Lisa und der Teufel

Lisa (Elke Sommer) is a young woman as tourist in a Spanish old city named Toledo . She then is lost and taken by a marriage (Sylva Koscina and Eduardo Fajardo) and their chauffeur (Gabriele Tinti) . They find shelter into a luxurious mansion where inhabits strange characters , a countess (Alida Valli) , his son (Alessio Orano) and the butler (Telly Savalas).

The picture belongs to Italian horror genre , Mario Bava along Riccardo Freda (Secret of Dr Hitchcock , Vampires , The spectre) and subsequently Dario Argento (Deep red , Suspira , Inferno) are the fundamental creators of Latin terror genre . Mario Bava directed excellent horror movies (Mask of demon , Black Sunday , Black lace , Planet of vampires) and mediocre (Baron of blood , Bay of Blood , Shock) horror films . These movies are characterized by slick edition , usual zooms , special overblown use of colour in a glimmer red blood and utilization of shock-images . The film gets an attractive and enjoyable casting , a gorgeous Elke Sommer (The prize) , an enticing Sylva Koscina (Miguel Strogoff) , a veteran Alida Valli (The Paradine trial) and a sympathetic devil with lollipop included played by Telly Savalas (Kojak) . Magnificent and colorful cinematography by Cecilio Paniagua with intervention by the same Bava like is habitual in all his movies , as he's usually cameraman . The musical background was composed by Joaquin Rodrigo with his famous 'Concert of Aranjuez' and the score by Carlo Savina . There is another version called ¨House of Exorcism¨ for the American market adding some images about a priest (Robert Alda) , rip off from ¨The exorcist¨ , making spells , enchantment , exorcisms which results to be embarrassment and ridiculous . The motion picture will appeal to Mario Bava's hardcore fans .

Lisa and the Devil makes me think of Susperia. In fact, I think those sheer curtains with the appliqués that hang around the 4 poster bed were later used in Susperia. I've seen that film so many times I recognize those.

Anyway, Lisa and the Devil is very low on dialog and big on atmosphere. Much like Susperia, we have the strange lighting, gaudy set pieces, beautiful sets and props, many rooms with fancy wainscoting and molding, and acting that is just slightly off. Dubbing that doesn't quite match up in a subtle way and eerie, dreamy music while the actors stare off into the distance or right into the lens of the camera.

Dialog? Striped down to minimum. Story? Simple enough with a woman straying from her tourist group in a foreign city, wandering alone because she has heard some chimes. But what happens to her? She becomes ensconced in a surreal setting with people living in an old, Gothic mansion. But is it all real? Or is it all in her head? Are the murders really happening or did they happen many years ago?

It's up to you to decide what the ending means. You'll probably enjoy the ride but don't expect anything too, too intense or deep here.

I love Italian films from the 60s and 70s. I picked up Lisa and the Devil on DVD and then realized that the House of Exorcism is a re-edited, totally different version of Lisa and the Devil. I feel like I need to see the House of Exorcism now.

If you like Bava films, then you will surely enjoy Lisa and the Devil. This is a surreal piece of film making in that you are not quite sure what is reality and what is in the mind of the characters. There is no over the top gore, but Bava uses camera work and generates a creepy atmosphere. I may not reccomend

this film to Mario Bava "first timers" or "gore hounds". While I love to watch a Fulci or Bruno Mattei zombie fest anyday, I still enjoy a classic Bava film the same way I enjoy classical music. They both hit a chord, but a different chord.

Lisa and the Devil features many of Bava's trademarks; a devilish atmosphere, superbly chilling use of lighting and a general foreboding feel to the movie that gives the impression that something bad will happen. However, the movie is also fairly messy; there are too many ideas in the film and all together it comes out more than a little confusingly. The version I saw was the Redemption release of "Lisa and the Devil", which is not to be confused with badly intercepted release, "The House of Exorcism". The plot follows the story of Lisa, a young lady that gets lost in an ancient city in Spain. She then hitches a ride with a couple and their chauffeur, but they end up breaking down and happening on a house inhabited by a blind woman, her strange son and a creepy housekeeper. What follows is a nightmarish and morbid ride that touches on themes such as love, lust and death.

Mario Bava is a master of the horror genre, many of his films have inspired whole areas of cinema, most notably "Bay of Blood", to which slashers owe their existence and "The Girl Who Knew Too much", which is often credited as the first Giallo. But I feel that this is one of his lesser efforts. That's not to say that this is a bad film by any means, it features a lot of nice elements, particularly the spooky sequences with main characters and their dead ex-lovers, which almost touches on necrophilia, and therefore gives the film a very morbid and nasty feel. The actors in the movie are also fairly accomplished; it features Elke Sommer, who also starred in Bava's atmospheric shocker, "Baron Blood", among other films and Telly Savalas, who gives a great turn as the creepy butler of the house. But it seems to have too many ideas going on, and a lot of them aren't really explained, which left me feeling confused.

Overall, Lisa and the Devil is a good horror movie with much to admire, most notably the superb creation of atmosphere from Mario Bava but I feel that if it had concentrated less on putting lots of ideas into it, and more on concentrating on the ones it already had; then it would have been a better film.

It becomes clear almost from the outset that with this film Bava is out to mess with our heads and narrative cohesion isn't a priority, so it's best just to sit back and enjoy the ride, knowing you're in good hands. While viewing a strange fresco in a town on holiday, Lisa becomes distracted by the sound of music and in a small shop off the beaten track finds a music box with some creepy figurines spinning on top. She tries to buy it but learns that it belongs to the shop's only other customer: Telly Savalas, who greatly resembles a figure on the fresco that was described as the devil! Telly for some reason is carrying a life-sized figure of a man and finds it highly amusing when Lisa runs off.

Lisa soon gets lost and after wandering around the strange streets, has to ask someone for directions, and that someone is Telly Savalas! This is where Bava starts really messing with us as the dummy in his hands is obviously actually played by an actor - but only in certain shots. Things get even more confusing when Lisa encounters a live version of the dummy who falls down a flight of stairs and dies. Eventually Lisa ends up getting a lift from a bickering couple (the wife of whom is having an affair with her chauffer) and they all end up at the usual huge mansion/castle inhabited by angry man Maximillian, his blind mother Alida Valli, and chirpy butler Telly Savalas, complete with Kojack lollipop. The house is full of Bava's favourite prop: creepy dolls, and things just get stranger and stranger for here on out.

There's no point in detailing any more of the plot, but it involves murder, mysterious characters locked in rooms surrounded by slices of cake, people becoming dummies and Telly Savalas breaking the ankles of a corpse in order to fit it into a coffin. I was never really sure what was going on at all due to all the mind games Bava was playing. He even has certain characters follow the exact same path through the house using the exact same camera angles which just adds to the surrealism, and through it all Telly Savalas acts like that whole thing is some bizarre comedy. It all works for me though!

He also has the light shine deliberately off of Savalas' head quite often too, films the action from above or below, and uses an awful lot of colour wherever he can. My favourite set was the mock-funeral that is later smashed to pieces by one of the characters. I wasn't expecting the film to be off the wall as much as it was and was nicely surprised.

Perhaps it was this film that Umberto Lenzi and Lucio Fulci had in mind when they directed the House of Doom series in the late Eighties? I was getting a severe House of Clocks vibe from this film.