Die Satansbrut

It's a very peculiar movie, which perhaps could only have been fully explained in semi-supernatural terms, although it never takes that step. The later sequences where murder seems entirely possible (particularly as they terrorize Seymour) are very unsettling. The movie is also a pretty effective exploding of the public school upper-crust ethos, depicting the boys as determined to get good university scholarships (perceived by them as the next thing to a divine right) while doing as little work as possible. That aside, it's not very ambitious or enormously distinctive - the portrayal of the school beyond the class itself is pretty vague and Hemmings' specific strategy - focusing on finding the ringleader - is fairly indistinctly plotted. Leonard Maltin's review refers to the actual killer's identity being revealed after closing credits but that wasn't the case in the print seen here (quite a let down, actually). The movie should surely have reached further into metaphor or broader meaning or SOMETHING. But even so, it kept me watching until 3.15 am one morning.

The movie opens with the arrival of a replacement teacher at a British boys' school. Mr. Ebony (David Hemmings) attempts to establish authority by threatening to hold Saturday classes as a punishment for unruly behavior. "It isn't a good idea, sir," young Mr Cloistermouth (Nicholas Hoye) warns him placidly, adding, "Mr. Pelham tried it once, sir. And that's why we killed him, sir."

Did they? They're a creepy bunch. Even the incessantly repeated honorific "sir" begins to feel sinister, though it is never said sarcastically. These boys keep up appearances. So are they capable of murder? It's plausible, and it certainly got this viewer's attention.

As others have noted, the idea resembles "Lord of the Flies," an allegory about human nature, where prepubescent boys degenerate to savagery to survive on an isolated island. But in "Unman," the boys are almost grown, and itching for freedom from the oppressive regimentation at the school. A few leaders emerge, the rest follow, and they coerce Ebony into helping. He complies, in part, because no one in charge believed him when he reported that the boys confessed to throwing Mr Pelham off the nearby cliffs. The Headmaster doesn't even believe him after he produces evidence in the form of Pelham's bloody wallet, which the boys gave him, lest he doubt what they're capable of.

Being neither British nor male, I can't speak to the authenticity of a public school where the coolly composed Headmaster (Douglas Wilmer) has such resolute faith in hidebound methods that he will not even hear dissent. Indeed, when given the bloody wallet, his reaction is to fire Ebony. Like "Lord of the Flies," it could also be considered an allegory, but in the end it feels more like a callow indictment a rigid educational system, minus mature insight.

Unman, Wittering and Zigo is largely unknown little film, and that isn't really surprising considering that it's really rather odd. It's not a bad film, however, and certainly is ripe for rediscovery. The film is along the same lines as Lindsay Anderson's 1968 masterpiece "If..." as it focuses on a rebellious group of boys at a posh school. The film is based on a play by Giles Cooper and that is always evident as we focus on just a handful of small locations and everything is centred on the main plot line. We focus on John Ebony, a young and idealistic teacher who takes a job an English school and is put in charge of a class of boys, leaving his wife at home in the cottage provided for them. He is given the job because of a tragic accident which resulted in the previous teacher of the class falling off a cliff to his death. It's not long before it becomes apparent that the class is not made up of 'normal' boys, and this becomes even more the case when the new teacher is told by the boys that they murdered the old one! John soon starts to fear for his life...

The best thing about this film is the way it's plotted. We are given the mystery on a plate at the start of the film and the rest of it focuses on working out whether or not what the boys told their teacher is true. Director John Mackenzie skilfully handles the main plot theme and Unman, Wittering and Zigo becomes more thrilling with every turn. The plot is relaxed in the way that it plays out, but the director keeps things interesting by ensuring that the mystery is always intriguing and the tension just bubbles beneath the surface. The film benefits from an excellent ensemble cast which is lead by the great David Hemmings who is backed up by a good cast of youngsters. The atmosphere in this film is great and is partly created by the way that the boys interact with one another. One of the most striking things about this film is the way that they talk in unison and that in itself helps to build up a feeling of dread emanating from how it shows us what the central character is up against. Overall, Unman, Wittering and Zigo may be slightly lacking in some areas (the ending is not particularly strong and the story sometimes lacks direction) but these are not big faults in what is otherwise an excellent slice of cult cinema!

Brooks?"Blackboard Jungle" in which Glenn Ford's wife is assaulted by the young guys.Anderson?"If" with its strict school and religion and sport as vectors of alienation.Vigo? (Check the name;it cannot be a coincidence;besides Zigo is always away during the whole movie)"Zero de conduite" the granddaddy of all these students rebellions.

With such references,the miracle is that "Unman,Wittering and Zigo" is a thoroughly original movie,what we usually call a sleeper.Extremely suspenseful,frightening without any special effect,it sustains interest till its last pictures.David Hemmings gives a good performance of this nice teacher ,literally under his students'thumb.What is really fascinating is the way they subdue him,the very polite way they speak;the story is implausible,but its implacable logic makes our blood run cold."We have killed your predecessor" they say to a first bemused teacher "It's a perfect crime".Hemmings 's character is completely lonely in his chic school where nobody wants to believe him ,not even his wife."We took you in hand" his students keep on repeating him.

SPOILERS:Once again,the punching bag subject comes to the fore;it makes sense that such a character should be the instigator of the crime .Being an outcast is ,to some,unbearable,and out of despair,he'd do anything to become part of the group.But what's bred in the bone comes out in the flesh:during the terrifying scene at the gym,this boy is once again humiliated .Although ,they treated their pal like a dog,they have lost their strange leader and they become children again,crying children in the last sequence.

"Unman ,Wittering and Zigo" is a disturbing movie;to the art teacher who tells him he ultimately solves the mystery,Hemmings answers :"but what can explain their behavior?"And as they carry their dead companion,the students walk hostilely towards the headmaster and his old fossils:the true rebellion has only begun.

The great David Hemmings ("Deep Red") stars as John Ebony, a former advertising man who's taken a new job as teacher at a secluded, coastal boys' school. His "form", or class, is Lower 5-B, and they're an unruly lot who don't take kindly to being told what to do. They also all tend to stick together. One of their first orders of business is informing John that they in fact murdered the man whom he replaced. He must "toe the line" regarding his treatment of them, or he WILL be sorry.

This wonderfully sinister, creepy sleeper has languished in obscurity for far too long. Based on a play by Giles Cooper, and directed with style by John Mackenzie ("The Long Good Friday"), it tells a compelling story with a nifty premise. It's easy to get hooked and wonder where it will take you; even though the answer to the burning question facing John is no great surprise, it's still devastating when you think of the reason *why* the murder of Mr. Pelham was proposed in the first place.

"Unman, Wittering and Zigo" (the title refers to the last three names on the roll call, although Zigo is always mysteriously absent) is able to get fairly explicit (there is some sex and nudity, but no real gore) while also not overplaying its hand in the portrayal of these very manipulative, self-serving students.

Well acted by all concerned, and infused with a great rural British atmosphere, this is one film worth checking out for the uninitiated - or re-discovering, if it's been a while since you've seen it.

Eight out of 10.