Meuterei im Bus

If you're a fan of the series then you will adore this film, as an avid fan myself i find this to be the second best film after holiday on the buses. Some of the gags are classic, and the film feels so full that it never loses your attention. A highly recommended one to watch!

Bus driver Stan gets engaged to sweetheart Suzy - much to the annoyance of Stan's mother, sister and brother in law; how will they afford to pay the rent without Stan's money coming into the house? In order to be able to move out, Stan agrees to help Arthur get a job on the buses with him. However his attempts to teach him how to drive the bus are frustrated by Blakey's new boss and his efficiency drives.

Anyone approaching On The Buses cannot really complain about the humour being basic, sexist and crude - this is a given. However it is the other qualities that make this a bad film. True the humour is very broad, sexist and silly but this wouldn't have been a problem for me if it had even managed to ever be funny more than once. Sadly it doesn't and is depressingly devoid of laughs throughout. This is made worse by a plot that actually has no idea where it is going - it uses the very basic frame of Stan's engagement but where it goes with it is just all a bit silly and doesn't really work. The collection of scenes that make up the plot are supposed to be wacky and fun but actually just stand out as badly dated and banal, certainly laughs are not part of them.

The material also lets down the characters as none of them are engaging - it is a damning comment on the script that I never cared one way or another what happened to the characters here. The cast don't help - the drivers are all womanising lads, the bosses all incompetent and flustered and the girls either battleaxes or `hot totty'! Varney and Grant don't display much in the way of comic ability here as they are not given anything to work with but the most basic tools. The only character that stands out is Blakey but that is more down to his memorable and oft-imitated line; he isn't great but his character is the most enjoyable of a bad bunch.

Overall it is unfair to complain that this film's humour is broad and sexist because what else did you really expect from this film series? However it is fair to complain that the film lacks laughs, any sort of plot and is really difficult to enjoy even if you expect it to be broad and basic. A really poor film that is wholly lacking in laughs and is pretty unenjoyable all told.

Mutiny on the Buses is a sophisticated, intertextual, self-reflexive discourse on the nature of the classic novel by Charles Nordhoff. It also takes in Kafkaesque leanings by exercising a circular narrative. That some could mistake it for a witless, charmless and crass 70s sex comedy is beyond me.

The film also exhibits a razor-sharp social conscience. After accidentally demolishing a stop, Jack (Bob Grant) suggests "We'll say some hooligans did it... lot of stupid louts doing things like that these days."

In all seriousness though it really is utter garbage. There's an increase in slapstick, the ineptness of which would be funny were it not for the jingly-jangy 70s soundtrack. Definitely not one of Ron Grainer's better days.

In its defence, this one probably has a better plot than the others (which isn't exactly difficult) as Blakey gets a new manager to assess his operation. Blakey's forced to clamp down with more stringent rules, cueing an inevitable worker rebellion. When Blakey orders his staff to wear "nothing but their uniforms", they come without shoes and shirts. This also includes the seven-strong female crew, who like nothing better than exposing their breasts to the entire staff. Even a company darts night can be rigged by showing a pair of red knickers.

The climactic pay-off is a shameless plug for Windsor Safari Park, with a lion and monkeys on the bus. However, this desperate pile of contrived cheese is again salvaged by the wonderful Stephen Lewis. Some of the situations are just gross - a baby defecates in a potty while Stan's at the dinnertable. Rather predictably, he later excretes in Arthur's cap. The baby, that is. Not Stan, though that would have probably been funnier.

As with my two other Buses reviews, I have to stress the humour division inherent in the set-up. When Blakey (A creation of comic genius in Lewis's hands) is on screen, it's hilarious. When he isn't, it's absolutely dire. Most of the "humour" is, as usual, shockingly un-PC. Stan strings girls along with the promise of marriage in order to get sex, and accuses Blakey of being a homosexual. Other unsettling scenes show Michael Robbins shaking his baby and screaming for it to "Shut up!" Letting off a foam extinguisher in someone's face is also shown to be within acceptable safety guidelines.

A clothes-ripping catfight threatens to engender interest, though is foiled by involving Anna Karen. This is particularly nauseous when Reg Varney accidentally gropes his screen sister's left breast.

Very occasionally a line might get a laugh in an unforeseen modern context. After seeing a female conductor emerging with Stan from the top deck, Blakey cries: "You know the regulations, you're not even supposed to eat your lunch upstairs." Yes, this film is truly terrible... yet in a funny sort of way I can't help but like it.

One of the better film comedies of the early seventies trend of making the transition from the small to the big screen. All three films easily surpassed the blandness of the TV series which is currently (Aug 2000) enjoying a re-run on Granada Plus in the UK.

This follow up to Hammer studios' comedy hit On The Buses (1971) sees bus driver Stan (Reg Varney) getting engaged to sexy clippie Susy (Janet Mahoney), but unable to afford the downpayment on a place of their own. With Susy refusing to live at Stan's mum's house, the pressure is on for the driver to get his hands on some extra cash.

Unsurprisingly, Mutiny follows virtually the same successful formula of its predecessor, with lots of bawdy gags involving busty/leggy beauties, and a fair amount of slapstick. Once again, Stan and his best pal, conductor Jack (Bob Grant), have no problems scoring with the ladies despite their (let's be generous here) average looks. And once again, inspector Blakey (Stephen Lewis) tries to ruin the lads' fun, but always comes off worse. Meanwhile, Stan's brother-in-law Arthur (Michael Robbins) also joins the bus company as a driver, attracting the attention of 'Nymphy Nora', much to the annoyance of his wife Olive (Anna Karen).

Comedy highlights include Olive in an out-of-control motorcycle side-car, Stan and Jack sabotaging Blakey's radio unit, a cat-fight between Olive and Nora, a fire-drill that gets out of control, and, best of all, a trip to Windsor Safari Park in which Stan unwittingly gives a ride to a lion and a pair of chimpanzees with hilarious results (apes always make me laugh). It's not exactly high-brow entertainment, but will appeal to fans of the series and those who love classic British comedy in general.

6.5/10, rounded up to 7 for the gratuitous changing room evacuation scene that features lots of scantily clad young women (Including Mahoney in her underwear), and for Stan's sneaky distraction technique during a darts game.