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Das letzte Haus links

Originaltitel: The Last House on the Left
  • 1972
  • R
  • 1 Std. 24 Min.
IMDb-BEWERTUNG
5,8/10
42.444
IHRE BEWERTUNG
Sandra Peabody in Das letzte Haus links (1972)
Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychotic convicts.
trailer wiedergeben2:07
1 Video
99+ Fotos
B-HorrorSerienmörderSlasher HorrorSplatter-HorrorHorrorKriminalitätThriller

Zwei Mädchen im Teenageralter gehen zu einem Rockkonzert zum Geburtstag. Beim Versuch, Marihuana in der Stadt zu kaufen, werden sie von einer Bande psychotischer Sträflinge entführt und brut... Alles lesenZwei Mädchen im Teenageralter gehen zu einem Rockkonzert zum Geburtstag. Beim Versuch, Marihuana in der Stadt zu kaufen, werden sie von einer Bande psychotischer Sträflinge entführt und brutalisiert.Zwei Mädchen im Teenageralter gehen zu einem Rockkonzert zum Geburtstag. Beim Versuch, Marihuana in der Stadt zu kaufen, werden sie von einer Bande psychotischer Sträflinge entführt und brutalisiert.

  • Regie
    • Wes Craven
  • Drehbuch
    • Wes Craven
    • Ulla Isaksson
  • Hauptbesetzung
    • Sandra Peabody
    • Lucy Grantham
    • David Hess
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,8/10
    42.444
    IHRE BEWERTUNG
    • Regie
      • Wes Craven
    • Drehbuch
      • Wes Craven
      • Ulla Isaksson
    • Hauptbesetzung
      • Sandra Peabody
      • Lucy Grantham
      • David Hess
    • 564Benutzerrezensionen
    • 153Kritische Rezensionen
    • 68Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Official Trailer
    Trailer 2:07
    Official Trailer

    Fotos190

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    Topbesetzung15

    Ändern
    Sandra Peabody
    Sandra Peabody
    • Mari Collingwood
    • (as Sandra Cassell)
    Lucy Grantham
    Lucy Grantham
    • Phyllis Stone
    David Hess
    David Hess
    • Krug Stillo
    • (as David A. Hess)
    Fred J. Lincoln
    Fred J. Lincoln
    • Fred 'Weasel' Podowski
    • (as Fred Lincoln)
    Jeramie Rain
    Jeramie Rain
    • Sadie
    Marc Sheffler
    Marc Sheffler
    • Junior Stillo
    Richard Towers
    Richard Towers
    • Dr. John Collingwood
    • (as Gaylord St. James)
    Cynthia Carr
    Cynthia Carr
    • Estelle Collingwood
    Ada Washington
    • Ada
    Marshall Anker
    • Sheriff
    Martin Kove
    Martin Kove
    • Deputy
    Ray Edwards
    • Postman
    Jonathan Craven
    Jonathan Craven
    • Boy with Balloon
    • (Nicht genannt)
    Anthony J. Forcelli
    • Ice Cream Store Clerk
    • (Nicht genannt)
    Steve Miner
    Steve Miner
    • Hippie Taunting Deputy
    • (Nicht genannt)
    • Regie
      • Wes Craven
    • Drehbuch
      • Wes Craven
      • Ulla Isaksson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen564

    5,842.4K
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    Empfohlene Bewertungen

    kinderwhore

    whatever

    "to avoid fainting"???!!! Oh puuuuurlease!!! What an aboslute let down! having been banned by the moral majority for over a decade,we have finally be deemed "adult" enough to watch LHOTL.now i love wes craven as much as the next woman but c'mon Wes..Give us a break!! Badly acted,poorly scripted and dare i say..badly directed.An absolute waste of my hard earned cash...i should've waited for it to be aired on T.V..probably one sunday night, late, when we're all in bed!! but if all else fails remember "it's only a movie"
    BaronBl00d

    Rather Interesting Low Budget Film.....

    I found this film to be rather interesting in a number of ways. Yes, I would agree that it has many unpleasantries throughout the film: two women are raped, stabbed, shot, and brutally killed, one man loses his manhood in a rather disconcerting fashion, and another man is chainsawed to bits. Yet, through all this, the film has many highlights when viewed as a product of its time and with regard to its importance to the horror genre. The film creates a disturbing atmosphere which really affects the viewer. The murders are cold-blooded and yet not glorified in any manner. The acting, although for the most part amateurish, is restrained and believable. A must see for any student of the horror genre.
    6tamstrat

    Haunting movie

    I first saw Last House on the Left at the age of 18 at the drive in with my best girlfriend. This movie, an early outing by horror maven Wes Craven was so disturbing to me that 26 years later I am still haunted by the images on the screen. The story, of 2 young girls, approximately the same age I was when I saw the film, of being abducted, tortured, raped and then murdered is not for the faint of heart. The brutality and violence was staggering, and the film spoke volumes of the depravity of the human soul. I remember driving home with my girlfriend after watching this, and both of us were dead silent, each contemplating what we had watched and knowing that something like that could happen to us. This movie is one I know without a doubt, that I will never again watch, and now, being the parent of a daughter myself, I could never watch it and then allow her out of the house again. This is not a monster movie, the MONSTERS are human and all too real, especially in today's society filled with Ted Bundy's and The Green River Killer, this movie hits too close to home and leaves the viewer depressed and saddened at what human beings are capable of doing to other innocent people. Watch it if you dare, but be prepared to be left with a very hollow feeling after it is over.
    6salemzin

    Wes Craven's "Debut" as a Director

    "The Last House on the Left" (1972) plays a pivotal role in the history of horror cinema, marking Wes Craven's directorial debut. Although it features somewhat quirky performances and moments of comedy that occasionally break the tension, this is undoubtedly a negative aspect, along with its strange and disconcerting soundtrack.

    However, the film manages to maintain an intense atmosphere in its more serious moments, whether through Craven's direction or the image quality that gives it an amateur feel, as if we were witnessing real events on camera. The film's plot may not be particularly innovative, but it makes up for it with its scenes of violence, which at the time were, in a way, considered a novelty.

    Although it has aged somewhat problematically in certain respects, "The Last House on the Left" still retains its disturbing power and deserves to be appreciated, especially for its lasting influence on the genre, serving as inspiration for countless other films.
    6kosmasp

    "Classic"

    Every horror movie claims for themselves that they kicked off something. Be it the slasher genre, be it the "let's go all in and not censor ourselves", be it the body count, gore, nudity, organs on display or whatever else you can imagine. In this case it is more the idea - although there are some short glimpses of visual and very explicit imagery.

    Wes Craven and Sean Cunnigham (who worked together on this and then went ahead to make two of the most iconic horror/movie villains of all time respectively - Freddy Kruger and Jason Vorhees) may feel like they wanted more or rather be more diverse. Do movies in other genres - but I do think they can be happy with their career. And it started with a very controversial and evil little movie like this one.

    The villains here are as despicable as they can get and the one moment where Wes claims they have a point of no return - well let's just say they are already past that way before that moment. So this is raw, it lacks sense in many respects and you can see there was not a big budget involved. But through it all you can feel the effect until today the movie had ... because of its success and because it was rough and did not really follow any rules

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    The Last House on the Left: Never Before Seen Footage
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    The Last House on the Left: Outtakes & Dailies
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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      A mixture of red and blue food colouring mixed with caramel syrup was used for the fake blood, which contrary to most film "blood," actually looks real.
    • Patzer
      Mari breathes and moves when her parents find her body (the original intention was that she should still be alive at this point and would identify her attackers before dying).
    • Zitate

      Estelle Collingwood: Mari tells me you're from Manhattan. What does your father do?

      Phyllis Stone: Oh, my parents are in the iron and steal business.

      Estelle Collingwood: Iron and steel both together? How unusual.

      Phyllis Stone: Well, my mother irons and my father steals.

    • Crazy Credits
      Opening text: "The events you are about to witness are true. Names and locations have been changed to protect those individuals still living."
    • Alternative Versionen
      The 1982 British release on the Replay video label omitted the scene where the sheriff and the deputy try to hitch a ride on Ada's chicken wagon, and the end credits were missing - though the now familiar 'freeze frames' of the principal actors appear, no credits are superimposed over them, and the final song continues to play over a completely black screen. In terms of gore and violence, the print Replay used was uncut.
    • Verbindungen
      Edited into Snuff (1977)
    • Soundtracks
      The Road Leads to Nowhere
      Lyrics and Music by Steve Chapin & David Hess

      Performed by David Hess

    Top-Auswahl

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    FAQ22

    • How long is The Last House on the Left?Powered by Alexa
    • Why aren't the forced lesbian scenes in any release?
    • What are the differences between the old British BBFC 18 DVD and the uncut Unrated Version?
    • Is it true that an alternate cut was released on VHS?

    Details

    Ändern
    • Erscheinungsdatum
      • 19. Oktober 1973 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • MGM
    • Sprache
      • Englisch
    • Auch bekannt als
      • La última casa a la izquierda
    • Drehorte
      • New York City, New York, USA(buying grass scene)
    • Produktionsfirmen
      • Sean S. Cunningham Films
      • The Night Co.
      • Lobster Enterprises
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 90.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 135 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 24 Min.(84 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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