Die Todeskralle schlägt wieder zu

I first saw this in the late 80s on a vhs, then again in the early 2k on a dvd which I own.

Revisited it recently.

As a kid from the 80s n aft seeing this movie, i was in awe aft witnessing the nunchukas fight sequence.

This one gets a bit repetitive cos of the same goons who keeps on getting thrashed by the character of Lee but they keep on coming back. One of the fat goon with a beard looks like poor man's Russell Crowe.

The best n the most memorable is the treatment of the fight in the Colosseum with Chuck Norris with a cat as a spectator.

In this one Lee plays Tang Lung, a kung fu expert who is sent from Hong Kong to Italy by his uncle to help family friends whose restaurant business is threatened by a mafia boss.

This one showcases Lee's immense energy n amazing fighting skills, especially the way his feet moves.

He mimicked Mohammad Ali's float like a butterfly style.

Lee is allowed to have a sense of humor in this movie.

This one aint gory like The Big Boss.

Ping-Ou Wei (famous for playing the interpreter in this one n the Fist of Fury) acted very well. His body language is total effeminate, especially his limp wristed n running style is a big lol.

Another best fight sequence is the one in the alley with the nunchukas.

Bruce Lee demonstrates why without ever being a tournament champion that he was one of the best martial artists of all times. His speed and technique easily out class the other real martial artisits this film presents. His fight with Chuck Norris in this film is legendary. Watching Chuck in his prime is intense, high speed and accuracy. What scares me is that Bruce is faster. And even though he is lacking size, its obvious that the little dragons power is intense. Yes the scenes in these movies may be choreographed, but it's hard to make duplicate the skills shown by these fighters with trick photography and ballet lessons.

This is the first film Bruce took a major role in both on and off the set. He searched for quality martial artists for the fight scenes and was the one who reccomended Italy for this shoot.

The film revolves around a restaurant in Italy run by Lee's uncle and his (assumably ) cousins. Local gangsters try to close the restaurant down and get a piece of the action. To avoid complications with the law, they try and man handle the resteraunt owner and workers and Lee comes to the rescue.

Although this is technically not Lees greatest film, it is a personal favourite since Lee was in full control and everything is pure Lee. Many have wrongly stated this film is bad, having not seen the originals where you can really appreciate the composition of the showdowns (visual director with potential - see the rare 'rocking chair' shot in Game of Death). The script is bad in a few places, particularly the humour, but this film was never inteneded for the west, but designed to appeal to his country men.

Now, the film features the best array of fighting sequences ever commited to celluloid. Obviously influenced by Sergio Leones trilogy, tension is excellently built up before fight. The sequences are not overly choreographed or played in slow motion or 'lightly' then speeded up, but contain a raw, feral edge combined with breathless technique. The perfect marriage between art and realism.

The fights with Wong Ing Sik and Bob Wall while short, are underrated even by Lee fans. Those who have been lucky enough to see the double nunchaku sequence in full, will have witnessed one of the best display of weaponary ever shown on the silver screen (along with the 'original' and 'complete' nunchaku footage from Game of Death and the wonderfully comprehensive display of martial arts in the underground Enter the Dragon sequence).

And then theres THAT coliseum fight. Perhaps the start is abit overdone (But Lee wanted to put forward a point i.e. don't play to your oponents strength), but it is undoubtedly the best expression of the human body ever, whether fighting, dancing, running whatever. Those brought up on Latter day Chan stuff and in particular Jet Li fights, will not appreciate this piece, but those knowing anything about the fighting arts or good choreography will be shaken not just stirred.

Even though this movie was dubbed, and the dubbing isn't that great. the whole movie is great. I actually find this movie way better then Enter the Dragon. Plus, you got Bruce Lee, writing, starring and directing it, and he knew what to do to make this kung fu movie awesome. I reccomend this one to any kung fu fan who has not seen this one yet... i give it 9 out of 10.

The United States and the world would discover Martial Arts actor Bruce Lee until 1973 with the release of his first (and only) Hollywood film, "Enter the Dragon", a masterpiece of the Martial Arts genre and arguably the film that started the trend of Kung-Fu films. However, before making "Enter the Dragon", Lee had already participated in three major films in Hong Kong, two of them under the direction of Wei Lo and the third the only film of his where he had complete control under everything, "Meng Long Guojian", the "Way of the Dragon". Better known as "Return of the Dragon" in the U.S. (where it was released as a sequel to "Enter the Dragon"), "Meng Long Guojiang" was Lee's first film as a director, and like his following two final films, a movie where he was able to express not only his physical abilities, but also the philosophy he developed to achieve them.

In "Way of the Dragon", Bruce Lee plays Tang Lung, a young man from Hong Kong who is sent to Rome by his uncle in order to help a family friend, "Uncle" Wang (Chung-Hsin Huang). At his arrival, he is informed that the problem is that the Italian Mafia wants the family's restaurant, and uses violent intimidation to pressure the owner. While at first not everyone is convinced that Tang Lung would be of any help (as he is not used to the city), soon they discover that Tang is in fact a talented Martial Artist. With Tang Lung's help, the Restaurant's waiters manage to defend themselves from the gangsters, but the Mafia Boss is completely decided to get the Restaurant, so he hires a group of Martial Arts experts, including the famous Colt (Chuck Norris) to eliminate Tang Lung.

After proving he was a bankable star, Bruce Lee finally got the opportunity of not only writing, but also directing his own film. Free at last to make his vision of a Martial Arts film come true, Lee builds up a film focused on two very personal themes for him. On one hand, his very own experience as a stranger in a strange land, and the feelings of being like a fish out of the water; and on the other, his ideal of the hero who uses his very own technique to fight against the established disciplines. While the plot is very straight forward, and a bit typical, Lee uses it effectively to showcase his own ideals and philosophies as martial artist, delivering finally an action film with some depth beyond watching the character overcome the enemies.

Borrowing heavily from Spaghetti Westerns (even some score by Morricone is used), Lee creates a magnificent epic set on the beautiful locations of Rome, where his lonely hero Tang Lung arrives as a modern day cowboy to right some wrongs. While of course not an expert filmmaker (it was after all, his first film as a director), Lee shows a great eye for visuals, as the camera becomes an essential part in the creation of the sublimely choreographed fights, and the highly stylish set pieces (again, influenced by Sergio Leone's westerns). "Meng Long Guojiang is definitely the basics for what Lee conceived as a Martial Arts film, and many of what he developed for this movie would become of great influence for future directors of the genre.

Due to his character in "Enter the Dragon", most people remember Bruce Lee's acting as a serious, dark personification of the perfect martial arts warrior, however, "Meng Long Guojiang" is a chance to discover a way different side of Lee's persona, as he allows himself to be as funny and human as skilled in Kung-Fu. "Way of the Dragon" offers insight into Lee as a comedy actor, as Tang Lung's personality (and probably Bruce's real one too) is that of a happy man who enjoys life. The rest of the cast ranges from good to average, with one amazing exception: Ping-Ao Wei. As the treacherous translator Ho, Ping-Ao Wei delivers one of the best comedic performances of his career, and an excellent (and effective) comic relief for the film.

As written above, the cast (mostly the case of the many extras in the film) most of the time doesn't seem up to the challenge of the film, and the awful dubbing done doesn't really help with that. Another truly big problem is that Lee didn't had enough budget to fulfill his vision and in some scenes it really shows. This two problems really hurt the film badly, and while Lee's inexperience behind the camera is quite obvious, it's safe to say that he delivered a great job against the odds. The epic tone of the film and the superb climatic scenes really make up for the notorious flaws the film has, and one gets to wonder how would "Game of Death" may had turned up if Lee had lived enough to complete it.

It's a shame that Lee died so soon and was unable to craft his ultimate Martial Arts film, leaving the world wondering what would he do to top this film (and the reliable sources agree that "Game of Death" was really going to be his best). This flawed masterpiece may not be perfect, but it's monumental when one realizes how influential it became. Sure, "Enter the Dragon" may be the better film of the two, but "Meng Long Guojiang" is the film that shows us how Lee really was, and what he really believed in. In more than one sense, "Meng Long Guojiang" is truly, the real Way of the Dragon. 8/10