IMDb-BEWERTUNG
8,1/10
4661
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA dysfunctional middle-class family is transformed due to the influence of their new multi-talented household servant - but he might be too good to be true.A dysfunctional middle-class family is transformed due to the influence of their new multi-talented household servant - but he might be too good to be true.A dysfunctional middle-class family is transformed due to the influence of their new multi-talented household servant - but he might be too good to be true.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 wins total
Jaya Bachchan
- Krishna Sharna
- (as Jaya Bhaduri)
Kanwarjeet Paintal
- Guruji
- (as Paintal)
Amitabh Bachchan
- Commentator
- (Synchronisation)
Seema Kapoor
- Dancer #2- Dance performance night
- (Nicht genannt)
Empfohlene Bewertungen
The remarkable imaginative profundity of Hirishda to poignantly portray basic moral values which circumvent a whole facet of mundane matters and temperamental grudges has always been the hallmark of this great Bollywood director of the yore.
His characterization of different roles in a sublimely moving fashion was the bedrock of his cinematic genius that led him to craft simple, low budget, non-vulgar movies while posting box office records.
His candid and evocative imagination never felt short/handicapped or at any loss while filming landmark movies like Anand, Abhiman and Bawarchi which are devoid of any obscene depiction which is considered vital for box office success by directors like Raj Kapoor.
It is also pertinent to mention that Rajesh Khanna in the lead role but without a heroine like in Anand (also directed by Hirishda) shall always be remembered for his versatile, soft and morally strong depiction that should not be short of any words. Seeing is indeed believing .......
His characterization of different roles in a sublimely moving fashion was the bedrock of his cinematic genius that led him to craft simple, low budget, non-vulgar movies while posting box office records.
His candid and evocative imagination never felt short/handicapped or at any loss while filming landmark movies like Anand, Abhiman and Bawarchi which are devoid of any obscene depiction which is considered vital for box office success by directors like Raj Kapoor.
It is also pertinent to mention that Rajesh Khanna in the lead role but without a heroine like in Anand (also directed by Hirishda) shall always be remembered for his versatile, soft and morally strong depiction that should not be short of any words. Seeing is indeed believing .......
10azeemax
If you have low tolerance for Bollywood, and you think Bollywood is just all about cheesy, loud and lewd movies, than it means that you are not aware of the rare gems the Indian film industry has produced in the last 50 something years. And this film is one of such gems. I haven't seen, "Anand" the most popular film of Rishida, but I have seen Bawaichi 3 times and every time it leaves me with the sad reality that how come the Western world has not discovered movies like this. The film revolves around the relationship of a family and their new cook, played superbly by Rajesh Khanna. I don't want to go much into the details of the story of the film and cinamatic mastery of Rishida, but in short this film could be described as excellent in every aspect. If you are a fan of Indian 'art' films, than this a must see for you!
This is a truly classic Indian film, and a fitting showcase to the substantial talents of it director, Hrishikesh Mukherjee, who shows how a masterpiece can be produced on a small budget.
Shot almost exclusively inside the Sharma household, this film explores the tensions and rivalries within the Sharma family, and how their domestic problems quite literally bring them to their knees. Into this house of discontent steps a man with answers to their problems and a lot more. How can a cook be so smart? What is his agenda? Who is this man? The acting in a very strong cast is first class, and without weakness. Rajesh Khanna steals the show though with a brilliant, amusing lead role as the loquacious Bawarchi. At that time (1972) he was the darling of the Indian cinema and women wrote letters in their own blood to him, such was his appeal, and this film showcases his immense talent. Rajesh Khanna's performance is one of great depth: his facial expressions, delivery and mannerisms are skilfully never overplayed, none more so than when he utters in English "It is simple to be happy, but it is difficult to be simple". Whether it be a comic or serious sad scene, Jaya Badhuri, as Krishna, perfectly conveys the uncertainties of a complex, sensitive young woman and captures her emotions beautifully to show just what a fine actress she is. A.K.Hangal amuses as the kindly Uncle who likes a quiet tipple and makes a fine double act with his screen brother. Harendranath Chatopadhay's performance as grandfather is authentic and very enjoyable. All this is underpinned with strong direction, and creative screenplay: the beautifully crafted entry of the Bawarchi through the morning mist into the chaotic proceedings being a personal highlight. Overall the delivery of the Gulzar's punchy dialogue has the required pace to make Bawarchi work. Either all these actors are adept at this and/or Mukherjee and his direction team are experts in achieving it.
Bawarchi can inspire a mixture of emotions: from sadness to joy. Whether you understand Hindi or not, it's a film that you can go back to and still enjoy again and again, and that is the mark of genius.
Shot almost exclusively inside the Sharma household, this film explores the tensions and rivalries within the Sharma family, and how their domestic problems quite literally bring them to their knees. Into this house of discontent steps a man with answers to their problems and a lot more. How can a cook be so smart? What is his agenda? Who is this man? The acting in a very strong cast is first class, and without weakness. Rajesh Khanna steals the show though with a brilliant, amusing lead role as the loquacious Bawarchi. At that time (1972) he was the darling of the Indian cinema and women wrote letters in their own blood to him, such was his appeal, and this film showcases his immense talent. Rajesh Khanna's performance is one of great depth: his facial expressions, delivery and mannerisms are skilfully never overplayed, none more so than when he utters in English "It is simple to be happy, but it is difficult to be simple". Whether it be a comic or serious sad scene, Jaya Badhuri, as Krishna, perfectly conveys the uncertainties of a complex, sensitive young woman and captures her emotions beautifully to show just what a fine actress she is. A.K.Hangal amuses as the kindly Uncle who likes a quiet tipple and makes a fine double act with his screen brother. Harendranath Chatopadhay's performance as grandfather is authentic and very enjoyable. All this is underpinned with strong direction, and creative screenplay: the beautifully crafted entry of the Bawarchi through the morning mist into the chaotic proceedings being a personal highlight. Overall the delivery of the Gulzar's punchy dialogue has the required pace to make Bawarchi work. Either all these actors are adept at this and/or Mukherjee and his direction team are experts in achieving it.
Bawarchi can inspire a mixture of emotions: from sadness to joy. Whether you understand Hindi or not, it's a film that you can go back to and still enjoy again and again, and that is the mark of genius.
10alokc
No other actor at the peak of his career could have tried to do Bawarchie. It is a character which is non glamorous, no action, no romance but yet it was the ability of Super Star Rajesh Khanna that he put up such a sterling performance which will be remembered forever. This Hrishikesh Mukherjee movie suffers from average music but the character of Rajesh Khanna pulls the movie through and the audience comes out thinking.It is a must see for all movie goers as it is a masterpiece. Rajesh Khanna is excellent in the central character and is ably supported by other cast members - Jaya Bachchan,A k Hangal and others. It is inspired by an old Bengali hit and the spirit of Bawarchie continues to live and a no of movies have been made based on similar stories. However, it is a movie of joint families- which hardly exists in today's world. A must see
A cook appears out of the blue as an answer to the prayers of the house members. Little do they know that his arrival would mark a life changing experience for all those who live there. As he reminds them that life is not about the pursuit of individual happiness but about the attainment of this emotion for others. A family who feel they are burdened with problems soon realise that each of them can solve them if the necessary effort is put in. A number of pearls of wisdom are unveiled by their enigmatic employee such as the completion of a task which is not one's own can give a person as much joy as the completion of a persons own task etc lead to the improvement in lifestyle for all concerned. Its the little joys in life which are countless that matter why worry about the larger joys in life which are few & far between? The one person in the household who shares his attitude to life is constantly being exploited by her aunts at her own expense (her education) the cook takes under his wing so she can receive the attention she richly deserves. She blossoms under the supervision of the cook to the surprise of her relatives who simply believed she neither had the talent or the skills to reach the heights that she accomplishes. So all in all a thoroughly insightful feel good movie which should not be missed if enlightenment is your quest...
Wusstest du schon
- WissenswertesThe film has no title cards. Instead the titles and credits are narrated using a voice over by Amitabh Bachchan.
- Zitate
Raghu (Bawarchi): It is so simple to be happy but so difficult to be simple.
- VerbindungenReferenced in C.I.D.: Yeh Phool Chaman Main Kaisa Khila (2006)
- SoundtracksTum Bin Jeevan Kaisa Jeevan
Performed by Manna Dey
Composed by Madan Mohan
Lyrics by Kaifi Azmi
Music on H.M.V.
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