Junior Bonner

When Robert Preston makes that toast to his grandchildren at some level he knows his best days are behind him. But he's determined to live out his life to the fullest. Drinking, wenching, prospecting for gold and just hanging around the rodeo because it's his way of life.

It's the way of life for his son Steve McQueen and McQueen was 42 years old when Junior Bonner was made. Even if you figure he might be playing younger than his actual age by about five to seven, that's older than Methusaleh in the rodeo game. Especially as McQueen participates in the most dangerous of events.

In the intervening years since Junior Bonner came out, bullriding has spun out on its own as a single event competition and the best in that sport participate in the Professional Bull Riders as opposed to the all around rodeo events as you see depicted in Presscott, Arizona. As I write this review, the leading bull rider in the country right now is 20 year old J.B. Mauney in terms of point standings. The difference between young Mr. Mauney and the character of Junior Bonner is a whole generation. The skill and the know how is the same, the experience is on McQueen's side to be sure. But those cowboys can sustain some serious injuries and at J.B. Mauney's age he is capable of bouncing back a whole lot faster than Junior Bonner.

McQueen knows this, but it's the way of life that he and his father love dearly. They're active, vital, and vibrant men and no one's going to tell them to act their age, least of all Ida Lupino as Preston's wife and McQueen's mother or Joe Don Baker as her other real estate selling son to whose children Preston makes the title toast.

Junior Bonner is skimpy on plot, but long on characterization. Normally that's not something I like, but in this case it fits the film perfectly. The story is simply about a rodeo family's day at the Presscott Frontier Days Rodeo. It's about Lupino and Baker who have aged and accepted that times change and Preston and McQueen who haven't.

Preston's hoping that if McQueen wins some prize money, he'll stake him to a trip to Australia where there's still wild country to tame. McQueen though his best days are behind him, still loves the life and has a personal goal of riding an unridable bull, Sunshine. In fact he requests stock contractor and prime mover at the Frontier Days Rodeo, Ben Johnson, to make sure he draws Sunshine.

McQueen's goals are a longshot, but not unreasonable. Last year's PBR champion was 36 year old Adriano Moraes showing the younger riders the older men still have something. But how much is left in the cup, only the Deity knows.

Sam Peckinpaugh directed the film to perfection capturing the mood and ambiance of the rodeo scene. The casting is also to perfection with folks like Bill McKinney, Dub Taylor, Donald Barry all western regulars giving standout performances. The violence that usually characterizes a Peckinpaugh film is noticeably absent, but the rodeo is a good subject for his patented slow motion takes.

Junior Bonner joins a great pantheon of rodeo films like The Lusty Men, J.W. Coop, and 8 Seconds in depicting the hard, but rewarding life as a rodeo performer. And this review is dedicated to all the cowboys, to the Adriano Moraeses and the J.B. Mauneys who risk life and limb in the dirt arena trying to do their personal best at what they love.

Sam Peckinpah is usually stereotyped as a director who is mainly concerned with violence and confrontation. This is only part of the picture. If you look past the violence of 'The Wild Bunch' you'll see a movie concerned with old age, loyalty and changing values. 'Straw Dogs' deals with masculinity and ethics. 'Bring Me The Head Of Alfredo Garcia' contains a vivid picture of traditional Mexican culture confronted with modern America's greed and corruption. These sub-texts and themes are often overlooked because of the blood and gore.

'Junior Bonner' leaves out the gore, and what happens? Peckinpah detractors who criticise the aforementioned movies ignore it and dismiss it as "slow" and "boring"! It is anything but. 'Junior Bonner' is a thoughtful character study of an aging rodeo performer (Steve McQueen at his best) and his relationship with his estranged family (veterans Ida Lupino and Robert Preston and character actor legend Joe Don Baker - all first rate). It moves at its own pace, which will alienate the MTV-generation, but anyone with a love of good movies will be fascinated. 'Junior Bonner' may not be as widely discussed as Peckinpah's more controversial efforts, but it's just as good in its own way, and shows once again, that he was one of THE greats of American cinema. Don't overlook this one!

There are many actors who are willing to go that extra mile to convince you the character which they are playing is genuine. Junior 'Jr' Bonner Steve McQueen is such a man. Playing him with the stoic silence as a 8 second ride on the back of a Brahma bull and with the explosive outcome of the trill, McQueen is a simple but aging rodeo star with little to say except when it comes to what is important to him. One aspect is his father Ace Bonner (Robert Preston) whom he deeply respects and quietly emulates. Ida Lupino plays Elvira Bonner, his mother and Joe Don Baker, his ambitious older brother out to become rich. Even though his brother wants him to quit the rodeo and come to work for him, Jr seeks to remain his own man. A noted old timer to Bonner's ambitions is Ben Johnson who plays Buck Roan, the owner of the dynamite animal called "Sunshine", a huge bull which really challenges Bonner. The movie is a superb vehicle for McQueen who is unquestioningly suited for the part. The story does him well and could easily have been his real trade. Excellent film. ****

This is one of my favorite films from one of my favorite directors, and starring one of my favorite actors. I saw a lot of parallels to my own life in this film and the road I have chosen for my own life. The simple fact that JR Bonner lives for "the ride" is really what this film is all about. He continues to ride even though he's past his prime, and still acknowledges his father amidst the division he finds upon his return home. His disenchantment with changing times is very evident here, as this part is pure Peckinpah, who lived and thrived in the western genre for most of his filmography. This theme of what the west has become and what it is becoming has been a theme of inspiration for Sam Peckinpah's films throughout his barely twenty year career as a director. The Father/Son relationship between Junior and Ace strikes a chord with me, especially during the cow milking scene when the Bonners lose, and Ace says "We could've won it", and Junior says "We did Ace". It is profound, and gets me to thinking of my own Father, whose Footsteps I walk in and took after even in my Mother's disapproval.

Junior's sole mission in this film is simply to ride "Sunshine", the bull no man ever rode, and his failure to do so continually haunts him, even as he rides the bull and finally succeeds by staying on the bull for the 8 seconds required. His family situation is a backdrop of events leading up to this triumphant moment that motivates him to continue down the road, and follow his own destiny.

The scene between Steve McQueen and Joe Don Baker where Curly (Baker's character) slugs Junior onto the floor of the Palace Bar is a key moment as well. The two are feuding brothers, one becomes a businessman, and destroys the Matriarch of the family's house (Ace Bonner, played wonderfully by Robert Preston). The other (McQueen) follows the path of the Father, not really being around or being there for his family, but wants to. When Curly invites Junior into the real estate business, and Junior refuses lets you know that Junior is his own man. Curly lashes back by saying "I'm working on my first million, and you're still working on 8 seconds". That lets you know who Junior Bonner is, and who he has chosen to be.

Junior has a love for his Father the rest of the family can't understand, he even gives up over half his winnings for riding Sunshine to buy his Dad a plane ticket to Australia to start a sheep farm. This film has a lot of themes in it; changing times, division of family, and dedication to something when you are no longer on top. It is a true interpretation of the life of the rodeo cowboy. It's a shame this film did not do well when it was first released, I guess it was ahead of its time like Sam Peckinpah. I totally recommend this film because it, like The Ballad of Cable Hogue was unexpected and unpredictable, like its maverick director.

This is a really odd film directed by Sam Peckinpah. While there is an almost cult-like aura about him by his fans, this film may upset many of the "Peckinpah-sters" who are expecting the usual Peckinpah style. In essence, the violence is practically gone--no one is killed in the film and the amount of blood shed is very little--though there are a few of the trademark slow-motion shots. In addition, the film is set in the West, somewhat of an obsession for Peckinpah, but in the modern age.

The story is about an aging rodeo star whose better days are far behind. Now he's broke and coming back to visit his home town. The narrative is far from traditional, as not a whole lot really occurs in the film--instead it's like a slice out of the life of the leading man (Steve McQueen) during this small time period of just a few days. Instead, you learn about his rather dysfunctional family--his father (who was also a rodeo star long ago) who STILL needs to grow up, his greedy brother and his long-suffering (and a bit stupid) mother. None of these characters are particularly likable and it's all a bit sad, though it also does seem rather true-life as well. The characters, though horribly flawed, are much more real than you'd find in other films. Too bad, however, that they never do much of anything.

Overall, a very slow-moving film that was obviously a labor of love for the director but which probably won't appeal to most people. Yes, it's a realistic portrait of a strange piece of Americana, but many just won't find much reason to see it--not that it's bad, mind you, it just never rises above the level of "meh...". Still, not a bad little film.