IMDb-BEWERTUNG
5,1/10
303
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuComposer Johann Strauss becomes the "Waltz-King" and woos a baron's mistress in 19th-century Austria.Composer Johann Strauss becomes the "Waltz-King" and woos a baron's mistress in 19th-century Austria.Composer Johann Strauss becomes the "Waltz-King" and woos a baron's mistress in 19th-century Austria.
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This 1970's film was underrated. The performances were more than adequate & the music of course, superb. The story of the life of Strauss has been fairly accurately depicted, and the movie offers some insight into the trials & tribulations Strauss faced, particularly in his love life. The relationship between Strauss & his mother has been chronicled well. The strain between the father & son has been dealt with accurately as well. The flavour of the times has also been well captured. All in all, a creditable fort, well worth a view. A pity that this has not been released on DVD. It is also currents unavailable on VHS.
I've always loved the music of Johann Strauss. Years ago I drove to a small theater in South Milwaukee to see the 1938 MGM movie *The Great Waltz*, a schmaltzy but well-made concoction with the inimitable Meliza Korjus and the very aggravating Louise Reiner that was very loosely based on Strauss's life.
Also years ago I bought a recording of the 1949 musical *The Great Waltz*, on which this movie is very loosely based. Like *The Song of Norway*, which had been a huge success on Broadway in 1944, mostly because of its elaborate dance numbers, "The Great Waltz" was a Robert Wright/George Forrest concoction that used music by the composer whose biography was more or less the subject of the show.
I never saw that show, so I don't know how similar this 1972 movie is to it. What I do know, however, is that this movie is a lavishly staged disaster. The script, what there is of it, is all cliches. (The scene where Strauss comes up with the idea for *Tales from the Vienna Woods* is stolen, poorly, from the 1938 movie.) It is interrupted repeatedly for no clear reason by a series of elaborate but not very interesting dance numbers. (Imagine an unimaginative *Seven Brides for Seven Brothers*.)
Worse still, most of the characters are not likable. Strauss Jr. comes off as an unfeeling womanizer, like his father before him. Strauss' wife isn't likable enough to earn our sympathies, even though he is not good to her.
In short, there's really nothing to like in this movie other than Strauss's music, which is well performed, and the scenery and costumes. (Much of the movie was evidently filmed in Austria.) The 1938 *Great Waltz* is not a great movie and has more than its share of chiches, but it's still a lot more enjoyable than this sad remake.
Also years ago I bought a recording of the 1949 musical *The Great Waltz*, on which this movie is very loosely based. Like *The Song of Norway*, which had been a huge success on Broadway in 1944, mostly because of its elaborate dance numbers, "The Great Waltz" was a Robert Wright/George Forrest concoction that used music by the composer whose biography was more or less the subject of the show.
I never saw that show, so I don't know how similar this 1972 movie is to it. What I do know, however, is that this movie is a lavishly staged disaster. The script, what there is of it, is all cliches. (The scene where Strauss comes up with the idea for *Tales from the Vienna Woods* is stolen, poorly, from the 1938 movie.) It is interrupted repeatedly for no clear reason by a series of elaborate but not very interesting dance numbers. (Imagine an unimaginative *Seven Brides for Seven Brothers*.)
Worse still, most of the characters are not likable. Strauss Jr. comes off as an unfeeling womanizer, like his father before him. Strauss' wife isn't likable enough to earn our sympathies, even though he is not good to her.
In short, there's really nothing to like in this movie other than Strauss's music, which is well performed, and the scenery and costumes. (Much of the movie was evidently filmed in Austria.) The 1938 *Great Waltz* is not a great movie and has more than its share of chiches, but it's still a lot more enjoyable than this sad remake.
Forrest & Wright, made magic adapting classical themes into the Broadway hit KISMET and before that for Eddy & MacDonald's screen operettas. They created a score based on the often ravishing music of the Strauss family, but it is not among their best efforts. This remake of THE GREAT WALTZ was filmed in some spectacular ballrooms, but all the hoop skirts, marble and crystal chandeliers cannot make up for a witless screenplay, wooden acting, and incredibly unimaginative camera work. As a longtime fan of the Strausses and operetta, I found this a profound disappointment. No wonder this is blamed for helping to kill off screen musicals in the 1970s.
This film is about the life of Johann Strauss Jr. Horst Bucholz is good in this role. He ages well over the course of the film.
Mary Costa plays his eventual wife Jetty. Miss Costa was an international sensation in her day as a major opera star. Her beautiful soprano voice is heard on the soundtrack here.
The direction here is unintentionally funny.
The music and the singing by Miss Costa are the main attraction of this film.
Mary Costa plays his eventual wife Jetty. Miss Costa was an international sensation in her day as a major opera star. Her beautiful soprano voice is heard on the soundtrack here.
The direction here is unintentionally funny.
The music and the singing by Miss Costa are the main attraction of this film.
After several requests, TCM aired the 1972 remake of The Great Waltz this past week. For fans of Strauss waltzes, history and Vienna, this movie will just hit the spot. "The world worships the original", but unlike the studio backlot photographed 1939 B&W version, the 1972 version was shot in PANAVISION and was the last film to be theatrically shown in CINERAMA. MGM went all out in using on-location photography throughout Austria and Vienna, including the Blue Danube river. Horst Bucholtz and Mary Costa did a terrific job in the leading roles, and it was a very enjoyable musical review of the struggle of father and son in leaving the world with their great compositions. I agree, the directing swayed between drama and comedy, but such is life. It is unfortunate this film has not been made available to it's fans and followers on DVD, or even digital download. Let's hope TCM and the Warners Archives Collection makes it possible for at least a made-on-demand DVD.
Wusstest du schon
- WissenswertesThis film was presented in the Cinerama format overseas. This would be the last film shown in Cinerama.
- PatzerAll of the men's hairstyles and sideburns are strictly in the longer, trendy 1972 international mode, a far cry from 19th-century Austria.
- VerbindungenFeatured in Strauss and Vienna: On Location: The Great Waltz (1972)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 890.450 $
- Laufzeit
- 2 Std. 15 Min.(135 min)
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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