Frösche

The plot here is little more than: "Help! We're surrounded by hostile creatures!" Yet there's something about this movie that lodges in the memory and it's probably its heavy, humid atmosphere -- like a hot summer day where nothing's happening yet you know there must be a storm brewing just over the horizon. The eclectic cast is headed by Ray Milland but the star here is Sam Elliott who makes his first real impression in the movies. His let-me-strip-off-my-sweaty-shirt-and-display-my-hairy-chest scenes were SO impressive that they landed him the lead role in that piece of beefcake-nirvana called "Lifeguard."

(June 2009 update: Note how this movie finds echoes, seven years later, in another Sam Elliott movie: "The Legacy." In both movies Elliott plays a young man who, because of a transportation accident, winds up as a reluctant guest at a mansion located in an isolated spot in the country. The mansion is owned, in both cases, by a distinguished older gentleman who suffers from a physical disability. There are other guests at the mansion and during the course of Elliott's stay, these guests are killed off, one by one -- in a variety of bizarre fashions -- by a mysterious force. In both movies, Elliott performs "beefcake" scenes which have a gratuitous quality. In "Frogs," he appears twice without his shirt and in "The Legacy" he has a rear-view nude scene.)

The free-lance photographer Pickett Smith (Sam Elliott) is taking pictures of the pollution in a swamp in Florida for a magazine of ecology in his canoe. Out of the blue, he is hit by a motor boat piloted by Clint Crockett (Adam Roarke) and his sister Karen Crockett (Joan Van Ark) and capsizes.

Clint and Karen invite Pickett for the party in the private island of their grumpy grandfather Jason Crockett (Ray Milland), an old fashioned disabled patriarch that enjoys celebrating his birthday on the 4th July with his family.

Pickett realizes that the island is infested of frogs and reptiles and Jason has ordered his caretaker to poison his real estate to get rid of the amphibians and creepy crawlies. But soon Picket realizes that they are living the payback of nature against mankind.

The trash "Frogs" is probably one of the first movies to defend the ecology and absolutely ahead of the time. This is the first feature of Sam Elliot, who acts with the veteran Ray Milland. The story is funny and never scares but entertains. My vote is five.

Title (Brazil): "A Invasão das Rãs" ("The Frogs'Invasion")

Frogs (1972)

*** (out of 4)

Sam Elliott and Ray Milland star in this AIP cult-classic from the drive-in era where it was quite popular. The film starts off with Elliott taking pictures of the nature, which is being interrupted by people's pollution of the water and land. Soon Elliott finds himself staying with a family being led by the cranky Milland. Before the night is over one body is located and soon many more follow as the small creatures start to take their revenge. If you put too much thought into the subject matter then you're going to think yourself to death so turn the brain off, sit back and just enjoy. The killers in the movie aren't just frogs but we also have toads, lizards, alligators, birds, various snakes and spiders. Some of the death scenes aren't very believable but then there are those that are quite effective. Director McCowan does a very good job at building up the atmosphere of that deep Southern swamp nation. The entire look of the film is perfectly captured as there isn't a single frame where you don't feel as if you're right there in that swampy mess and action. The characters are pretty straight forward but the cast make them fun to watch with Elliott leading the way and delivering his ultra cool persona once again. The laid back style of the actor has always been fun to watch and it remains so here. Milland is over the top but in a fun way as the old man who refuses to spot the danger going on even as more bodies begin to pile up. FROGS isn't a masterpiece or something by Welles but it does throw on back to the drive-in era when this type of thing was being released.

Statistically, this movie was a hit. Made for $200k, it grossed over $2 mill in the US alone. This was the secret of success for American International Pictures. Keep the budgets low, and the base of horror fans will show up and you'll make a profit. 1972 was the year for horror. A large number of films catered to the horror fan, many were cheaply made. But they all made a profit. Frogs is an example of a movie poster created before the movie was filmed. Frogs don't kill anyone in the film, but they made a cool poster. So they were thrown into the mix of alligators, lizards, snapping turtles, snakes, spiders, etc. Since many of these creatures make people queazy, it must have seemed like a slam dunk to film- fearmakers. However, the animal performers are less than convincing. Especially the alligator, where producers sped up the film to make him look like he's moving quickly. The acting is as good as can be expected for this type of film. Joan Van Ark and Sam Elliot debut here (Van Ark had done a soap). Milland is good as the cranky old rich stereotype. If you're looking for a "tame" horror picture to keep the kids interested, this might be it. For adults, it's value is mainly nostalgic.

Millionaire patriarch Ray Milland and his extended family gather together at his private island mansion to celebrate the 4th of July and have much more to worry about than photographer and ecologist Sam Elliott snooping around getting material for a magazine layout on pollution. You see, Elliott isn't the only one who's fed up with Milland's environmental poisoning, as a horde of frogs wise up and lead their swampland buddies (alligators, snakes, lizards, turtles, birds, leeches, spiders and more) in a violent revolt.

Thanks to the piercing sounds of Les Baxter's score and sheer variety of creepy crawlers on display, you are likely to cringe somewhere along the line in this ridiculous and often awkwardly directed, but nonetheless entertaining effort.