Dr. Jekyll and Sister Hyde

Hammer's Dracula and Frankenstein movies starring Christopher Lee and/or Peter Cushing are probably their best known, but dig deeper and you'll find some even more original and inventive movies from the studio. Like 'Dr. Jekyll and Sister Hyde', one of the very best. Ralph Bates had appeared in a couple of not very good Hammer movies prior to this, but he's perfectly cast as Dr. Jekyll and the choice of the stunning Martine Beswick as his alter ego makes this really something to see! Beswick had already been a Bond girl and co-starred with Raquel Welch in Hammer's unforgettable trash classic 'One Million Years B.C.' before this. She later appeared in cult favourites like Oliver Stone's 'Seizure' and 'The Happy Hooker Goes To Hollywood', but this to me is the definitive Beswick role. She is so sexy and evil in this movie, you'll never forget her once you see it. Gerald Sim plays Jekyll's horny colleague Professor Robertson, and Jekyll and Hyde's lives are complicated by their respective love interests (sister and brother) Susan (Susan Broderick) and Howard (Lewis Fiander). Broderick is really lovely. She seemed familiar but it wasn't until I looked her up that I realized where I had seen her before. David Hemmings buys something from her antique store towards the beginning of 'Blowup'. Fiander incidentally appeared with Gerard Sim in 'Dr.Phibes Rises Again' the year after this, but did very little subsequent horror work. As well as the great cast, the movie is helped enormously by a fresh script from Brian Clemens, and the solid direction from Roy Ward Baker, who had both previously worked on 'The Avengers'. It's funny, most fans immediately name Terence Fisher as Hammer's best director, but Baker directed three out of my Top Five Hammer movies (the others being 'The Vampire Lovers' and 'Quatermass And The Pit'), so I'd choose him instead. 'Dr. Jekyll and Sister Hyde' is wonderfully entertaining, and I give it my highest recommendation. If you've ever enjoyed a Hammer movie but haven't seen this one you're in for a real treat!

Not to be confused with "Dr. Jekyll and Ms. Hyde" ('95) or "Daughter of Dr. Jekyll ('57), "Dr. Jekyll and Sister Hyde" ('71) is a wonderful entertainment that was written and coproduced by Brian Clemens. Clemens, perhaps best known for his work on TV's cult series "The Avengers," as well as for writing and directing "Captain Kronos: Vampire Hunter" (his only other film for Hammer Studios, in '74), also wrote a song for "DJASH"; needless to say, he is a man of many talents. In this film, he not only conflates the Whitechapel murders of Jack the Ripper in 1888, the notorious body snatcher/serial killers Burke and Hare (who both died many years before that, but no matter), and R.L. Stevenson's oft-told Jekyll and Hyde story, but gives it all a novel spin by having Jekyll transform into a woman. Also interesting is the fact that Jekyll, well played by Ralph Bates, is almost as monstrous as the Hyde creaturette that he becomes: Jekyll is willing to murder street trollops in order to obtain the female hormones needed for his experiments. Martine Beswick, it must be said, is perfect as Bates' "feminine side." She really does look like his female counterpart, and manages to appear both beautiful and scary looking at the same time. The film is very nice to look at, too; almost like an episode of "Masterpiece Theatre," but with more blood and mayhem. All in all, this is still another winner from the House of Hammer...with loads of fine extras on this DVD, too!

Dr Jekyll & Sister Hyde: interesting adaptation but it feels more dated than the silent version in some ways. Some of the Hammer 60s/70s aesthetics and attidtdes I guess. It was advertised on Legend Channel as a blackly comic variation on the tale but I have to admit any humour passed over my head apart from Jekyll's annoyance at dresses being ordered by Hyde. A good turn by the villainous Burke & Hare. Happy to murder women to keep the doctor supplied with bodies. While Jekyll is prepared to kill after he takes his potions, Sister Hyde(his alter ego) is the more bloodthirsty. The internal battle between the two personas is well portrayed. Good performances from Ralph Bates as Jekyll and Martine Beswick as Hyde. Directed by Roy Ward Baker from a screenplay by Brian Clemens based on the 1886 novella Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson. 6.5/10.

Hammer Films produced a number of classics and an even larger number of very good, entertaining films and a few misses. While Dr Jekyll and Sister Hyde is not a classic, it is one of their better later films, and much better than Hammer's other Jekyll and Hyde re-imagining The Two Faces of Dr Jekyll.

Dr Jekyll and Sister Hyde looks incredibly good, no surprise seeing as Hammer's films always looked good no matter the quality of the rest of the film. The sets and lighting recreate the Victorian London era with lovingly and evocatively and they look sumptuous and splendidly Gothic. One also has to love the rich colours and the beautiful and atmospheric photography. It is not just that the production values look great that is really well done, but also how much it contributes towards the feel and atmosphere of the film, here the atmosphere is wonderfully moody and has a real sense of fear throughout, which were not always there as effectively in other later Hammer films.

The film also has a chillingly haunting, with also some touches of lush romanticism, score with an at times Rachmaninov sound to it, the dark richness of the orchestration adding so much. It also has the advantage of being well placed and used effectively, excepting some overblown moments in a couple of the transformation scenes. Dr Jekyll and Sister Hyde is very intelligently scripted, with some witty and thought-provoking dialogue, while the story(with one of Hammer's most innovative and pretty ingenious premises) is incredibly clever and enormous fun, the suspenseful and often very creepy atmosphere staying consistent all the time and the chills and scares come off tastefully and unsettlingly. Loved the use of the Jack the Ripper mystery, which really did give off a sense of dread, and the nod to Sweeney Todd. The transformation scenes are beautifully shot and boast good effects work and a real edge-of-your-seat tension. The film is strongly directed, the characters carry the narrative very well and the acting is solid; with Ralph Bates giving by far his best performance in a Hammer film and Martine Beswick- youthful beauty at its best- even better in a menacing but never over-the-top performance.

It's not perfect however, but comes close. There are a few pacing longueurs, where a few scenes towards the start dragged just a little. And while the film is incredibly entertaining, rich in atmosphere and does a great job with the majority of its ideas, others did come off rather clumsily, especially the anachronistic and out of place inclusion of Burke and Hare, leaving one wonder why they were included in the first place(a nod to Stevenson's story The Body Snatcher perhaps?).

Overall, while not without flaws and not one of the Hammer classics, it's one of their better later films and never fails to entertain, chill and engage, making the most out of a great premise. 8/10 Bethany Cox

The stiff upper lip and jaw of Ralph Bates finally come into their own in this nice variation of Jekyll and Hyde, which also mixes in good quantities of Jack the Ripper myth and the famous 17th century grave robbers Burke and Hare. Considerably less stiff is Martine Beswick as the doctor's female alter ego. She is absolutely too loose in her ways, but I am certainly not complaining! Both are just the right persons for their clashing roles and superbly so. The actual physical change between the two supreme parts in one person is shown in subtle manners and without great special effects, which not only was cheaper to do, but also leaves a lot for a viewer to imagine and so makes it in a way easier to accept. A wise decision from the makers.

The plot idea of unifying the two main story lines of such classic origins is nothing short of brilliant. The invention of elixir of human life using female hormones and how to get it by "uncanny goings in late hours" really does the trick. So does the fascinating and at the same time foul results of the experiment, the mixing of selves and struggle for dominance. Of course much more could have been built in and deepened in the script making the story more intriguing and disturbing. Some needed romantic and freshening humor aspect comes from the continuously snooping neighbors with their funnily pretentious "it doesn't concern us" attitude.

In all, this is once again a fun and stylish horror movie from Hammer studios. The bolder style of company's early seventies film is very much present with some slight gore and nudity added in the proceedings. So, now everyone hurry up and see it.