Haus der tödlichen Sünden

A twisted tale of control and seduction involving the lovely Greta (Barbara Bouchet) who is hired by a perverted writer Richard with an even more kinky wife, Rosalba. Greta however has a reason for being there as her friend/former lover Sally who happened to be the previous secretary hired and who has disappeared. On the way to discovering what happened to Sally, Greta has various adventures from being drugged and seduced by the bisexual wife in a wonderfully surreal, slow motion scene to almost getting swallowed up by quicksand whilst being "hunted" in the marshes. Interesting movie to say the least.

The secretary Greta Franklin (Barbara Bouchet) travels from London to Venice to work with the prominent writer Richard Stuart (Farley Granger), who lives with his wife Eleanora Stuart (Rosalba Neri) in an island. Greta is replacing his previous secretary Sally Reece (Patrizia Viotti) that is missing. When Police Inspector Antonelli (Nino Segurini) interviews Greta, he learns that she accepted the job to investigate what has happened to Sally, who was her friend. Soon she suspects that Richard has murdered Sally, but she cannot find any evidence to prove her theory to the inspector.

"Alla ricerca del piacere", a.k.a. "In Search of Pleasure", is a shallow erotic thriller. The erotic scenes are excellent, but the plot and the behavior of the characters are silly and absurd. There are a couple of twists in the story and lots of nudity along the story. My vote is six.

Title (Brazil): "Em Busca do Prazer" ("In Search of Pleasure")

I'm a big fan of the Italian thriller, commonly known as 'Giallo', but I've found that truly great ones aren't that common, which makes it all the more sweet when you do find that illusive masterpiece - and that is a term that can definitely be attributed to this film! Amuck isn't about a ruthless, black-gloved murderer or a police investigation; it's a film about mystery and the sexual tension between its protagonists. The film is a lot like the brilliant Sergio Martino film, 'Your Vice is a Locked Door...' so anyone who's seen that will almost know what to expect. While Martino's film is the most polished of the pair; Amadio's is far sexier. The film features the typical labyrinth plot, although it's all kept together nicely and despite lots of interfering emotions; Amuck always flows well. The film follow Greta, a young woman who takes a job as a secretary for a successful writer as his house is the last place her former lover; the beautiful Sally (oh yes) was last seen. While there, she is introduced to the stunning Eleanora and it soon becomes evident that all is not as it seems...

This film features a number of standout scenes; from the marshland shooting, to the enacting of the writer's book, all the way down to the superb ending - but the scene that this film will be best remembered for is without doubt the seduction scene between the two female leads. Lesbian sex is only good in films if it's done right, otherwise it looks like a silly attempt to sell the movie; so I'm pleased to say that Silvio Amadio's scene is definitely done right. The two leads are stunning in different ways; we've got Barbara Bouchet, the wide-eyed, innocent blonde girl - and Rosalba Neri, the cerebral seductress, and the sequence that sees them pair up is directed with just the right amount of eroticism to ensure that it's electric on screen. The way that the plot plays out otherwise is very relaxed and nicely fits the beautiful Venetian settings in which the film takes place. The score by Teo Usuelli is haunting and sexy in the right places, and what the film lacks in suspense is made up for by intrigue emanating from the sexual tension of the lead characters. Overall, this might not do much for those who like their Giallo's tense and ultra-violent, but if you want a seductive, tightly-wound little flick; Amuck is one the best!

The stunningly beautiful Barbara Bouchet plays Greta, who gets a job working as a secretary at the large house of writer Farley Granger with the motive of solving the disappearance of her friend/lover Sally, who had previously been employed there. In my opinion this is borderline horror/giallo. There is no gloved maniac killing people off and the few deaths, when they do happen, aren't especially gruesome. In terms of horror we get a couple of raging thunderstorms, a very good night time disposal of a corpse and a rather bizarre incident of psychic powers. But that's about it. However, what this movie does have is lots of female nudity, including a couple of lesbian sex scenes. Like many Italian movies of this time it is beautifully filmed, the reflections of Venice in the water being particularly stunning. There's a fair amount of suspense, especially when Greta explores the house. Plus it has a great 70's euro groovy, jazzy, psychedelic score. This one won't tax the brain and like I said, may disappoint some giallo or horror fans, but it's visually it is highly enjoyable. No masterpiece but well worth seeing.

Holy Sheeit! Although plot wise this giallo is the old-school type where a bunch of folk in a huge mansion double cross and play mind games with each other before everything comes to a head (like The Third Eye or Libido), this one also gives everything a contemporary seventies vibe with wall-to-wall nudity from start to finish – and those getting naked are Barbara Bouchet and Rosalba Neri!

Barbara Bouchet is the newly appointed secretary employed to transcribe a novel that smug writer Farley Granger is writing, and this involves shacking up at his huge mansion where he lives with his equally smug wife Rosalba Neri and their butler Umberto Raho. Seems that the police have been sniffing around for a while as Farley's last secretary Sally has gone missing, and Barbara doesn't seem too surprised to overhear this.

She is surprised by finding a hulking brute standing outside of her window and is given a chill pill by Rosalba, which leads to an eye- popping scene where a half-conscious Barbara writhes about naked while Rosalba also strips off and gets busy with her – all in slow motion and immaculately filmed. But don't knock one out yet fellas, there's much, much more where that came from!

The next day Barbara doesn't recall that Sapphic encounter but is clued into things right away when, during one of Rosalba's sexy parties, she puts on an adult version of Red Riding Hood ("That hood will be red from all that riding!" – someone exclaims!) and Barbara recognises the actress as her pal Sally! A brief and subtle flashback showing the two of them naked under a waterfall may or may not hint that they might have been more than friends, but I'm not sure.

There is actually some sort of mystery in amongst the boobs and arses. Barbara thinks someone has killed Sally, and coincidentally the audio tapes that Farley gives her to transcribe seem to detail the plot of the film she's in, and around this time she begins to suspect that she may be next. Who can she trust? Rosalba, who at one point jumps out of a swimming pool to have a quick puff on a cigarette? Umberto, whose motives are unclear? How about the big brute guy, who guts a live eel in front of Barbara for some reason? Could have done without that bit, which is something I seem to be saying more frequently.

It's not very violent and as you'd expect things kick off at the end a bit. There are twists right up until the last thirty seconds. The thing with Barbara Bouchet and Rosalba Neri is that the two of them can actually act too – especially Rosalba, who can switch from sweet to evil to sexy at the drop of her knickers.

Barbara Bouchet's Boobs will return in Lucio Fulci's Don't Torture A Duckling!