Der große Minnesota Überfall

Philip Kaufman's first major-studio film was one of many interesting but not very commercially successful (the major exceptions being "Little Big Man" and "Soldier Blue") revisionist westerns in the early 70s. Like "Bad Company," "Dirty Little Billy" and others it's more interesting conceptually than it is in execution, despite good performances and some flavorful period atmosphere (notably during an early, rough, messy baseball game in a cow field). But the narrative thrust is somewhat diffused, the psychological insight not esp. deep, and for the most part the violence is routinely handled. The result is a consistently interesting historical drama but not a particularly suspenseful or exciting one, which is odd given the extreme eventfulness of the "James Gang's" criminal career.

Aspects of this story were chronicled with vastly more focus and force in the recent epic "The Assassination of Jesse James" (which was, lamentably, also a total commercial flop). "Great Northfield" is worth seeing for Kaufman fans, among others, but he certainly hit closer to the bullseye with his subsequent "The White Dawn," "The Wanderers" and "Invasion of the Body Snatchers" before graduating to big-budget cinema with "The Right Stuff."

Honor among thieves is carried to the extreme in "The Great Northfield Minnesota Raid". Showing compassion for victims of corrupt banks, with swift retribution, the gang is still fighting the Civil War in Minnesota. Gradually being overwhelmed by progress, these outlaws look quite out of place. The story is told in a linear fashion, with no annoying flashbacks. Robertson and Duvall are surrounded by a believable supporting cast, that looks the part. My only objection is a couple scenes go on entirely too long, and the film would actually be better off without the interminable baseball scene. Worth seeing for the performances and authentic feel of the movie. - MERK

This is a terrific film with an amazing performance by Robert Duvall.

The cast is excellent and the direction by Philip Kaufman (THE RIGHT STUFF) is visceral and exciting. This film captures the energy of the real Old West. The film takes place in 1876 when the U.S. was just taking shape as a nation. Wonderful new contraptions are coming into being which fascinate the outlaws. Duvall plays the famous, often psychopathic outlaw Jesse James. Duvall is like a demon possessed and dangerous as a coiled snake. This film shows off what a wonderful actor he is. There is a rollicking energy to this often humorous and alternately tragic film that captivates the viewer. I cannot recommend this film enough. IT IS A

There are some very interesting moments in this movie. The performance by Cliff Robertson is indeed very good, and I think the movie raises some interesting points in its portrayal of the James/Younger gang as a metaphor for the final death rattle of the old south against the modernizing north. However, this movie can't seem to decide between a comedic tone or an ironic and cynical one. I would say it succeeds in its more serious moments, but the comedic sections are very contrived.

I went to college in Northfield, and I was glad to see my alma mater represented in the film (before its name was changed to Carleton). I became pretty familiar with this raid after attending Northfield's annual "Defeat of Jesse James Days" festivities four times. Surprisingly, the actual raid itself is portrayed fairly accurately, with the proper body count and roughly similar series of events, although some details are different. I liked the irony the filmmakers added with the incident of Cole Younger fixing the rifle that was later used to snipe at his gang members. Oh yeah, and you gotta love those snow capped mountains that surround Northfield (yeah, right), and the whorehouse full of buxom Scandanavians!

There are a few western staples in 'The Great Northfield, Minnesota Raid': the last mission, the friendly whorehouse; but compared with most films of this type, it's a plausible and honest portrait of the life of a criminal gang, and set in the relatively lush lands of the near west instead of the dry high plains further west. In fact, it's based on the story of a real gang, one that featured the legendary Jesse James, and it's refreshing to see this character demystified: he doesn't even take top billing. However, the plot never quite comes to life, and perhaps more could have been made of the gang's origins in the aftermath of the civil war. But like Altman's superior 'McCabe and Mrs. Miller', made at around the same time, the film deserves credit for telling its own tale, instead of merely re-hashing the clichés of the genre.