Wer ist Harry Kellerman?

Potentially brilliant character study misses the mark as Hoffman plays a successful singer/songwriter who ends up badly tormented. Excessive smugness permeates a otherwise well crafted, well mounted production. Clearly the filmmakers thought they had a important "statement" picture. Unfortunately the statement becomes evasive and eventually muddled. Worth seeing just for Hoffman, who gives one of his best performances

This is a difficult movie, but worth staying with it if you like fully developed characters, emotional depth and you don't mind something outside the normal linear Hollywood story telling format. Dustin Hoffman gives a fine nuanced performance and Barbara Harris is wonderful as a vulnerable woman all too aware that she has lost her youth. Her performance is touching and every moment she is on screen shines with her unique brilliance.

I just watched this last night. I bought it because Barbara Harris received an Oscar nomination for it. I happen to think that she is a very underrated actress.....and was I right!

This movie started out very strange. From the opening scene where Hoffman falls of the top of a building, it just got stranger. I realize that this is one of those independent films that try to make a point about life in a different way than we're use to in mainstream films, but please! I knew this film was bad when I kept thinking to myself, "When does Barbara Harris come into this?!"

My husband had come home, watched a little and said, "What is this? Turn it off!" Just then Barbara Harris came on. We both sat there in awe. She made that audition scene into brilliant showcase of her talent. When Dustin Hoffman left her, you really missed her. The film really missed her. SHE is what makes this film worth seeing, well the last half at least. Dustin gives his typical performance here, nothing special. Barbara Harris is fantastic and deserved an Oscar for making it worth the torture of watching the first half of this @$%#^%, so you can see HER in the second half.

If there were an award for "best opening credits," this movie would be my pick to win, with its quirky fantasy scene accompanied by Dr. Hook & the Medicine Show's marvelous "Last Morning."

The mix of fantasy and flashback without explanation may turn off some viewers, as may the slow pace. It is not plot-driven, but is rather a character study. It also presents a picture of an period in America when modernity began to overtake traditional ways and values.

As a whole, I do not find the film to be one of Dustin Hoffman's best, but I would not have missed the haunting performance of Barbara Harris for the world. The rest of the supporting cast is also extraordinary, even including an unusual dramatic performance by Dom DeLuise, nicely done. Overall, worth seeing.

Any movie that takes place over the course of just one day can tend to drag unless it's filled with non-stop action. This film is no exception. If you love Acting with a capital "A" over Action, this is your film.

What makes this a movie worth seeing are the actors; Dustin Hoffman, Barbara Harris, and Jack Ward all turn in supreme performances. Even the bit parts are well-written and equally well-acted. The dialogue is sharp, witty and sadly comic.

Dustin Hoffman plays a highly successful songwriter who suffers from insomnia and the dementia it brings as he looks back on the relationships he's had throughout his life, hoping to break his loneliness.

Hoffman does an excellent job of portraying a creative genius, one whose creativity is so abundant he seems unable to turn it off. In most of the scenes, Hoffman is strumming a guitar, singing under his breath, presumably writing a new song with each emotion he feels at any given moment. Because the music that flows through him occupies so much of his brain, he seems unable to focus on human relationships and by middle age the loneliness catches up with him.

Hoffman drifts in and out of reality. Deciding which scenes are real, and which are his imagination is up to the viewer. Or as Hoffman tells his psychiatrist "Why should I come back to reality? What's it ever done for me?"

It should also be noted that as much as Simon and Garfunkel did for "The Graduate," so does this film's soundtrack accentuate the overall feel of the movie with music from Ray Charles and Dr. Hook and the Medicine Show.