Alice im Wunderland

This adaptation of Lewis Carroll's weird and wonderful book tries hard to do justice to its source, but doesn't quite get there. The music by John Barry is saccharine and unmemorable for the most part; although things do pick up when the Mock Turtle and Gryphon (Michael Hordern and Spike Milligan, inspired casting!) lead Alice in a mad dance.

Young Fiona Fullerton looks the part and sings well - she'd go on to front a number of musicals - but the other characters just stop on the wrong side of odd and scary, making them not frightening in the least. The White Rabbit (Michael Crawford) dashes around, the Mad Hatter, March Hare, and Dormouse have their odd tea party (Robert Helpmann, Peter Sellers, and Dudley Moore in another highlight of the film), the Duchess's baby turns into a pig (the Duchess is played by Peter Bull, who turned in a number of grotesque female roles in cinema), and the Queen of Hearts orders everyone's heads off (a waste of Flora Robson's talents).

The film needed a bit of imagination to take off (for another interpretation of the creatures, see the 1980s film 'Dreamchild', with horrific creations from Jim Henson's workshop); as it is, it passes the time but has little fizz.

While this adaptation has a plethora of talent in front of and behind the camera, including impressive sets, costumes, make-up and dazzling special effects, it has two main flaws.

First is William Sterling's hesitant direction, not knowing when to pick up the pace or cut a number that's not working; overall, there's a sense of lag and lethargy. His credits show that this was his last theatrical release (though this fate should have befallen any number of directors over the years).

Second, is the fact that this is a musical. Now, you might expect that with John (Dances With Wolves, Body Heat, James Bond) Barry handling the tunes, that there would be some outstanding music and you'd be right (the arrangement of "The Me I Never Knew" alone is powerful enough to demand that this music be re-released on CD!). The "musical" works best when Barry is allowed to put Carroll's words to music. It falters, however, as does too many minutes of the film, when he's forced to put music to long-time collaborator, Don Black's lyrics. Black is no novice, having won an Oscar for his lyrics to Barry's Born Free, but these songs are tack-ons, fillers; they don't work and Barry/Black have a thankless task trying to make them do so (it would be like writing a musical to Shakespeare and throwing out The Bard's lyrics).

Fiona Fullerton is a handsome Alice, and while her singing isn't professional, it has an endearing warmth. Her voice improved as she became a pretty and capable British stage actress, excelling in, yes, musicals.

Barry/Black went to better success with the UK stage hit, Billy.

There have been many adaptations of Lewis carol's work. However, I believe this version is the most enjoyable of all. Both children and adults will find this film entertaining. This version has a unique opening/closing envelope. With the ending showing that her dream had actually changed Alice's persona: "from now on I'll be the me I never knew." Unlike Irwin Allen's 1985 version (which amalgamated "Wonderland" and "Looking Glass" together) or the special-effects over-ridden 1999 version, this film takes the best of the Wonderland story and displays it with a richness that is pleasant and memorable. The addition of John Barry's (better known for his score's to the early James Bond films) music only adds to the sense of wonder that we share with Alice in her adventure. The music indeed elevates this version to the status of art in the truest sense rather than just another movie. Heck, it was better than the one Disney came out with -- that should say a lot.

Interesting fact, this film features Micheal Crawford as the WHITE RABBIT. Better known for his roles, Frank Spencer in "Some Mothers do Ave Em" and the Phantom in the stage production of Andrew Lloyd Webber's "The Phantom of the Opera." A curious footnote on his carrier.

I am one of those who loves the book, it is timeless and nostalgic. Out of all the film versions, the Disney film is my personal favourite of them all, because it is colourful and I loved watching it as a child. This 1972 film is an interesting if not quite as magical musical take on the classic, while uneven in pace and a little too short, and having one or two tacky costumes(ie. Doormouse) it is well worth seeing. It is also a shame that when it is shown on television, the adverts make the film lose its narrative flow and there are times when the quality of the picture is somewhat grainy. There is much to enjoy though. The sets are wondrous and very colourful, the cinematography is lovely and the film is fairly faithful to the book. The script has its amusing moments, and the songs and score are sweet and memorable. As Alice, Fiona Fullerton does a credible job making a character who could have easily been bland quite innocent and sings tunefully. Though I do think she is overshadowed by her co-stars, Michael Horden's melancholic Mock Turtle, Peter Sellers's hilarious March Hare, Robert Helpmann's(who was absolutely terrifying in Chitty Chitty Bang Bang) eccentric Mad Hatter, Ralph Richardson's knowing Caterpillar, Spike Milligan's fun Gryphon, Flora Robson's shrill Queen of Hearts and Michael Crawford's interesting White Rabbit are the definite highlights. In terms of favourite scenes, definitely the tea party sequence, it was fun. Overall, flawed yet interesting. 7/10 Bethany Cox

i first saw this version of carroll's tale as a child on thanksgiving day, and i did not forget how much i enjoyed it. i caught it years later as a teenager on cable, taped it, and did not grow tired of watching it repeatedly. i think that this movie adaption is the best and most faithful to the book that i have seen. the pace is brisk, the songs are lively, the overall musical score is very nice (especially "the me i never knew"), the acting is acceptable, the costume design and sets work well (with the exception of using a painting of the palace that was supposed to be a shot of the real thing in one scene), and it is quite funny in some parts. overall, it was nicely done, and remains a film i can continue to watch repeatedly as an adult.