Der Mann mit der Todeskralle

A non-stop succession of brightly-coloured, almost continuous aggro with a villain with a metal hand who actually strokes a white cat that was a huge hit and posthumously made a star worldwide of Bruce Lee.

Very seventies, full of flairs, sideburns, zooms and a groovy Lalo Schifrin score; it was shot on location in Hong Kong without bothering to record any sound, the dialogue and sound effects obviously post-synced.

Although billed third, the delectable Ahna Capri actually gets sadly little screen time.

I first saw this in the late 80s on a vhs. Then again in the early 2k on a dvd which I own.

Revisited it recently with my family.

This time Lee plays a martial arts instructor who is approached by the British Intelligence and is persuaded to attend a martial arts tournament on a private island owned by Han, a crime lord.

Lee's assignment is to gather evidence that will prove Han's involvement in drug trafficking and prostitution.

The movie has amazing star cast, few top notch martial arts fight scenes n wonderful music score.

This one is not as intense as Fist of Fury but very entertaining.

The villain Han is not intimidating or a convincing fighter yet he is able to take down the character of Jim Kelly.

We have Sammo Hung in an uncredited role in the opening fight scene against Lee at the start of the film.

Enter the Dragon along with Game of Death were the foundation for fighting games. Both these movies inspired various martial arts n action movies.

We also have Bolo Yeung before he became the usual villain in JCVD's movies.

In Fist of Fury, Lee's character bites the leg of a Russian fighter during a duel.

In this movie John Saxon's character bites the leg of Bolo Yeung during a duel.

'Enter The Dragon' was a massive part of my childhood back in the 1970s. As a pre-teen Bruce Lee was just about the coolest thing I'd ever seen. Maybe only Bond (Sean Connery Bond!) and Charlton Heston as 'The Omega Man' came close. Like 'The Omega Man' this movie is one that I find difficult to be objective about. The plot is simplistic, the acting is variable, but the action and the LOOK of it make it an all time classic. Let's face it this is a kung fu movie, and what the audience wants is exciting fight scenes. 'Enter The Dragon' has them and then some! I'm not sure whether I'd describe it as "the greatest martial arts movie ever made" (as many people do), but it's certainly one of the most entertaining I've ever seen. The only other one I've seen that comes close is 'Iron Monkey', but as good as it was, it obviously didn't have the one thing that makes this movie legendary - Bruce Lee. Lee is without a doubt the greatest ku fu fighter to step in front of a movie camera. Handsome and charismatic, this movie was to be his introduction to mainstream Hollywood audiences. He died unexpectedly just weeks before it premiered in America. It seems certain that he would have become a superstar, bigger than Jackie Chan (who incidentally has a brief cameo here) is today. Whenever Lee is on the screen you can't take your eyes off him - he's that good. You don't need any other reason to watch this movie than Bruce Lee, but having John Saxon ('Planet Of Blood', 'Tenebrae') co-star is an added treat, and Jim Kelly is super cool. After the enormous success of 'Enter The Dragon' director Robert Clouse made 'Black Belt Jones' with him, another 70s kung fu classic, but Kelly never really fulfilled his potential, and instead made cheesy but fun b-grade vehicles like 'Black Samurai' and 'Black Belt Jones 2'. I also love Han, the tongue-in-cheek 'Dr No' inspired villain played by Kien Shih. 'Enter The Dragon' is essential viewing for all 1970s buffs. It had a major impact on pop culture and it's still great wonderful to watch thirty years after it was originally released. To say I highly recommend this movie is an understatement!

Even though it is more than 25 years since Enter the Dragon was first released, to this day it is still hailed as the landmark of martial arts films.

Used primarily as a vehicle for the late, great Bruce Lee this movie has a thin plot, little actual character development and the acting isn't fantastic.....it was never meant to be another Citizen Kane. Its merit lies purely in the action content. If you were to ask any learned martial artist I'm sure that 9 out of 10 would tell you that the fight sequences are unparalleled, even today. The fluidity of Lee is astounding. Unlike most martial arts films of that time the fighting is very realistic, and has a somewhat visceral quality. There is also the use of traditional Oriental weapons (nunchaku, escrima sticks, etc..), although the British censors in their wisdom have seen fit the cut the nunchaku sequence, and I'm afraid, like any censored movie, it just isn't the same watching when you know you aren't getting the full monty, so to speak.

Still, on the whole one of my personal favourites and a must see for any action or seventies film fan. If you get the opportunity see the remastered American version with added footage....I've got one,envy me!!!

As a child, one of my first and best friends was a strange boy who worshiped the ground Bruce Lee walked on - cutting his hair, taking Jiu Jitsu and Hapkido lessons, and often stalking around with that intense animal fury that only Lee could create all over his 7 year old face. My friend took a lot of abuse for this and other odd behaviors with dignity that his hero would have applauded. Unfortunately, Mr. Lee passed from this world very young, leaving a legend and a pair of shoes that have never really been filled. For most Americans, this is the only Hollywood film worthy of mention with his name in the cast.

Don't get me wrong, I love Jackie Chan and Jet Li and even the few Chow Yun Fat roles involving martial arts, but each of these actors have their own, very big, personalities, and - at least in the case of Chan - have built their own unique legend. Unlike his successors, what Lee excelled at was the intense physicality and drama of his performance. He worked every muscle of his body in every beautifully choreographed fight scene of Enter The Dragon, and made art out of violence in ways that today's Hollywood gun violence schlock-directors can only dream of. And Enter the Dragon is one of his most stunning vehicles.

The pseudo-Taoisms are kept to a minimum and concentrated near the beginning of this film. Lee enters a martial arts tournament to avenge the murder of his sister, and to defend the honor of the Shao Lin Temple, where he helps to train young martial artists. John Saxon, a down-on-his luck playboy and brigand is the closest thing to a co-star, and comes to the tournament hoping for a solution to his financial problems. The tournament is hosted by a mass-murdering heroin manufacturer who hides his production facilities, literally, beneath a martial arts school, using the instructors and students in the school as an army of body guards. Kien Shih is absolutely compelling as the evil Han, even if his fight scenes are, at times, a bit less convincing than the master Lee's. Lee and Shih are the performance highlights of the film. Though Saxon does a passable job, his performance is a bit fibrous at times.

Worth seeing for the sets and settings alone, this film is driven well by its fast pace, simple but engaging story line, and the sheer talent of Bruce Lee. Of course, there are the usual problems of the martial arts genre - villains whose sense of honor for the most part only applies to life-threatening situations fighting would-be heroes, the lack of any weapons besides fists and unused knives, unnecessary nude scenes - it is very easy to overlook these problems and just enjoy the film.

Highly recommended.