Kein Pardon für Schutzengel

I like just about every show Ive seen in this genre except this one and The Adventurer. Both shows have 25 minute episodes and the format stinks. You get action sequences, splashes of plot and a rapid conclusion. The characters end up developing as much as those supermarionation figures and not even important ones at that. I suppose the tv action adventure genre of the 60s did run its course in terms of public interest and marketing by the early to mid 70s led to these half hour shows which are easier to sell but they sacrifice alot in quality. Not being around to view these in their original context now makes this show avoidable.

For those who feel the need for more old time TV action thrillers but have seen I Spy, The Avengers, The Saint, Danger Man, The Man From UNCLE, Missi9n Impossible and Persuaders too often, I recommend The Champions more than this and The Adventurer. Half hour long episodes just do not work, this isn't Batman.

I hope I never grow up enough to think this show is awful.I can see why people think it is dated,but I like it.The first episode is one of the best,it was very exciting. The theme tune is great as well as catchy.I often find myself humming it. Gerry Anderson fans might like it,but I think other people will think it is terrible.

It is one of my favourite Gerry Anderson shows.

This series almost works. Almost. But thirty minutes (or, rather, 25 minutes of runtime) just aren't enough. I always thought Robert Vaughn and Nyree Dawn Porter had the beginnings of a strong on-screen chemistry. But it never really happened. And it wasn't just because of the background presence of Gerry Anderson, whose sci-fi series cast with humans (UFO and Space: 1999) often rivaled his puppet populated sci-fi series, such as Fireball XL5, for stiffness and lifeless performances. No, it was mainly a matter that just as soon as Harry and the Contessa began even the mildest of banter the producers had to move the story along to get in all the action scenes and wrap things up at the end of a half hour.

Otherwise, the makers of the series seem to be flying by the seat of their pants throughout. And this is not necessarily a bad thing. There are lots of interesting and even novel, for the time, camera shots and action sequences. All in all, not a bad way to spend a half hour. For all its faults, there is more imagination in the shooting of The Protectors than there is in most of the static drama series on TV today.

Different to most of the competing cops and capers shows around at the time, "The Protectors", a rare Gerry Anderson project not involving puppets or science fiction, had episodes only clocking in at 25 minutes or so and thus, as I remember it, failed to secure a real prime-time TV slot on original release in 1972. However this gave it the benefit of appealing to casual viewers who didn't have an hour to spare to watch say, "The Persuaders" or "Mission Impossible" to name but two.

Yet there's something to be said for the brevity of the individual programmes as there's less padding and more directness in the story lines and there's little time to be bored. Yes, most of the shows I've seen seem to rewrite the same four or five plot-lines, and seem to invariably include some foreign intrigue, overseas locations, a kidnapping, a daring rescue, a punch-up and some cliff-hanging finish before the end credits roll and that great theme tune, bellowed out by Tony Christie.

Obviously over so many shows there is some variation in the quality of the writing but the direction, probably of necessity, is uniformly brisk and to the point. The casting of the leads is very pleasing, I loved Robert Vaughn in "Man Fom U.N.C.L.E." and while he's not the lean mean (lady)-killing machine he was back in the 60's, as team leader Harry Rule, he commits well to his part and rarely looks bored. Nyree-Dawn Porter is still the beautiful English rose she was in "The Forsyte Saga", certainly not faded and is surprisingly adept in her role as the stylish and resourceful Contessa Di Contini, while Tony Anholt does well enough as third wheel Paul Buchet, suave Frenchman, although his accent occasionally crosses back over the Channel.

I'm working my way through an old DVD box-set I bought ages ago and am quite enjoying the task. My teenage heart at the time was in thrall to the more escapist shows of the era like "The Champions", "Department S" or "Randall and Hopkirk (Deceased)", but I'm happy to commit 25 minutes of my time to Harry and the Contessa, any day of the week.

How could you not resist singing along to Tony Christie's wonderful rendition of "Avenues & Alleyways"? I love this series not for the plots that went nowhere, but for the great cast of Robert Vaughan, Nyree Dawn Porter (deceased) in a pseudo-Italian accent and the very handsome Tony Anholt (deceased) who looked decorative, spoke with a French accent and was always elegantly attired). A special mention needs to be made for Yasuko Nagazumi who plays Harry Rule's talented and elegant personal assistant. Check out her hairstyles and creative costumes!

This series epitomised the stylish early 70's when men wore fitted suits, silk neck-scarves and sexy shoes, when women wore outrageous dresses, make-up and very high, creative hairstyles.

Another Gerry Anderson production (I'm a fan of his work, especially UFO), this series was very much like "The Persuaders", set all over continental Europe and featuring some interesting guest stars of the day. The locations alone are worth watching for.

Watch this series just for the fun and the retro memories. Don't take the story lines too seriously - it was just the early 70's; and that's what mattered!