duckling - Quäle nie ein Kind zum Scherz
- Drehorte
- Monte Sant'Angelo, Foggia, Apulia, Italien(the town of Accendura setting)
- Produktionsfirma
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By what name was Quäle nie ein Kind zum Scherz (1972) officially released in India in English?
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