Die Strassen von San Francisco
Originaltitel: The Streets of San Francisco
Ein altgedienter Polizist mit mehr als zwanzig Jahren Erfahrung arbeitet zusammen mit einem jungen Inspektor an der Aufklärung von Verbrechen in San Francisco, Kalifornien.Ein altgedienter Polizist mit mehr als zwanzig Jahren Erfahrung arbeitet zusammen mit einem jungen Inspektor an der Aufklärung von Verbrechen in San Francisco, Kalifornien.Ein altgedienter Polizist mit mehr als zwanzig Jahren Erfahrung arbeitet zusammen mit einem jungen Inspektor an der Aufklärung von Verbrechen in San Francisco, Kalifornien.
- Für 16 Primetime Emmys nominiert
- 4 Gewinne & 24 Nominierungen insgesamt
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The 119 hour-long episodes of this police drama were originally broadcast on ABC from 1972 to 1977. This DVD contains 12 episodes (570 minutes) of the 23 episodes from the second season. All the second season episode titles and their original air-dates are detailed below.
Quinn Martin ("The Fugitive" and "The F.B.I.") stayed with his favorite genre and enhanced it by using the city made famous for its crime by "Bullet" and "Dirty Harry". The production is classy but the stories are not particularly interesting or original.
The show's real claim to fame is as the best ever pairing of a veteran cop with a young hunk rookie. While this is an overused concept it works particularly well in this series because the actors (Karl Malden as Mike Stone and Michael Douglas as Steve Keller) shared much the same career dynamic as their on-screen characters. Veteran actor Malden ("On the Waterfront" etc.) plays a blue-collar 23-year veteran of the force and acting novice Douglas a college-educated newcomer interested in new methods of crime solving.
Then again, what do I know? I'm only a child.
Quinn Martin ("The Fugitive" and "The F.B.I.") stayed with his favorite genre and enhanced it by using the city made famous for its crime by "Bullet" and "Dirty Harry". The production is classy but the stories are not particularly interesting or original.
The show's real claim to fame is as the best ever pairing of a veteran cop with a young hunk rookie. While this is an overused concept it works particularly well in this series because the actors (Karl Malden as Mike Stone and Michael Douglas as Steve Keller) shared much the same career dynamic as their on-screen characters. Veteran actor Malden ("On the Waterfront" etc.) plays a blue-collar 23-year veteran of the force and acting novice Douglas a college-educated newcomer interested in new methods of crime solving.
Then again, what do I know? I'm only a child.
San Francisco was still like THIS! Karl Malden dispensing wisdom, Michael Douglas dispensing testosterone, new Fords as far as the eye can see, and only a hint of the depravity that the city exudes. Good stories, well directed, thoughtful in short doses. Worth your time until Douglas exits, then it fades to black.
This was definitely a good show and it really fed off the dynamic of the older cop (Malden) and the younger cop (Douglas). The chemistry between the two was what made the show great and it would eventually be the springboard to the later success that Michael Douglas would have in later years. Also, this show is definitely overlooked when it comes to classic police dramas. Too bad it had to come out in an era when the super cop shows dominated the television landscape.
The headline says all I think about "The Streets of San Francisco". Great scene, great screenplays, great actors, great atmosphere. Michael Douglas shouldn't have left 1976... I would have loved to see two or three more seasons with the Stone/Keller team. SIMPLY THE BEST in any way! There have been only few "great" TV crime shows during the past 30 years; I would place Streets of San Francisco on top, followed by (in no particular order) Cannon, Petrocelli, Vega$, Magnum, Miami Vice, Jack and The Fatman, and Nash Bridges. These make watching TV a real pleasure.
Just the opposite of Dirty Harry. Where Eastwood spent his time ranting against and beating up, shooting, or threatening hippies, women, and Blacks, these were San Francisco detectives in a show with a social conscience even while they tried to catch criminals.
Gays are depicted positively. Blacks shown sympathetically, even if guilty of crimes. Outcasts of all kinds are shown as victims of circumstances.
Probably the height of its progressive sensitivity was an episode with one of Arnold Schwarzenegger's first roles. He plays a bodybuilder who accidentally kills a woman who mocked his muscle flexing. Surprisingly, his acting was better than in most of his films.
Gays are depicted positively. Blacks shown sympathetically, even if guilty of crimes. Outcasts of all kinds are shown as victims of circumstances.
Probably the height of its progressive sensitivity was an episode with one of Arnold Schwarzenegger's first roles. He plays a bodybuilder who accidentally kills a woman who mocked his muscle flexing. Surprisingly, his acting was better than in most of his films.
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- WissenswertesBy all accounts Karl Malden and Michael Douglas developed a strong professional and personal relationship from their time on the series. Twenty years after last working together on an episode they were both onstage at the 1996 People's Choice Awards. Malden referred to Douglas as "the son I never had" and mentioned that he had wanted producer Quinn Martin to cast Douglas on the series. Douglas responded to the compliment by calling Malden "my mentor," and both also expressed that they enjoyed working together on the show.
- Crazy CreditsEnd credits (from seasons 2-5): Photographed Completely On Location in San Francisco. In season 1, the production was split with exteriors filmed in San Francisco and interior scenes filmed at the Burbank Studios in Burbank, California.
- VerbindungenEdited into The Green Fog (2017)
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