[go: up one dir, main page]

    VeröffentlichungskalenderDie 250 besten FilmeMeistgesehene FilmeFilme nach Genre durchsuchenTop Box OfficeSpielzeiten und TicketsFilmnachrichtenSpotlight: indische Filme
    Was läuft im Fernsehen und was kann ich streamen?Die 250 besten SerienMeistgesehene SerienSerien nach Genre durchsuchenTV-Nachrichten
    EmpfehlungenNeueste TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightFamily Entertainment GuideIMDb-Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of So FarDisability Pride MonthSTARmeter AwardsZentrale AuszeichnungenFestival CentralAlle Ereignisse
    Heute geborenBeliebteste ProminenteProminente Nachrichten
    HilfecenterBereich für BeitragsverfasserUmfragen
Für Branchenexperten
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Das letzte Haus links

Originaltitel: The Last House on the Left
  • 1972
  • R
  • 1 Std. 24 Min.
IMDb-BEWERTUNG
5,8/10
42.190
IHRE BEWERTUNG
Sandra Peabody in Das letzte Haus links (1972)
Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychotic convicts.
trailer wiedergeben2:07
1 Video
99+ Fotos
B-HorrorSerial KillerSlasher HorrorSplatter HorrorCrimeHorrorThriller

Zwei Mädchen im Teenageralter gehen zu einem Rockkonzert zum Geburtstag. Beim Versuch, Marihuana in der Stadt zu kaufen, werden sie von einer Bande psychotischer Sträflinge entführt und brut... Alles lesenZwei Mädchen im Teenageralter gehen zu einem Rockkonzert zum Geburtstag. Beim Versuch, Marihuana in der Stadt zu kaufen, werden sie von einer Bande psychotischer Sträflinge entführt und brutalisiert.Zwei Mädchen im Teenageralter gehen zu einem Rockkonzert zum Geburtstag. Beim Versuch, Marihuana in der Stadt zu kaufen, werden sie von einer Bande psychotischer Sträflinge entführt und brutalisiert.

  • Regie
    • Wes Craven
  • Drehbuch
    • Wes Craven
    • Ulla Isaksson
  • Hauptbesetzung
    • Sandra Peabody
    • Lucy Grantham
    • David Hess
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,8/10
    42.190
    IHRE BEWERTUNG
    • Regie
      • Wes Craven
    • Drehbuch
      • Wes Craven
      • Ulla Isaksson
    • Hauptbesetzung
      • Sandra Peabody
      • Lucy Grantham
      • David Hess
    • 563Benutzerrezensionen
    • 153Kritische Rezensionen
    • 68Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Official Trailer
    Trailer 2:07
    Official Trailer

    Fotos190

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 183
    Poster ansehen

    Topbesetzung15

    Ändern
    Sandra Peabody
    Sandra Peabody
    • Mari Collingwood
    • (as Sandra Cassell)
    Lucy Grantham
    Lucy Grantham
    • Phyllis Stone
    David Hess
    David Hess
    • Krug Stillo
    • (as David A. Hess)
    Fred J. Lincoln
    Fred J. Lincoln
    • Fred 'Weasel' Podowski
    • (as Fred Lincoln)
    Jeramie Rain
    Jeramie Rain
    • Sadie
    Marc Sheffler
    Marc Sheffler
    • Junior Stillo
    Richard Towers
    Richard Towers
    • Dr. John Collingwood
    • (as Gaylord St. James)
    Cynthia Carr
    Cynthia Carr
    • Estelle Collingwood
    Ada Washington
    • Ada
    Marshall Anker
    • Sheriff
    Martin Kove
    Martin Kove
    • Deputy
    Ray Edwards
    • Postman
    Jonathan Craven
    Jonathan Craven
    • Boy with Balloon
    • (Nicht genannt)
    Anthony J. Forcelli
    • Ice Cream Store Clerk
    • (Nicht genannt)
    Steve Miner
    Steve Miner
    • Hippie Taunting Deputy
    • (Nicht genannt)
    • Regie
      • Wes Craven
    • Drehbuch
      • Wes Craven
      • Ulla Isaksson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen563

    5,842.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    6salemzin

    Wes Craven's "Debut" as a Director

    "The Last House on the Left" (1972) plays a pivotal role in the history of horror cinema, marking Wes Craven's directorial debut. Although it features somewhat quirky performances and moments of comedy that occasionally break the tension, this is undoubtedly a negative aspect, along with its strange and disconcerting soundtrack.

    However, the film manages to maintain an intense atmosphere in its more serious moments, whether through Craven's direction or the image quality that gives it an amateur feel, as if we were witnessing real events on camera. The film's plot may not be particularly innovative, but it makes up for it with its scenes of violence, which at the time were, in a way, considered a novelty.

    Although it has aged somewhat problematically in certain respects, "The Last House on the Left" still retains its disturbing power and deserves to be appreciated, especially for its lasting influence on the genre, serving as inspiration for countless other films.
    fedor8

    Exploitative trash masquerading as "social commentary".

    A strong candidate for "The Worst Movie of All Time". With his first film Craven reached heights of ineptitude and tastelessness that even Craven-haters should be surprised by, and the incompetence is far-reaching; in every respect imaginable does this film not fail to fail. This piece of exploitative trash is at the very least the worst killers-on-the-lam film ever made. The acting ranges from one-dimensional to atrocious to ridiculous, and the characters behave in such an inconsistent and illogical manner that I have to suspect that this movie wasn't so much directed as that it's simply a collection of improvised scenes by a couple of bored – and talentless - students who just happened to have had a camera nearby. One of the main things that separates a film like "I Spit On Your Grave" from this junk is that Craven has neither respect nor pity for victims of brutal crimes; this he shows more than obviously by playing utterly inappropriate cheerful music while the two girls are being shoved into the trunk of a car and then driven off. At the end of the film there is yet more upbeat music. This is not some fantasy zombie film where you can expect your audience to laugh with you about the exaggerated and silly events and cartoon violence that take place in the movie. The main events in this "reality-based" horror movie haven't got an iota of a humorous side to them, and the fact that Craven doesn't realize this shows what a sad little degenerate he is. An English professor??? What a joke. In-between scenes of torture, degradation, and murder Craven manages to squeeze in scenes of goofy cops, which we are supposed to find amusing.
    matt-201

    And the road leads to nowhere

    Much as I admire it, I can only watch Wes Craven's brilliant debut feature once every few years; as sheer stomach-churning brutality goes, it makes SALO look like Sondheim. Craven has said he made the movie as extreme as it is as his comment on the obscenity of Vietnam. I've heard that number many a time (Ruggero Deodato blames CANNIBAL HOLOCAUST on the Red Brigade!), but in Craven's case, it's so palpable it's believable. LAST HOUSE may be the first (and is certainly the most far-out) case of a horror movie that eschews suspense, tingles, shock, in the wake of sheer, harrowing barbarism.

    Based on Bergman's THE VIRGIN SPRING, it tells the tale of a couple of young girls on their way to a concert who fall prey to a Manson-like family. Their rape-murders are avenged by a suddenly wised-up couple of parents who, in their restitution, find themselves as blood-bespattered and guilty as their prey.

    LAST HOUSE ON THE LEFT is a grindhouse GUERNICA, an outcry over desensitization to violence that leaves you feeling shaken and desolated. It genuinely reupholsters the word "horror." For most, the clarity of Craven's intentions won't be enough to redeem the dire viciousness of what the director puts you through. For me, the ferocity of the movie has a cleansing, Artaudian pureness.

    One question: Craven made this film and his masterpiece, THE HILLS HAVE EYES, the ultimate statement on the nuclear family in post-Woodstock, post-Altamont America. He then went on to make a load of occasionally mildly amusing but mostly godawful movies. What's the story?
    BaronBl00d

    Rather Interesting Low Budget Film.....

    I found this film to be rather interesting in a number of ways. Yes, I would agree that it has many unpleasantries throughout the film: two women are raped, stabbed, shot, and brutally killed, one man loses his manhood in a rather disconcerting fashion, and another man is chainsawed to bits. Yet, through all this, the film has many highlights when viewed as a product of its time and with regard to its importance to the horror genre. The film creates a disturbing atmosphere which really affects the viewer. The murders are cold-blooded and yet not glorified in any manner. The acting, although for the most part amateurish, is restrained and believable. A must see for any student of the horror genre.
    6kosmasp

    "Classic"

    Every horror movie claims for themselves that they kicked off something. Be it the slasher genre, be it the "let's go all in and not censor ourselves", be it the body count, gore, nudity, organs on display or whatever else you can imagine. In this case it is more the idea - although there are some short glimpses of visual and very explicit imagery.

    Wes Craven and Sean Cunnigham (who worked together on this and then went ahead to make two of the most iconic horror/movie villains of all time respectively - Freddy Kruger and Jason Vorhees) may feel like they wanted more or rather be more diverse. Do movies in other genres - but I do think they can be happy with their career. And it started with a very controversial and evil little movie like this one.

    The villains here are as despicable as they can get and the one moment where Wes claims they have a point of no return - well let's just say they are already past that way before that moment. So this is raw, it lacks sense in many respects and you can see there was not a big budget involved. But through it all you can feel the effect until today the movie had ... because of its success and because it was rough and did not really follow any rules

    Mehr wie diese

    Hügel der blutigen Augen
    6,3
    Hügel der blutigen Augen
    Last House on the Left
    6,5
    Last House on the Left
    Ich spuck' auf dein Grab
    5,6
    Ich spuck' auf dein Grab
    Im Blutrausch des Satans
    6,5
    Im Blutrausch des Satans
    Maniac
    6,3
    Maniac
    Jessy - Die Treppe in den Tod
    7,1
    Jessy - Die Treppe in den Tod
    Nackt und zerfleischt
    5,8
    Nackt und zerfleischt
    Die Nacht der lebenden Toten
    7,8
    Die Nacht der lebenden Toten
    Lucio Fulci's: Das Haus an der Friedhofmauer
    6,1
    Lucio Fulci's: Das Haus an der Friedhofmauer
    Brennende Rache
    6,2
    Brennende Rache
    Woodoo - Die Schreckensinsel der Zombies
    6,8
    Woodoo - Die Schreckensinsel der Zombies
    The Last House on the Left: Outtakes & Dailies
    The Last House on the Left: Outtakes & Dailies

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      A mixture of red and blue food colouring mixed with caramel syrup was used for the fake blood, which contrary to most film "blood," actually looks real.
    • Patzer
      Mari breathes and moves when her parents find her body (the original intention was that she should still be alive at this point and would identify her attackers before dying).
    • Zitate

      Estelle Collingwood: Mari tells me you're from Manhattan. What does your father do?

      Phyllis Stone: Oh, my parents are in the iron and steal business.

      Estelle Collingwood: Iron and steel both together? How unusual.

      Phyllis Stone: Well, my mother irons and my father steals.

    • Crazy Credits
      Opening text: "The events you are about to witness are true. Names and locations have been changed to protect those individuals still living."
    • Alternative Versionen
      The 1982 British release on the Replay video label omitted the scene where the sheriff and the deputy try to hitch a ride on Ada's chicken wagon, and the end credits were missing - though the now familiar 'freeze frames' of the principal actors appear, no credits are superimposed over them, and the final song continues to play over a completely black screen. In terms of gore and violence, the print Replay used was uncut.
    • Verbindungen
      Edited into Snuff (1977)
    • Soundtracks
      The Road Leads to Nowhere
      Lyrics and Music by Steve Chapin & David Hess

      Performed by David Hess

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ22

    • How long is The Last House on the Left?Powered by Alexa
    • Why aren't the forced lesbian scenes in any release?
    • What are the differences between the old British BBFC 18 DVD and the uncut Unrated Version?
    • Is it true that an alternate cut was released on VHS?

    Details

    Ändern
    • Erscheinungsdatum
      • 19. Oktober 1973 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • MGM
    • Sprache
      • Englisch
    • Auch bekannt als
      • La última casa a la izquierda
    • Drehorte
      • New York City, New York, USA(buying grass scene)
    • Produktionsfirmen
      • Sean S. Cunningham Films
      • The Night Co.
      • Lobster Enterprises
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 90.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 135 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 24 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Sandra Peabody in Das letzte Haus links (1972)
    Oberste Lücke
    What is the Hindi language plot outline for Das letzte Haus links (1972)?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.