Lone Wolf & Cub 2 - Am Totenfluss

Another winner in the BABY CART series (but honestly, I can't find too much fault in any of the films in this set of "classic" films...) and personally my favorite single entry...

This one has the Lone Wolf and his Cub still enjoying the "misadventures" of samurai-for-hire, and of course their quest for vengeance against the Yagyu clan that initially betrayed them. Some intriguing enemies in this one includes a band of female ninjas and the "Gods Of Death". There is also the requisite side story of Itto's "hit of the day"...

This one has some pretty fast-and-furious fight scenes and is probably the most action packed of the series. Again, like the other entries, good acting, great sets and costumes, beautiful camera-work, and the almost magical but extremely unorthodox "chemistry" between father and son are not to be missed. Highly Recommended 9/10

I can hardly find the right words to adequately praise the brilliance of "Kozure Ôkami: Sanzu no kawa no ubaguruma" aka. "Lone Wolf and Cub: Baby Cart at the River Styx". The "Kozure Ôkami" cycle is, simply put, THE greatest samurai saga ever brought to screen, and this second entry to the cycle is (along with the fifth) arguably the most brilliant of all six films. Director Kenji Misumi outdoes himself once again with this masterpiece, and the great Tomisaburo Wakayama is again incomparably brilliant in the role of his life as Ogami Itto. The lone Wolf Ogami Itto returns with his only son Daigoro, on their journey on the 'path to hell'. His expertise is once again put to the touch, as he is both hired as an assassin, and has a whole group of assassins set on himself by the despised Yagyu clan...

The entire "Kozure Ôkami" cycle ranks high among my personal all-time favorites, and "Baby Cart At The River Styx" is my personal favorite of them all, for a variety of reasons. The enemies Ogami Itto has to compete with are one of these reasons. The Lone Wolf and his son have to stand up against a group of female ninjas lead by Yagyu Sayaka (Kayo Matsuo) as well as three assassin brothers called the 'Masters of Death'. The fighting sequences and stylish bloodshed are among the most awesome ever brought to screen, the film is absolutely stunning from the very beginning, the atmosphere is incomparable, and the score is ingenious as in the first film. Ogami Itto's son Daigoro (Akihiro Tomikawa) has grown a bit, and learned to talk (but hardly ever does), since the first film. Daigoro is, as far as I am concerned arguably the greatest child-character ever in a film. The father-son relationship of Ogami Itto and Daigoro is one of the great aspects of the 'Ôkami' films, and makes these ultra-violent Chambara-highlights heart-warming at times. Daigoro's role has become more active in this second entry to the series, and he even actively engages in some of the crafty tricks in his father's fights. Tomisaburo Wakayama is again brilliant in the lead and the rest of the performances are also great, especially Kayo Matsuo is excellent as ninja-lady Sayaka, and so are the three 'Masters Of Death'.

"Lone Wolf And Cub: Baby Cart at the River Styx" is pure perfection in every aspect. The performances and characters, the incomparable atmosphere and locations, the brilliant score and photography, the stunning swordplay,... there is not one single aspect about this film that is not brilliant. I have seen too many films to come up with a list of all-time favorites, but if I ever was to make such a list, this second entry to the brilliant 'Okami' series would definitely be in the top 10! An incomparably brilliant masterpiece of blood-soaked swordplay-cinema, "Kozure Ôkami: Sanzu no kawa no ubaguruma" is essential for every true lover of film! 10/10!

I found Babycart in a sale and it had two other movies with it. The reason I bought it was because it had a special cover that indicating it had something to do with Kill Bill and it did. They were three films that had the biggest influence on Kill Bill so I thought it must be good but I didn't expect it to better. When viewing it I was watching how real films about samurai films were made and what they were like and they were more than I could have ever expected. The use of silence in some of the fight scenes were great but at first I thought it was really strange and didn't have a clue what was going on and I was saying every swear word in the dictionary of swearing then my Fiancée brought me back down to earth and said that she once read that samurai attacks in completely silence so it's enemy isn't aware of his moves which was the reason the film was like this and my thought straight away was `Clever Buggers'. It's because if you haven't grown up watching films like this and you are quite oblivious to what samurai films like this and Shogun Assassin are about you see them as a ray of sun shine into you're life because you are being introduced into this new genre which you never ever knew anything about which is always nice.

I was taken into this film from the start and was just amazed by how influential these kind of films have been for so many years and when you watch them you will see why.

Disgraced former executioner Ogami Ittō continues his brooding storm through the Japanese countryside, his three-year-old son Daigoro along for the ride in a booby-trapped carriage. Now some distance into their march to vengeance, the pair have drawn so much notoriety that they risk ambush and assassination at every turn. It's not paranoia, either: Ogami dispenses with blade-wielding enemies at nearly every chapter break, downing at least two-dozen men and women before the film is through. The opportunity isn't abused. In true poppy '70s samurai fashion, each challenger (or cluster of challengers) wears a distinct identity and a unique fighting style, like a colorful garden of deadly blossoms. They all bleed day-glo red, though, often in a towering arc of spray that paints landscape and fallen comrade alike. In Baby Cart at the River Styx, for the first time, we see vulnerability from the master swordsman and a little headstrong personality from his young child. We also see uncertainty from a prominent rival, another first, and restraint in the midst of a bloodlust. Some of the fighting is a little awkward, and the formula is threatening to wear thin, but overall this represents a wonderfully stylish, entertaining continuation of the journey that was so well-established in the first film. An excellent genre-definer.

It was this film that converted me to the joys of blood spattered gory Japanese epics. The action is amazing - each fight scene a gem. The main characters take everything so calmly that I began to see Blues Brothers-esque deadpan humour in some of the more gruesome sequences. Watch this film with your friends so you can all scream at the TV each time a fight kicks in. It worked for me.