Füge eine Handlung in deiner Sprache hinzuTwo gunfighters separate and experience surreal visions on their journey through the west.Two gunfighters separate and experience surreal visions on their journey through the west.Two gunfighters separate and experience surreal visions on their journey through the west.
Patricia Quinn
- Belle Starr
- (as Pat Quinn)
James Gang
- Job Cain's Band
- (as The James Gang)
Peter Bergman
- Bank Teller
- (Nicht genannt)
Pedro Gonzalez Gonzalez
- Pancho the Doorman
- (Nicht genannt)
Lawrence Kubik
- Man in Bar
- (Nicht genannt)
Country Joe McDonald
- Cracker
- (Nicht genannt)
Barry Melton
- Cracker
- (Nicht genannt)
Joe Walsh
- Member of The James Gang
- (Nicht genannt)
Empfohlene Bewertungen
Siddhartha done as a Rock and Roll Comedy Western by two of the members of the Firesign Theatre - What's there not to love.
Even if you don't recognize the themes of self discovery based on Herman Hesse's classic story of the Buddha's early journey, this is still a fun movie featuring the classic American western outlaw story done as a send-up.
It's like a light hearted version of El Topo only it made me laugh where the other made me squirm - in a good way. This is not to say that the story is the same as either. It merely shares the same themes.
Particularly amusing are the scenes with Country Joe and the Fish as the bungling highwaymen. Louisiana Man Doug Kershaw as the lone fiddler in black and the James Gang's opening scene are breathtaking and funny at the same time. It reminds me of Hesse's line in Steppenwolf when Mozart laughs at the hero in his dream because he can't hear the music through the static on the radio. This music celebrates the joy of life that epitomized the counterculture rebellion against the darkness of the times.
Max Frisch, the Swiss author, defended an attack on the silence of the Swiss writers during the horrors of Nazi Germany by saying he wanted to set up against that all the other things that still can be called life. This movie was part of that movement -- forget superficial commercial ventures like Hair or JC Superstar or the Tommy movie -- this was the musical of the rock and roll generation as much as Rocky Horror was the musical of the Glam Rock generation. Only back then young people were just grateful to be alive and have any dreams at all. It's no wonder that the votes on this one has old farts like me rating it much higher than anyone else. I guess you had to be there back when these musicians couldn't even get radio airplay. I haven't seen this in nearly twenty years when it last played at one of the revival houses but it's one of the few movies whose scenes I can replay in my mind an laugh out loud. This is how we celebrated all those other things that we still called life.
Although I would no longer condone such practices, this film appears to have been made to also be enjoyable under the influence of the popular psychoactive alkaloids of the era.
Even if you don't recognize the themes of self discovery based on Herman Hesse's classic story of the Buddha's early journey, this is still a fun movie featuring the classic American western outlaw story done as a send-up.
It's like a light hearted version of El Topo only it made me laugh where the other made me squirm - in a good way. This is not to say that the story is the same as either. It merely shares the same themes.
Particularly amusing are the scenes with Country Joe and the Fish as the bungling highwaymen. Louisiana Man Doug Kershaw as the lone fiddler in black and the James Gang's opening scene are breathtaking and funny at the same time. It reminds me of Hesse's line in Steppenwolf when Mozart laughs at the hero in his dream because he can't hear the music through the static on the radio. This music celebrates the joy of life that epitomized the counterculture rebellion against the darkness of the times.
Max Frisch, the Swiss author, defended an attack on the silence of the Swiss writers during the horrors of Nazi Germany by saying he wanted to set up against that all the other things that still can be called life. This movie was part of that movement -- forget superficial commercial ventures like Hair or JC Superstar or the Tommy movie -- this was the musical of the rock and roll generation as much as Rocky Horror was the musical of the Glam Rock generation. Only back then young people were just grateful to be alive and have any dreams at all. It's no wonder that the votes on this one has old farts like me rating it much higher than anyone else. I guess you had to be there back when these musicians couldn't even get radio airplay. I haven't seen this in nearly twenty years when it last played at one of the revival houses but it's one of the few movies whose scenes I can replay in my mind an laugh out loud. This is how we celebrated all those other things that we still called life.
Although I would no longer condone such practices, this film appears to have been made to also be enjoyable under the influence of the popular psychoactive alkaloids of the era.
Remember Easy Rider? Remember Beyond the Valley of the Dolls? Remember Fistful of Dollars? Now, put all those movies in a blender, hit frappe, and you'll get Zachariah. Once you get past the fact that they're playing electric guitars in 1880's, it's an enjoyable film.
I saw this movie when it first came out and occasionally think about it. It was called the 'first electric western', if I remember right. It was fun and funny and I'd like to see it again. I remember little after over thirty years, but I believe it was low budget with mostly outdoor scenes, desert at that. The 'outlaw' gang, 'The Crackers', had their own theme song, which they sang. I think Zacharia and his friend were marijuana farmers in the desert. I believe it was even called a 'cult' film, or something similar. It's hard to remember, after so many years, but I recommend this movie and I'm looking forward to seeing it again myself.
I saw this movie when it first came out, and I must say that it never tried to appeal to everybody's taste, perhaps not even mine.
However, one thing that has stuck with me for more than a third of a century is that someone in the group of about a dozen people that I was with suggested that this was in large part a remake of Siddhartha, just transposed into an off-beat western. Ultimately, the whole group concurred in this assessment, including myself (I had just finished reading the work by Hess -- the year being 1971). I got the feeling it was an effort to concoct a cult classic that just didn't hit the mark. Still, the cast is very representative of a group that would make such an effort, while not taking itself too seriously. Not great art, but a great page from the scrapbook of a counterculture.
However, one thing that has stuck with me for more than a third of a century is that someone in the group of about a dozen people that I was with suggested that this was in large part a remake of Siddhartha, just transposed into an off-beat western. Ultimately, the whole group concurred in this assessment, including myself (I had just finished reading the work by Hess -- the year being 1971). I got the feeling it was an effort to concoct a cult classic that just didn't hit the mark. Still, the cast is very representative of a group that would make such an effort, while not taking itself too seriously. Not great art, but a great page from the scrapbook of a counterculture.
"Zachariah" seems to be some sort of experiment, crossing the classic Western with the rock musical. Today it just seems absurd. (Electric guitars in the Old West? Who knew?) Today's audiences will recognize Don Johnson co-starring as Matthew, and Dick Van Patten's cameo as the Dude. Another noticeable performance is by Country Joe McDonald and the Fish, as an outlaw rock band, the Crackers. In its day "Zachariah" may have been popular with hippies and rock fans, and perhaps a few Western fans. Today, it seems like the thing for people who just want a good laugh. There is some good music, though, from White Lightnin' and the James Gang (not Jesse and Frank!). It's worth a look and a listen, even if you find you'd have to see "Zachariah" to believe such a movie was made!
Wusstest du schon
- WissenswertesThe gunfight where Elvin Jones plays his amazing drum solo was so poorly recorded that the legendary New Orleans session drummer Earl Palmer was called in to overdub the solo. Amazing that as intricate a solo as that was he was able to replicate it note for note.
- VerbindungenFeatured in The Journey of Zachariah (2019)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Zacarías
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 62.300 $
- Laufzeit1 Stunde 33 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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