Füge eine Handlung in deiner Sprache hinzuA musical retelling of the American Revolution's political struggle in the Continental Congress to declare independence.A musical retelling of the American Revolution's political struggle in the Continental Congress to declare independence.A musical retelling of the American Revolution's political struggle in the Continental Congress to declare independence.
- Für 1 Oscar nominiert
- 1 Gewinn & 2 Nominierungen insgesamt
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William Daniels,is of course spectacular as John Adams,the linchpin of the show. Howard DaSilva and Franklin is just jaded enough(read dirty old man), and Ken Howard is delightful as Jeffrson. One person who was not in the stage production but is a definite asset to the movie is John Cullum as Rutledge.especially in his big solo number,Molasses to Rum.
A real treat for eyes and ears ,and a history lesson to boot.
The writing is superb, and the direction is perfection itself. The music and lyrics add a bold exclamation point, for they range from funny to serious, simple to complex, in the richness of sound and appropriateness of placement.
Leading the charge is the cantankerous character of John Adams (William Daniels). It is nothing less than a remarkable and brilliant portrayal, probably one of the most difficult, and yet one of the best ever played. Daniels walks a very fine line, depicting the essence of a man who grates on his friends and foes, yet quickly pulls the audience to his side. You can't help but feel the desperation, frustration and passion of Adams, as he tries to persuade and pull reluctant and loyalist colonial representatives to his cause.
Frank Da Silva's Ben Franklin is equal to the challenge of the quality performance given by Daniels. Franklin is certainly the more popular figure among the characters, but nevertheless has many complexities, expertly brought out by the quality writing and Da Silva's fine skill as an actor of high caliber.
It is hard to write a review of such a fine film, without mentioning all the magnificent performances by a remarkably talented cast. It is far easier, and much more pleasurable, to simply view the film. Pay attention to the lighting and choreography. Watch the meeting room transform from a rather plain space, to one of intensity, as the room goes from static and flat, to lively and dramatic. It follows the mood of the film, as the issue of independence is moved from a side issue, to weave its way to the forefront. The oversized calendar reminds one of the ticking of a clock, as the days move inevitably to July 4th. And while we know the outcome of the events, it is too easy to be drawn into the process, and become captured by the suspense of those last six weeks leading to the formation of a new nation. The tally board, which records the votes of the colonies, also looms large on the wall. The movement from left to right, for and against independence, also adds to the suspense and drama of the film.
There are lighthearted moments, and witty banter, among the characters, as one would expect. But there are surprises too. And the viewer gets to see an amazing transformation of the irritable Adams to a much softer person, when he corresponds with Abigail. Please add 1776, with confidence, to your list of must-see movies. I think it is as fresh today as it was 30-years ago. It is time for a film re-release, or at least a revival on Broadway, but since such things rarely happen, do yourself a favor and rent or buy the movie. Personally, I think it was the finest of its kind. Can one rate it higher than a ten? Would that I could, for it deserves it. Kudos to the writer, director, and amazing cast. It was, for many, their very best performances, both behind the scenes and in front of the camera.
A side comment: the film isn't just made for Americans. I recommended it to some of my friends in India, and they loved it. You don't even need to know anything about American history or the Declaration of Independence to "get" the movie -- it stands on its own!
Another amazing thing about this movie is its drama. You know from the beginning what's going to happen, but you're still caught up in the drama of the film.
William Daniels as John Adams stole the show. He was the best actor in a very strong cast and I was captivated from the very first scene. He has such a cool voice. (But no matter what he's done in his career, he's always be Mr. Feeny to me!) I've always admired the real John Adams to boot so he made an engaging protagonist. Howard de Silva as Benjamin Franklin was another definite highlight acting wise.
The film's standout feature is its witty and engaging screenplay, adapted from the Broadway musical by Peter Stone. The dialogue is sharp and filled with clever wordplay, capturing the essence of the passionate debates and political maneuvering that characterized the birth of the United States. The songs, composed by Sherman Edwards, are both entertaining and historically informative, blending seamlessly into the narrative and providing insight into the characters' motivations.
William Daniels delivers a standout performance as John Adams, capturing the fiery determination and idealism of the future second President of the United States. His interactions with Howard Da Silva's Benjamin Franklin and Ken Howard's Thomas Jefferson are particularly memorable, showcasing the camaraderie and occasional tensions among these historical figures.
Despite its predominantly indoor setting and dialogue-heavy nature, the film manages to maintain visual interest through effective staging and cinematography. The period costumes and sets are meticulously designed, transporting viewers back to the turbulent days of the American Revolution.
"1776" is not merely a historical drama but also a reflection on the enduring principles of democracy and independence. It successfully blends entertainment with education, offering viewers a compelling look at a pivotal moment in American history while celebrating the human spirit and determination that shaped the nation.
In conclusion, "1776" is a must-see for history enthusiasts and fans of musical theater alike. Its engaging performances, witty script, and memorable songs make it a timeless portrayal of the events leading up to the birth of a nation.
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- WissenswertesIn an interview in TV Guide in the 1970's, Ken Howard related that he was rehearsing some of his lines from the play aloud while traveling on an airplane. The inflammatory revolutionary rhetoric caused the plane's crew to summon the police and he was questioned by the authorities when the plane landed.
- PatzerSouth Carolina was not resistant to the notion of independence, far from it. In fact, South Carolina had rewritten its constitution in 1774, removing all references to Royal Authority.
It is stated quite clearly in the film that South Carolina would welcome independence, not just from England but from the other states as well.
- Zitate
John Adams: I have come to the conclusion that one useless man is called a disgrace; that two are called a law firm, and that three or more become a Congress! And by God, I have had this Congress! For ten years, King George and his Parliament have gulled, cullied, and diddled these colonies with their illegal taxes! Stamp Acts, Townshend Acts, Sugar Acts, Tea Acts! And when we dared stand up like men, they have stopped our trade, seized our ships, blockaded our ports, burned our towns, and spilled our BLOOD! And still, this Congress refuses to grant ANY of my proposals on independence, even so much as the courtesty of open debate! Good God, what in hell are you waiting for?
- Crazy CreditsThe theatrical version has no credits at the beginning other than "Columbia Pictures presents" and the film's title. The Director's Cut and the extended laserdisc edition includes a main title sequence at the opening.
- Alternative VersionenThe studio cut the film heavily prior to its release. Released theatrically at 141 minutes; laserdisc reissue is 180 minutes and features deleted footage, alternate takes for certain scenes, and an additional musical number titled "Cool Considerate Men." This version also includes an overture and intermission. According to the laserdisc jacket, the original film elements of the extended version were destroyed; thus the deleted scenes were taken from whatever Columbia could find, mostly old, misused prints (which leads to a decrease in picture and sound quality whenever the film transitions from the theatrical version to the deleted footage). One deleted scene was taken from a black-and-white print and was presented as such.
- VerbindungenFeatured in Playing Columbine (2008)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- 1776
- Drehorte
- Columbia/Warner Bros. Ranch - 411 North Hollywood Way, Burbank, Kalifornien, USA(Benjamin Franklin sitting for painting)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Laufzeit
- 2 Std. 21 Min.(141 min)
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1