Das Loch in der Tür

Made at a time when Brando was doing very little on film (and when he did, could do no right, if one examines the reviews and box office returns of his films during this period), this prequel to "The Innocents" (which was based on Henry James' "The Turn of the Screw") has little going for it, but may still provide some interest to fans of his. Brando plays a valet whose employer and wife have died in India. The couple's two children come to live at their parents' estate and Brando stays on as a gardener/handyman. Also in residence is a persnickety maid (Hyrd) and a refined nanny/schoolteacher (Beacham.) These five form an uneasy existence with each other as the children hang on the earthy and repugnant Brando's every word and Brando repeatedly seduces Beacham with increasing sadomasochism. Hyrd tries to keep everyone in check to no avail. Finally, the machinations and misunderstandings culminate in a burst of violence, just in time for the story to peter out and set up for the beginning of the original. Brando is an acquired taste here. It's one of his performances in which it's the audience's duty (burden?) to figure out what he is doing and what he is saying. He's messy, flabby, often unintelligible and, naturally, self-indulgent. Nonetheless, fans of his may lap it up with relish. Beacham does a nice enough job, but can't hope to win any scenes up against the ACTING of Brando. The children (scarcely heard of again after this) are the typical bratty, snotty, unattractive, impossible kids that have been seen in countless British movies. The most interesting performance in the film is actually that of Hyrd. She brings a lot of variety and detail to her role of the housekeeper. Andrews pops up briefly and effectively as the children's' disinterested uncle. The film is stacked with unappetizing and repulsive scenes such as a frog being killed, a turtle being mistreated, chicken feathers being ripped out by hand and then, of course, the "arty" S&M sex scenes between Brando and Beacham. These tasteless (and rather boring) sequences don't illuminate the characters or entertain the audience and so are pretty pointless. There's a grain of interest in the material, but the sloppy direction and awkward script don't help keep it going. Stay awake for Beacham's hilarious final screen moment and for Brando's as well. Fortunately, for him, "The Godfather" was just around the corner.

Although the sets and cinematography are scrupulously suggestive of the early 20th century in the United Kingdom and the performances quite good, The Nightcomers never quite gels as a Gothic horror classic. Maybe we see a bit too much of ourselves and don't like to think of the implications of what we're watching.

The children of a wealthy British family are left orphaned by the deaths of their parents in a motor car crash. A cousin who is the closest relation to the father Harry Andrews is at the estate to tidy up affairs, but has no desire to stay there or act as a parent to these two. Never mind, they are amply provided for with cook and governess who are Thora Hird and Stephanie Beacham. The father had a valet played by Marlon Brando and since there is clearly no need for one now he's relegated to the gardener's duties.

Brando's delightful Irish gardener Quint bonds with the kids. He's full of blarney and charm, but that cheerful exterior hides a rather complex and sadistic being. The kids catch him and Beacham in some kind of bondage game as Brando initiates Beacham into the finer points sadomasochistic sex. Both children take careful notes. The kids are played by Christopher Ellis and Verna Harvey.

In the end what happens sets the stage for Henry James's classic Gothic horror tale The Turn Of The Screw. That was brought to the screen ten years earlier as The Innocents which starred Deborah Kerr as the new governess for the kids. According to The Nightcomers, The Innocents would be the last thing anyone would have entitled that film.

Fine performances, wonderful sets and cinematography, yet the film just lacks a spark to consider it a classic. Marlon Brando's fans will want to see it though.

In the Victorian England, the teenagers Flora (Verna Harvey) and her brother Miles (Christopher Ellis) have just lost their parents in a car accident in France. Their tutor (Harry Andrews) decides to leave the children alone in their huge mansion under the care of the old housekeeper Mrs. Grose (Thora Hird), the governess Miss Jessel (Stephanie Beacham) and the gardener Peter Quint (Marlon Brando). Miles and Flore are very connected to Peter, who misleads their education with twisted concepts of love and death, but the orphans believe and are fascinated by his knowledge. Peter is the lover of Jessel, and they use to have sadomasochistic sex. When Peter sees their kink bondage night of sex, he has a corrupted and perverted sexual initiation. When Mrs. Grose writes to the master of the house to fire Miss Jessel and Peter Quint, Flora and Miles plot a dark scheme to keep them together in the property.

"The Nightcomers" is a very dark tale about finding sexuality and losing innocence in a very twisted way. The performances of the cast are top-notch, but Marlon Brando leads the story with his usual competence. I have never had the chance to read "Turn of the Screw" or see "The Innocents" to make any comparison, but I really liked this unknown and underrated movie. The bondage scenes are very impressive, with Marlon Brando and Stephanie Beacham showing a great chemistry. It is impressive to see that Verna Harvey was twenty-years old in 1972. My vote is seven.

Title (Brazil): "Os Que Chegam Com a Noite" ("The Nightcomers")

As with many Winner films it is necessary to not make the mistake of expecting his film to be exactly as you expect, or very much like it at all actually. Forget Henry James, forget The Innocents and just enjoy Mr Winner's take on how the children lost their innocence. The SM and bondage scenes were more explicit than I remember on a previous viewing and it may be that the earlier video had been trimmed. Certainly here there is no mistaking the powerful relationship between Brando and Beacham and I for one found the playing out of these scenes by the children fairly powerful. I suppose the pace is a little slow which is perhaps particularly noticeable because of how quickly does the effective ending unfold. Not for purists but if you are looking for that something just a little bit different……UPDATE 7.2.17 Just watched this again, on blu ray this time and enjoyed it even more. Once again I felt the bondage scenes more explicit than I remember from before! Funny thing memory.

Another film where Brando attempts an irish accent with comical results - thats about the only horrific thing in this film probably the most overrated actor of all time.