The Night of the Strangler

Watch out!...this early 1970s anti-racist mystery has more murders than the mafia. I mean I watch giallos on a level that most people wouldn't consider sane and I haven't seen a body count like this outside of a slasher flick from at least ten years later. That's not a good thing, I'm not a gore hound, and the sheer level of murder that people get away with in this cheesy flick in order to make the end "work" is laughably absurd.

People are just dropping like flies from beginning to end despite the victims being regular average folks on college campuses in broad freaking daylight and in the upper middle class white suburbs of New Orleans.

To top it all off, one of the Monkees - Mickey Dolenz, looking just as much like a Monchhichi doll as ever - is a main character yet never once breaks into song. AND...the "night of the strangler" never actually happens, unless you count a drowning. There are however an abnormal number of Asian snakes and poison darts.

I was always kind of curious to see this 70s horror thriller with Micky Dolenz from The Monkees top-billed. Well, it's more bad thriller than horror, and Dolenz is the worst actor in the cast-which is saying something. "Strangler" has plenty of other problems, too, perhaps the least among them being that nobody gets strangled. It's a murder mystery set in the South, yet none of the characters who are supposed natives has a regional accent-not even the bad guy who talks about Black people and those damn "Yankees" like he's in "Mandingo."

That guy is Dan (James Ralston), the supercilious terror of a wealthy family who's stolen his fiance from his brother (Dolenz), and unleashes both the racist invective and the slapping machine when he finds out their sister (Susan McCulloch) is pregnant by an African-American boyfriend she plans to marry. Soon those last two people have been murdered, and the trail of corpses keeps extending because rageaholic Dan, who ordered at least one of them killed, neglects to pay his hired-assassin bill. So eventually various people are killing various other people.

In mood and (lack of) style more like a bad low-budget 70s cop thriller than a horror movie, "Strangler" (which had a lot of other titles before they settled on this utterly irrelevant one) lacks atmosphere, tension, and even the zest to make much of its fairly lurid plotline. Indeed, the bad-movie fun we should be having is further dampened by the film's linguistically dated anti-racism message, which feels pasted-on for a long time, then turns out to be the labored whole point here.

To put it kindly, this isn't a good or serious enough movie to pull off that kind of moral lecturing. In the end, "Night of the Strangler" doesn't prove anything more than that earnest but misplaced good intentions can kill whatever enjoyment is to be had from a cheesy movie. Well, and also that the over-the-top mugging that made Micky Dolenz a good Monkee makes him a very bad dramatic actor.

The Night of the Strangler (1972)

** (out of 4)

A woman starts off a wave of murders when she returns home to announce that she's getting married. Her older brother Dan (James Ralston) isn't too happy but he goes balistic when he learns that she's also pregnant with a black man's baby. Soon her baby daddy is dead and the sister is too shortly after. Soon the entire family gets wrapped up in a murder plot.

THE NIGHT OF THE STRANGLER was sold as a horror movie but it's really not one. I guess you could say it was an attempt to tell a detective story based around some racial events but THE BIG SLEEP or GUESS WHO'S COMING TO DINNER it's not. For the most part this will appeal to fans of low-budget films that were made without too much thought, money or talent.

I guess the most notable thing about the picture is that Micky Dolenz plays the younger brother. His performance is certainly lacking and especially during a crying scene he has. Ralston is at least entertaining enough and especially early on with some of his racist rants. The rest of the cast ranges from decent to poor. There's some mild nudity and violence thrown in but nothing overly memorable.

THE NIGHT OF THE STRANGLER somewhat works as the mystery of who is doing the killings is handle well. There are a couple nice scenes but most just fall rather flat.

For an older movie with less usage of money, the movie was really weird but in a way scared me. I personally thought it was great, but with a sad ending..well just sad together. If you are a Micky Dolenz/Monkees fan, this movie is a must to get.

There are seeds of a good film here in a story about a man, The Monkees' Micky Dolenz, who disowns his sister after learning she is pregnant with boyfriend's baby because her boyfriend is black. The sister is later found murdered, which leads Dolenz and a black priest to investigate the murder, which has been disguised as a suicide, trying to find an individual with a peace-sign belt buckle who they suspect is the culprit. There could have been some interesting commentaries on race relations with this kind of a set-up, but the film is basically a cash grab exploiting the real-life Boston Strangler, who still at-large, and following a big budget Hollywood production a few years before about the Boston Strangler. Never mind that no characters are actually strangled and the story has nothing to do with that case. It's a super cheap production without any real scares or suspense, so there's not a lot to recommend outside of the novelty value of seeing Micky Dolenz is a very un-Monkees-like role. Well, he is still a bit of a 1960s hipster/hippie, but he plays a much darker character than his Monkees Micky character. Overall, "The Night of the Strangler" is a forgettable quickie low-budget picture that offers a darker role for Micky Dolenz, but is a missed opportunity for murder mystery about race relations.