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6,0/10
1323
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Füge eine Handlung in deiner Sprache hinzuLurcio, a Roman slave, stumbles upon a scroll exposing a plot to assassinate Emperor Nero. While catering to his master's decadent guests, erupting Vesuvius unleashes mayhem, overshadowing t... Alles lesenLurcio, a Roman slave, stumbles upon a scroll exposing a plot to assassinate Emperor Nero. While catering to his master's decadent guests, erupting Vesuvius unleashes mayhem, overshadowing the deadly conspiracy.Lurcio, a Roman slave, stumbles upon a scroll exposing a plot to assassinate Emperor Nero. While catering to his master's decadent guests, erupting Vesuvius unleashes mayhem, overshadowing the deadly conspiracy.
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Frankie Howerd will be forever remembered as the creator of the knowing glance. He develops a relationship with the audience that lets us know that he thinks this stuff is bad too. Somehow that allows us to forgive the corny puns, lame jokes and sexist humour. "Just bear with me," he seems to be saying, "It'll all be over soon." Somehow it all worked, and Up Pompeii managed to rise above its seventies comedy contemporaries to become a classic.
The film perhaps lacks the freshness of the TV series due to the loss of the studio audience. Howerd was able to react to them in a way that made the whole show appear to be improvised. This was of course down to his genius, as everything was very well rehearsed. Despite this it's still a very enjoyable film. My only complaint is that Hammer starlet Madeline Smith is not in it more!
The film perhaps lacks the freshness of the TV series due to the loss of the studio audience. Howerd was able to react to them in a way that made the whole show appear to be improvised. This was of course down to his genius, as everything was very well rehearsed. Despite this it's still a very enjoyable film. My only complaint is that Hammer starlet Madeline Smith is not in it more!
Poor Frankie didn't have a lot of luck in the world of film - making a string of Norman Wisdom type of comedies in the 50's, two Carry Ons in the sixties, and then this, the first of a trilogy of "Up..." films. This is probably his best starring vehicle. Scripted by Dave Freeman, Sid Colin and Talbot Rothwell, this, at least fairs better than the average sitcom-to-film venture; for this doesn't rely on the string of half-hour stories lifted from the television show to support the 90 mins. The reason is simple, all the writers were already experienced with writing films. All that has been lifted from the show is the majority of double entendre groan-worthy gags which, thankfully, when performed by Howerd, still raise a titter. With fine support from Patrick Cargill, Michael Hordern, Bernard Bresslaw, Hugh Paddick, Julie Ege etc. this is bound to make you laugh... even if it's just a bit.
Frankie Howerd is a genius. This wonderful film is an unrealistic story of what might have happened in AD 79. A slave, Lurcio, accidentally picks up a scroll naming conspirators, and much British fun follows. This film has little storyline, and is not particularly funny, but it is worth watching for the theme song and Lance Percival's Roman General.
This silly period comedy lives or dies depending your taste for Frankie Howerd. Me, I quite like him: I love his asides to the camera, his constant exasperation, his little quips and wisecracks. Others may find his humour stale and repetitive, and they'll be in trouble because this film is the Frankie Howerd Show in all but name.
A movie version of a once popular TV series (which I never saw), UP POMPEII is a bawdy spoof of the Roman costume drama. Howerd plays Lurcio, a slave who finds himself being chased by various ne'er do wells after a mix up involving a cucumber and a scroll (no, I'm not making this up). The film is an excuse for a parade of actors to embarrass themselves or amuse the audience, depending on how much you like smutty, silly and slapstick humour, and rarely a scene goes by without a scantily clad woman in sight.
As with most British comedies of the 1970s, a lot of the fun these days comes from spotting the star. There's Bernard Bresslaw as a champion, there's Hammer starlet Julie Ege as a noblewoman. Michael Hordern is fairly good as a politician who wanders around thinking of his next speech, as is Lance Percival as the heavy constantly on Howerd's tail (oo er). Watch out for Hammer players Maddy Smith and George Woodbridge in minor roles, a bit part for Darth Vader himself, Dave Prowse, and Barbara Murray as Howerd's alluring owner.
A movie version of a once popular TV series (which I never saw), UP POMPEII is a bawdy spoof of the Roman costume drama. Howerd plays Lurcio, a slave who finds himself being chased by various ne'er do wells after a mix up involving a cucumber and a scroll (no, I'm not making this up). The film is an excuse for a parade of actors to embarrass themselves or amuse the audience, depending on how much you like smutty, silly and slapstick humour, and rarely a scene goes by without a scantily clad woman in sight.
As with most British comedies of the 1970s, a lot of the fun these days comes from spotting the star. There's Bernard Bresslaw as a champion, there's Hammer starlet Julie Ege as a noblewoman. Michael Hordern is fairly good as a politician who wanders around thinking of his next speech, as is Lance Percival as the heavy constantly on Howerd's tail (oo er). Watch out for Hammer players Maddy Smith and George Woodbridge in minor roles, a bit part for Darth Vader himself, Dave Prowse, and Barbara Murray as Howerd's alluring owner.
This film has the best "hangover" scene I have ever seen. The morning after the orgy is a must.
Wusstest du schon
- WissenswertesBernard Bresslaw provided the voice for the unknown prisoner asking for meat and gravy.
- PatzerThe shadow of a camera can be seen when Lurcio is being confronted by the guards.
- VerbindungenFeatured in Seriously Funny: An Argument for Comedy (1996)
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- Erscheinungsdatum
- Herkunftsland
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- Up Pompeii
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- Laufzeit
- 1 Std. 30 Min.(90 min)
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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