El Topo

I have seen three movies by Alejandro Jodorowsky - 'El Topo', 'The Holy Mountain' and 'Santa Sangre' - each are amazing, but 'El Topo' to me is the most successful. I was almost going to say "most accessible" but that would be misleading! It's still a difficult movie, steeped in religious and occult symbolism and allegory. I doubt whether anyone but Jodorowsky himself truly "gets it", but it is still the most watchable and entertaining of the three, and the best introduction to his work.

Jodorowsky not only writes and directs he plays the title role (translates as "The Mole"), a mysterious black-clad gunfighter who claims to be God. I won't bore with a detailed retelling of the plot, but it initially involves El Topo's quest to find and fight the four masters of the desert, and ends up with him becoming part of strange community of outcasts who live underground. But there's much more to than that, just watch it for yourself.

'El Topo' was a cult favourite thirty years ago, and still stands as one of the most extraordinary movies ever made. Nobody but Jodorowsky has even come close to repeating it. Currently difficult to find, but persevere, it's worth looking for. A truly unique piece of cinema that no-one who watches will ever forget!

This is my first venture into Jodorowsky's territory and I can safely say that I'm highly impressed."El Topo" is one of the most bizarre and impressive movies you'll ever see.It features plenty of interesting,weird characters,lots of religious symbolism and extremely violent gun-fight scenes.One of the producers of this one is Mexican horror veteran Juan Lopez Moctezuma("Alucarda","Mary,Mary,Bloody Mary").I urge you to see this masterpiece right now.Simply breathtaking!

An almost impossible film to quantify and as crazy today as the guy who conjured it up over 50 years ago. Is it a Western or Religion or both? Whatever it is it's sure to bend your mind.

I saw this movie about a dozen times from the early to mid '70's. It was labeled "a cult movie." While I never joined a cult, I was moved to see it a many times as I did because it was a metaphor that spoke strongly to my own spiritual searches at the time. The western motif and travels of our hero/anti hero spoke eloquently of the "mole's search for the light." While the violence was overwhelming at times, I didn't think is redundant or too much. Western society, perhaps all great civilizations, was built on a tremendous amount of violence. The scenes in the mountain with those marginalized from society and their subsequent "liberation" out of the mountain and into the light was an awesome scene. The violence that took place after wards and our own here's self immolation was very poignant. I continue to look for the movie today and hope that whatever is preventing it from being available in North America will be resolved soon. I am very curious to observe my own responses to this film today. I have seen other movies by Jordorowsky and none equaled the impact that El Topo had upon me.

El Topo (1970)

*** (out of 4)

Often considered the king of the midnight movies, Alejandro Jodorowsky's EL TOPO is part Spaghetii Western and part avant garde madness. El Topo (Jodorowsky) is a mysterious gunfighter dressed in black who shows up out of nowhere and must go up against four other gunfighters.

EL TOPO is a rather miraculous movie in the fact that it became a huge box office success across the world. I say it's a wonder this happened because there really aren't any other movies quite like this one and there's no question that Jodorowsky has a certain flair for cinema and there's also no doubt that his vision is something no one could try to recreate. Part Bunuel, part madness, EL TOPO is an ultra-violent film that manages to be about whatever is going on in the viewer's mind.

I'm not going to sit here and call this film a masterpiece like so many have. Yes, I'm sure many potheads and acid trippers saw this in the theater back in the day and was blown away by it. You also have the likes of John Lennon and Roger Ebert who called this a masterpiece so there's no question that a wide range of people love this movie. While I didn't love it I can at least respect what the director was going for, which was pure madness.

I think the best thing that can be said about the film is that it has a unique look that isn't like any other movie ever made. The film benefits from the non-stop violence that runs throughout the picture and each death is usually done with a ton of gore coming out of the bullet wounds. People call George Romero or Lucio Fulci the Godfather of Gore but it could be said that the realistic violence and over-the-top gore started right here.

As for the story, there really isn't one. The viewer could draw countless conclusions as to what the film is about and not one explanation would be better or worse than another. Personally I thought the film ran on way too long and at times I found it to be quite boring. Still, the originality factor alone makes EL TOPO something everyone should see at least once.